The Book of Horror: The Anatomy of Fear- Book Review

I love horror films as I find that the genre encapsulates so much in its broad church; it is many things to many people often reflecting societal anxieties, cultural shifts, and technological advancements. The genre offers a fascinating historical context for the scares as they are a product of their time.

The book is a hefty tome and the paper stock quality is great.

For example, the classic monster movies of the early 20th century dealt with fears of the unknown, reflecting a world grappling with rapid industrialization and scientific advancements. Then came the Cold War era, and suddenly we have anxieties about nuclear annihilation and the loss of individuality, which manifested in films about alien invasions and body snatchers. It's not just big, sweeping societal issues either as horror can also reflect more personal anxieties, like those surrounding family, relationships, and even our own bodies. The slasher films of the 1980s, for example, often played on anxieties about changing social norms and the breakdown of traditional family structures.

Most recently, we've had horror films based on the theme of technology as we're living in a world increasingly dependent on technology, and with that dependence comes a whole new set of anxieties.

It's fascinating how the horror genre constantly evolves to reflect our changing world and looking at this evolution, we have Matt Glasby's The Book of Horror: The Anatomy of Fear in Film to guide us. Glasby, a seasoned film journalist, brings a wealth of knowledge and a palpable passion for horror to this project, resulting in a book that's as informative as it is engaging.

The book is a meticulously crafted exploration of the genre, dissecting the very essence of fear on screen by looking at the core films he sees within the genre, starting chronologicalally from Psycho all the way to It: Chapter 2.

The structure is both logical and accessible, with a grading system based on dread, the unexpected and other key theme and a graph of the key moments. Glasby's writing style is clear and concise, avoiding academic jargon and technobabble while still maintaining a level of intellectual depth for cinephiles. He manages to be both informative and entertaining, making the book a pleasure to read even for casual horror fans.

Given the wide expanse of horror content out there, Glasby can not cover the entire genre but he does cast his net wide and the recommended viewing lists provide plenty of avenues for further exploration for those so inclined.

Overall, The Book of Horror: The Anatomy of Fear remains an essential addition to any horror fan's library.  It's a beautifully designed, intelligently written, and thoroughly engaging exploration of the genre.  Whether you're a seasoned aficionado or just beginning to explore the world of horror cinema, this book is sure to provide you with new insights and a deeper appreciation for the art of fear.  It's a book that you'll likely return to again and again, discovering new details and perspectives with each reading.

Gyo by Jinji Ito- Graphic Novel Review

Junji Ito is known for creating a  sense of unease and creeping dread that is often mixed with body horror. He often bases this in everyday life and the malignant force happens to people, rarely is there a hero who escapes... It's a bit of a downer really but that's what people like about his work. There's often no deus ex machina or hard reset; the world is messed up and that's it -fade to black.

In Gyo, a manga from the early 2000s, we are introduced to Tadashi and Kaori, a young couple who go to the coast of Okinawa. Whilst there they discover a new breed of animal: a walking fish. However, when these creatures and other sea beasts that have evolved start to take over the land the novel's premise, while initially seemingly absurd, quickly spirals into a terrifying exploration of humanity's impact on the natural world.

Sure, the characters are archetypes but Ito uses them effectively to highlight the chaos and desperation of the situation. Kaori's demands and Tadashi's reluctant heroism add a layer of dark comedy to the horror. Kaori is the stereotypical shrill demanding girlfriend who is pretty unreasonable to her boyfriend, at one point asking him to get rid of a walking Great White Shark! Meanwhile, Tadashi is the put upon boyfriend who tries to be the hero but is just an everyman who is overwhelmed by what is happening. Tadashi's uncle is an eccentric scientist who wants to investigate these strange creatures as, after years of early promise with his inventions, he has not been able to fulfill his potential.

What follows is a tale involving World War II, biological weapons and a force that is hard to control. Ito's signature grotesque style is on full display here, with the walking fish and other monstrous creatures becoming nightmarish symbols of ecological disaster. The way he blends elements of horror, science fiction, and historical fiction creates a truly unsettling atmosphere.

The inclusion of the Enigma of Amigara Fault is a nice touch, providing a stark contrast to the sprawling narrative of Gyo. It's a testament to Ito's versatility as a storyteller. Overall, Gyo is a must-read for fans of horror and fans of Ito's work. It's a disturbing, thought-provoking, and visually stunning masterpiece.

LINK: Japan: My Journey to the East

LINK: Blood, Sweat and Pixels- Book Review

LINK: The Offworld Collection- Book Review

LINK: Shadow of the Colossus- Book Review

LINK: Manga Exhibition at the British Museum

LINK: The Midnight Library and the Idea That You Can’t Go Home Again

LINK: The Transportive Nature of Objects (And the Power of Mini Consoles)

LINK: My One True Gaming Constant in Life- Nintendo

Hammer House of Horror- Cult TV Series Review

I have been a film aficionado for a long time. My father brought me up on classics like David Lean's adaptations of Oliver Twist and Great Expectations as well as the various black and white classic comedies of Charlie Chaplin and Laurel and Hardy. However I became interested in cult TV series and films whilst attending university. Our campus was media-centered and as a result it had a huge catalogue of videos to rent, free of charge. I ploughed through many often taking the maximum 8 out at a time and consumed them voraciously. As a result I believe that I am quite literate in films and TV but the series that really attracts me are the more offbeat curios.

I've explained my love for old creepy films here before and it is in this vein that I wanted to explore Hammer House of Horror, the 13 episode anthology series which was shown on ITV in the early 80s. I had never seen the series before so thought I'd dive in. What intrigued me was how the 50 minute short films were shot in the style of the times rather than the usual Hammer fare that had been famed over the previous couple of decades. The provinciality of it all recalls Minder or the kitchen sink melodrama Play for the Day rather than glamourous Dracula, Twins of Evil or the more desperately lustier affairs that precipitated the studio going into receivership.

The series was the idea of Roy Skeggs and he wanted to create a grittier, more realistic (and cheaper) horror that blended slice of life with the supernatural or eerie, a modern gothic if you will. Local problems for local people. The result is an interesting time capsule that captures the fashion, sensibilities, technology and dour mood of the time. By doing away with the 'genre crap' that Hammer had helped to create and codify, it prevents the series from being the usual campfire stories or folklore and turns it more into urban legends or friends of friend tales- a much more horrifying prospect as there were definite social messaging contained upon it's release in the early 80s.

The series tweaks the 'tenets of genre' to create something all together more interesting. Anyways, here are my thoughts on the individual episodes:

Witching Time
On a dark and stormy night, whilst home alone, married man David finds a beautiful woman in his barn claiming to a witch from the 17th century. Thinking her a kooky eccentric, he humours her before locking her in a room and calling for a doctor.
Upon arriving, the witch disappears and the doctor thinks David is overworked and hallucinating. He gives him some stronger pills but the witch comes back and starts to wreak havok upon him and his returning wife. Things quickly go downhill as we don't know if David is self-sabotaging or if there actually is a witch who has a hold of him.

This is an interesting episode as it is quite meta in that David is the sound mixer for horror films and he is being haunted himself. The slow deterioration of his mental health as the witch takes hold is interesting to see. It's a pretty solid episode and had me intrigued throughout.

The Thirteenth Reunion
When a new dieting clinic seems to be getting astonishing results, a roving reporter goes undercover to investigate the secret of their success. She sees a tough love affair where people are insulted into 'thinking themselves thin'. She bonds with a fellow 'fatty' but when he unexpectedly dies after a road accident her suspicions are raised as this seems to be happening quite regularly.

This episode goes some places and what I initially thought of as some body harvesting scam definitely ends up something much more sinister and weird. The tension is cranked up all the way through and the ending is not what I expected at all.

Rude Awakening
When an estate agent is given a property to put up for sale, he visits it but gets more than he bargained for when the manor is a state of ruin. What follows is a weird mystery about a recurring nightmare and whether the agent is losing his mind or maybe his subconscious is suffering from guilt from the murder of his wife.

Denholm Elliot shines as a cocky cockney everyman estate agent who ends up getting himself caught up in a bit of a mess when visiting the property. He plays it well, sliming it up with his young secretary in various states of fantasy attire as he tries to work out what is going on. The ending is typically dark and catches you off guard as dreams and reality merge.

Growing Pains
A young boy dies after trying some of the growth formula that his research scientist father is using on rabbits to end world hunger. A short while later, the parents adopt an orphan who has a rabbit toy and an interesting personality. When visions of the dead son appear and the pet dog starts to behave strangely, the parents question their sanity.

This is a quirky episode as the boy who eats the medicine is dopey. I mean, who goes into their father's scientific lab and scoffs strange liquids and powders from a random jar on a shelf? The boy is about 10 years old so should definitely know better. Anyways, the replacement boy plays a slightly creepy role well and the setup is intriguing. The story goes place you would not think it would go and that keeps you on your toes.

The House That Bled to Death
When a young couple and their daughter move into a house, little do they suspect that their house was the scene of a gruesome murder some years ago. As they try to bed in, unsettling things seem to be happening around them... almost as if the house wanted revenge.

This is a solid episode with lots of shocks and scares as the tension slowly escalates. The blood flows generously but, once again, the episode goes to a different place.

Charlie Boy
When a friend dies, a photographer and his friends get a chance to rifle through his things and take souvenirs home. When the photographer takes an African fetish doll, known for being used in witchcraft, people start to die. Will he make it in time before his wife and he succumb to its dark power.

This is a great episode about the power we give objects. Is it the fetish or is it the paranoia and coincidence of it all? This episode is great and it was wonderful to see the young familiar face of Angela Bruce as the wife of the photographer. The relationship between the interracial couple was loving and they treated each other like equals which was surprisingly more sensitive than what I have been used to from shows from that era. Fair play to the show for doing that.

The Silent Scream
When a habitual petty thief is released after two years inside, he finds a job at a local petshop run by Peter Cushing. When tasked with feeding the trained exotic animals he keeps at the back whilst he's away, the thief tries to open a safe and is caged. Will his wife help him get out or will the thief be trained to curb his thieving ways.

Cushing is excellent in his role as a mad scientist who looks at creating a prison without walls. He is seemingly sane and his idea has merit in principle but at what cost to civil liberties and freedom?

Children of the Full Moon

After their car careens out of control, a young couple find themselves out in the sticks in the late afternoon. They find refuge in a creepy old country house in the care of an old lady and loads of orphan children. As the night draws in, the sound of wolves can be heard and the children start to act strangely. Whatever can it all mean?

This is a great episode with Diane Dors camping it up as the old lady of the creepy manor house. This is considered one of classics of the series and is so highly regarded due to the gothic feel of the mansion, creepy woods and quite good makeup work.

The Carpathian Eagle
When a series of men are murdered, with their hearts ripped out, an old legend seems to be bubbling to the surface. A police officer and a murder-mystery author try to get to the bottom of the serial killers crimes on this short thriller.

The central conceit of this episode is great as it plays out like a crime procuderal but has the obvious supernatural elements, much like Kolchak: The Night Stalker. This episode was a firm favourite of mine as there is a great central mystery.

Guardian of the Abyss
When an antique dealer comes across a scrying glass his world is turned upside down as satanists and an escaped sacrificial victim cross his path. When his scrying glass- which may have been Dr Dee's original one- is stolen, he goes on a hunt to find it and save the glamourous sacrifice at the same time.

It's an intriguing episode as the poor guy just wants to flip the item to get some moolah but he's caught up in a demonic mess involving Enochian, Choronzon and Aleister Crowley. Fascinating stuff with a dramatic and powerful ending.

Visitor from the Grave
When a rapist is killed by his prospective victim, his body is concealed to hide the crime. However, as she struggles to reconcile her life  with the crime she slowly starts to unravel as she sees the face of the rapist in her everyday life. Maybe a Swami from India can help, for a high fee of course.

This is a slow burn episode as the action happens right at the beginning and it's all about the trauma and unravelling as the victim goes all swiveleyed and anxious. This episode is not very sensitive at all but it isn't as egregious as much other media from the time- the portrayal of a woman who has gone through a traumatic experience isn't very sensitively handled whilst the brown face of the Swami is pretty racist but this was par of the course for the time and should be considered through those optics. Thank gosh things have moved on somewhat and we live in more enlightened times.

The Two Faces of Evil
When a family on a country drive pick up a hitchhiker during a storm it doesn't go well as he attacks the family. Waking up in a hospital the family try to get back to normal but life is forever changed. The question is: has the hitchhiker gone for good?

This is an excellent episode as the sense of  claustrophobia is achieved through tight and unusually low camera angles. It disorients you as you watch the episode and even the staff at the hospital look sinister from that angle. It's quite an achievement on such a low budget. The concept of a doppelganger is intriguingly covered in this episode and the chase at the end suitably dramatic.

The Mark of Satan
When a novice who works in a morgue is accidently pricked with the bloody neddle of a corpse who claimed to have been protecting his soul through self-drill applied trepanning, he undergoes an interesting transformation. He starts seeing patterns everywhere and is worried that there is a conspiracy against him.

I liked this episode as the number 9 is a recurring motif and occurs frequently throughout. I wonder if the creators of Inside Number 9 were inspired by this particular episode as they do cite this series as a foundational text within their ouvre.

Overall, I really enjoyed this anthology series. I can see how it has influenced many shows including Inside Number 9, Black Mirror, The League of Gentlemen and The Mighty Boosh. It's a quirky series that looks at the evil that lurks beneath the normal veneer of polite (and not so polite) society.

The series can be pretty bleak and I think a lot of it is to do with the way it represents an empire in decline. Britain held much of the world in its grasp for hundreds of years and the stripping away of this worried much of society. This anxiety brought fears of class, eugenics and 'replacement theory' to the fore- maybe that's why so many of the shows of the time are to do with class, a structure that very much exists in Britain but many will deny whilst claiming that we live in a meritocracy. Looking at the sorry state of current politics puts paid to this veneer as vestiges of this illusion are removed-as  it was in the 80s when this show was create and aired.

The cultural vandalism, misappropriation and bastardising of certain principles, values and societal narratives are things that happen all the time. One only has to look at social media with its 'the way things were' photographs of yesteryear to see the guise of nostalgia wrapped in right wing anemoia. Read the comments to see the vitriol spewing forth. This show looks at the worries and concerns from the time and amplifies them through the lens of horror.

Halloween 3: Season of the Witch- Cult Movie Review

Nigel Kneale is one of the great British horror writers, gaining prominence with his Quatermass trilogy and other sci-fi/ supernatural works in T.V. drama including The Stone Tapes and Beasts. Over his 50 year career, Kneale wrote many pieces that are still considered high televisual watermarks. What is less well known is that he did go to Hollywood and ended up working on a draft for the film that would become Halloween 3: Season of the Witch. His draft was based on his interest in folk tales and witchcraft but there was a desire for more gore and blood so he left the project, washing his hands of the whole affair.

Some say the Halloween name cursed the film, encumbering with it the ghost of Mike Myers.

I knew that upon it's release the film had flopped but had become a bit of a reevaluate cult classic over time- appreciated by a new audience who saw the lack of the main man Mike Myers as bold. It could be seen as an audacious act to move away from the sequelitis with diminishing returns that plagued many other horror franchises from the time or, as John Carpenter admitted at the time, a chance to create something different: an anthology series which altered the story to something different.

Based on this fascinating back story I knew I just had to watch this movie so I ordered a DVD copy and on a dark evening in October, I sat down to watch this reevaluated horror.

The film starts promisingly enough with an elderly man holding a pumpkin mask and running away from some assailants who are pursuing him in a car. Whilst he manages to escape, he collapses and a kindly petrol station attendant takes him to the hospital where his assailant kills him before killing himself.
What follows is unusual as a lothario of a middle-aged doctor, played with great skill by Tom Atkins, persues the case. He isn't some handsome or dashing hero but rather an everyman just trying to figure out what is going on. With the able accompaniment of the victims daughter, Ellie played by Stacey Nelkin, they try to get to the truth by going to the factory town of the mask manufacturers, The Silver Shamrock Company.

I have to say that I found the movie to be solid and well worth my time . It was a moody mystery with an intriguing premise. The Men in Black figures were menacing and, whilst violent, it wasn't all gore or splatter porn; it was more considered and ritualistic. The film is problematic for the relationship between a much older man and a younger woman grieving the loss of her father but, for the time or came out, it wasn't as mysoginistic or as problematic as many films from the time.

What it does put in its sights is consumerism, the power of advertising and corporate overreach. I'm not sure that a film as subversive or as anti-franchise as this obviously was would be made in this day and age. Where SEO, brand recognition and franchise potential is all carefully considered, something as leftfield as this would be considered too risky.

The film is a great horror piece and shows the potential the anthology idea had. It's a shame it wasn't taken forward but at least we have this curio to appreciate and champion.

Cabinet of Curiosities- Complete Cult Series Review

I do love a good anthology series. The idea of many little stories, based on an overarching theme, always appealed to me as if you didn't really like a story another one would soon be up and it might be more your cup of tea. I've watched many Outer Limits, The Twilight Zone, Goosebumps, Are You Afraid of the Dark? as well as the BBC series such as Ghost Stories for Christmas amongst many other 70s horror anthologies and I can never get enough.

When I first heard of Cabinet of Curiosities I was excited, but when I heard it would be produced by Guillermo Del Toro, one of the best writers and directors of our time and a huge cult horror nerd I was ecstatic. Over the course of a couple of weeks, I watched the entire run of 8 episodes. Here's my breakdown of each episode and my opinions.

Lot 36
When an auction lands a desperate man a storage room, he finds that it's mostly junk. However, there are a few books and accoutrements linked to the dark arts and a collector seems interested in these. To pay off his debts how far will he be willing to go?
This was an amazing episode as the main protagonist comes across as a rude and bigoted man, so when he gets his comeuppance it seems well deserved. The directing is solid and the special effects are excellent with the 'big bad' reveal.

Graveyard Rats
A gravedigger and robber eyes the riches of a deceased man but the rats in the graveyard pose a threat. With debts to pay, will he be able to secure the goods, pay off the debtors and enrich himself? As he searches in the tunnels under the graveyard he finds the black church and creatures from nightmares.
This is a tight episode clocking in at under 40 minutes but it is filled with tension. The moments when the man is crawling through the tunnels are terrifyingly claustrophobic and the creatures are horrendous. A favourite of mine.

The Autopsy
When a mining disaster devastates a community the sheriff calls upon an old pathologist pal to investigate. What they find is unexpected and possibly extra terrestrial so the pathologist starts to carry out an autopsy.
The cinematography in this film is impressive and recalls Friedkin's The Exorcist. The noirish lighting, hues of black and amber gold, lend it an intimate yet unnerving feel. The story is very creative and, even though it is an alien parasite story, the denouement has a big payoff and that is mostly due to the masterful acting of F. Murray Abraham.

The Outside
A bank clerk struggles with her self-esteem and is sold on a beauty product which is apparent transformative. Will it provide the results she wants without any monkey’s paw ending?
This is a curiously quirky episode as it reminds me of the pushy neighbour scene in Edward Scissorhands, where everything is retro stylised up to 11. The story is quite interesting and goes some places but it wasn't one of my favourites as it was look quirky.

Pickman's Model
When an artist encounters a new, more mature college colleague they bond over an appreciation of art. However, when Pickman, the older artist shares paintings of cosmic horrors it haunts the man and his family.
This is a true homage to H. P. Lovecraft with the unnameable cosmic horrors that exist outside the realms of our imagination entering the real world through Pickman's art . This is a dark gothic piece and ratchets up the tension throughout. At points, it reminded me of the classic Nintendo Gamecube game Eternal Darkness. If you get that reference then you'll know that's high praise indeed.

The Murmuring
An enthusiastic ornithological couple go on a work trip to an island to research the murmuration of the local dunlin population. Whilst there, they stay at an old coastal mansion where spooky goings on occur. It brings to the fore the underlying grief felt by the couple at the loss of their child.
This is a moody episode, much in the style of an M. R. James story in that outsiders visit a new place and encounter ghostly goings on featuring an angry mother and a dripping wet child. The sound effects are suitably spooky and the tone is set for a solid haunted house mystery about the circumstances of the previous owners' demise.

The Viewing
Four strangers are requested to meet at a successful but reclusive eccentric businessman's house. They don't know why they are called but they go nonetheless. The astrophysicist, musical prodigy, bestselling author and alternative therapy guru are regaled with their success and are pushed to be even better by their amiable host before being introduced to a mysteriously acquired item. What is it and where did it come from?
This starts off as a typical haunted house mystery in which you think the guests will have to work together to get to the bottom of the mystery and find how they are all connected, like the Saw franchise. But this is different. Peter Weller gives a suitably creepy performance as the drug addled owner of The Sandpiper House who is a wordsmith who craves power and knowledge, but it is the creature that emerges that is pure brilliance. The set design is amazing and the cinematography phenomenal in presenting a late 70s opulence style via 2001: A Space Odyssey. The red light diffusion adds the film an eerie tinge whilst the conclusion is startling and gory as the best body horror is.

Dreams in the Witch House
An adaptation of a Lovecraft short story where a brother tries to reach the other side after his sister's spirit is taken by a ghost when she was young. Growing up, he seeks a way across the bridge between this material world and the spirit Plain to bring her back but it carries a lot of risks.

The story is a bit of a trippy classic and pretty unfilmable in its original form but this version makes it more linear and accessible. Rupert Grint does a great job as the down on his luck brother doing all he can to rescue his sibling. The ending is bittersweet but end with a joie de vivre ditty.

I thoroughly loved Cabinet of Curiosities as, through his short introductions, Del Toro adds a dash of ringmaster to these takes and recalls Rod Serling. Also like Serling, Del Toro is able to disguise his social and political commentary through these short parables. By setting the stories in the past or the future, with sci-fi and fantasy settings, Serling could present his social criticisms without attracting any ire from the viewers or television sponsors and advitisers. Seemingly, the fantastical elements made the content more palatable. In this case, Del Toro doesn't care about any criticism, he is just heading a smorgasbord of horror talent, many of which carry a social commentary. But then, most horror is successful as it amplifies societies fears and often personifies them in a terrifying monster.

The Blood on Satan's Claw- Cult Film Review

My love for old horror films started in my formative teen years. The BBC would show cult horror films late on Friday and Saturday nights in the early to mid-90s and, when we got Sky, late 90s/ early 2000s Bravo Channel. Some were the more salacious films of 60s and 70s European cinema, often in the horror genre but not always-  some were experimental pieces which had a deeply ethereal feel and long moments of quiet where the gorgeous scenery and silence would wash over you. It was here I first saw Circus of Horrors, Vampiros Lesbos, Twins of Evil and many, many more.

For this dark season, I thought I'd watch the Unholy Trinity of British folk horror; The Witchfinder General, Blood on  Satan's Claw and The Wicker Man.

I saw Witchfinder General on Bravo back in the late 90s/ early 00s I believe. I watched it again recently (read my review here) and still found it a powerfully violent film with something important to say about the violence wrought against women in the name of faith and power. However, I had never seen Blood on Satan's Claw so I decided to watch it on a cold, rainy day.

It is a typical English folk horror tale: a farmer finds the remains of a mysterious creature whilst tilling the soil. After the discovery, much evil is unleashed on the village. The locals start to act strangely and the youth are particularly susceptible to the powers of darkness.

The typical genre elements are all present and correct: rural setting, isolation, and themes of superstition, folk religion, paganism, sacrifice and the dark aspects of nature. The old trope of an outsider who comes into the community but doesn't understand the old ways is present, in this case the judge does not believe in witchcraft and superstition, leaves the village to carry out his duties elsewhere leaving the innocent locals to fend for themselves against the evil infected peers.

Director Piers Haggard has a wonderful eye for period detail and the cinematography of the English countryside is beautifully represented. The title music by Marc Wilkinson is playfully haunting, it sounds olde English but has a sinister woodwind string wending it's way through.

Even after nearly 50 years, the film is still a indictment about the power of suggestion, mob rule and religious paranoia. Even though it is set several hundred years ago, the collective ideology and influence of a few to change the society they exist seems prescient. The small town, local people mentality shows how quickly people will turn against people they consider outsiders.

The cast overall are great and the fact that it doesn't have a big name attached lends the whole affair a sense of mystery and uniquenessall its own.

Linda Hayden (left) plays the malevolent and precocious Angel Blake extremely well.

The actors and actresses all do a wonderful job but special mention must go to Linda Hayden, who plays malevolent Angel Blake, as she is only 17 at the time of filming yet seems to command a screen presence beyond her years. Patrick Wymark is effective as the judge who becomes the jury and executioner at the end of the film when he fights the Devil with a secret weapon. The scene is presented in slow motion and this gives the finale a nightmarish, surreal feel.

Overall, I can see why the film is held in such high regard and can see that it definitely earns it place amongst the Unholy Trinity.

LINK- Children of the Stones: Cult TV Series Review

LINK- Dead of Night: Cult TV Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review

The Witchfinder General- Cult Film Review

My love for old horror films started in my formative teen years. The BBC would show cult horror films late on Friday and Saturday nights in the early to mid-90s and, when we got Sky, late 90s/ early 2000s Bravo Channel was a real boon. Some were the more salacious films of 60s and 70s European cinema, often in the horror genre but not always-  some were experimental pieces which had a deeply ethereal feel and long moments of quiet where the gorgeous scenery and silence would wash over you. It was here I first saw Circus of Horrors, Vampiros Lesbos, Twins of Evil and many, many more.

For this dark season, I thought I'd watch the unholy trinity of British folk horror; The Witchfinder General, Blood on Satan's Claw and The Wicker Man. No, not the Nic Cage remake. Now, say it after me…

A true crime against nature.

I saw Witchfinder General on Bravo back in the late 90s/ early 00s I believe. I hadn't seen it since then but remember the violence being quite disturbing at the time.

It starts off with a quiet countryside scene with lush green grass and lolling sheep. It quickly cuts to a hangman setting up a gallows on a hill whilst  a mob drags an old lady up to it. Whilst the priest recites the last rites the noose is put around the old lady and the stool is kicked away from underfoot, she swings and it smash cuts to Vincent Price as Matthew Hopkins, the Witchfinder General, watching from astride his white horse. For a cold open, this scene is brutal and it doesn't stop there. The statement of intent has been set and it's not backing down.

The smashcut of Vincent Price is brilliant and the beginning is brutal.

The music by Paul Ferris kicks in to offer a brief moment to catch your breath as the credits roll. When the narrator sets the scene about 1665 and the English Civil War, we see that the rule of law is broken and cruelly inequal- dispensed without due process.

When a Roundhead soldier, Richard, is given leave after saving the life of his captain, he goes to see his lady love, Sarah. Her uncle gives him permission to marry his niece but wants him to take her away as the threat of being accused of witchcraft hangs over the area. The soldier returns to his regiment but, unfortunately, the following day the Witchfinder General comes to town and falsely accused the priest. He makes advances against the niece and, in exchange for a night with her, promises to free the priest. When Hopkins goes to a nearby town, his second in charge, John Stern, assaults the niece too. The priest is then dunked in the water and hanged for witchcraft as the niece's sway is lost.

The soldier returns to his love and promises to avenge the priest's death and the loss of her innocence by killing the witchfinders. What follows is a cat and mouse chase as the soldier looks to catch up to the witchfinders whilst they continue to carry out their dreaded executions.

The film is brutal in it's portrayal of violence done against the innocent and voiceless but the threat of cynical Puritanism and greed that underline this dark tale, still persist in today's world. The cinematography by John Coquillon is stunning shot as the beautiful greens of the beginning  contrast against the autumnal colours when Hopkins comes to town and brings his brand of justice. The costumes are on point and whilst you can tell that this isn't an expensive production, the economy of design lends it a charming period look.

Even after nearly 50 years, the depravity shown is still shocking but the tale of systemic violence done against women whilst the community watches is still relevant and prescient even of the rise of the far right and populism where hardwon womens' rights and liberties are being rolled back for a similar puritanical zealousness, underpinned by greed and power. Director Michael Reeves, who died tragically young, has created a film that has stood the test of time and is prescient.

LINK- Children of the Stones: Cult TV Series Review

LINK- Dead of Night: Cult TV Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review

Hammer Glamour- Book Review

I have been a film aficionado for a long time. My father brought me up on classics like David Lean's adaptations of Oliver Twist and Great Expectations, the various black and white classic comedies of Charlie Chaplin and Laurel and Hardy as well as the Dynamation works of Ray Harryhausen.

My love for old horror films started in my formative teen years. The BBC would show cult horror films late on Friday and Saturday nights in the early to mid-90s and, when we got Sky, late 90s/ early 2000s Bravo Channel. Some were the more salacious films of 60s and 70s European cinema, often in the horror genre but not always- some were experimental pieces which had a deeply ethereal feel and long moments of quiet where the gorgeous scenery and silence would wash over you. It was here I first saw The Witchfinder General, Circus of Horrors, Vampiros Lesbos and Twins of Evil and many, many more.

I became even more interested in cult TV series and films whilst attending university. Our campus was media-centered and as a result it had a huge catalogue of VHS tapes to rent, free of charge. I ploughed through many often taking the maximum 8 out at a time and consumed them voraciously.

Hammer was a name that stood out to me as you were guaranteed a strong performance from a lead actor, often Christopher Lee or Peter Cushing, and lashings of blood and glamour. It was here that I came across many actresses who I knew from other works like Caroline Munro (Sinbad), Nastassja Kinski (Paris, Texas) and Madeline Smith (Live and Let Die). It seemed like horror was the genre many a young lady had cut their teeth on and specifically Hammer.

Cushing and Lee get all the credit but the leading and supporting ladies added so much to the productions and needed to be spotlit. The women were often glamourous and their acting skills overlooked by many, including the film makers themselves, for mere tittilation but the coffeebook Hammer Glamour looks behind the scenes and  presents black and white and colour photographs from the Hammer archives of these actresses.

Usually, each of the 50 actresses gets at least 3 pages as well as biographies including candid interviews from the surviving actresses or archival quotes from past interviews for those who are no longer with us. These are no mere puff pieces but actually quite critical of the treatment many of these women received from an often mysogynistic and sexist British film industry of the time. Many were told that the nude scenes or candid photos they reluctantly took part in would only be for 'foreign markets' only to find the scenes shown in the home UK market. The author, Marcus Hearn does not shy away from this and, whilst having a clear love of the studio and it's works, he is aware of these issues and has shared them here. It isn't all doom and gloom though as many actresses had an amazing time and were well treated, however, many left the industry jaded, dependent on drugs or alcohol, whilst a few even committed suicide.

The book is a handsome tome with good quality paper stock and crystal clear photographs. The layout of the pages is consistent with large photographs of the actresses in their film roles as well as promotional shoots. This book is a respectful look at the first ladies of horror and is highly recommended by me.

LINK- Into The Unknown Exhibition Review

LINK- Kolchak: The Night Stalker- Cult Movie Review

LINK: Kolchak: The Night Stalker- Cult TV Series Review

LINK- Children of the Stones: Cult TV Series Review

LINK- Dead of Night: Cult TV Review

LINK- The Stone Tapes: Cult TV Review

The Color Out of Space- Cult Film Review

Whilst suffering decision paralysis, caused by having too many choices available on Netflix and Amazon Prime, I came across a film that popped up and intrigued me… The Color Out of Space. I was familiar with the short story from H.P. Lovecraft, having read it about 20 years ago, and had loved the strange premise of a meteorite landing on a farm and bringing dreadful consequences for the creatures and humans that lived in the area. However, I didn’t know how this story could be effectively adapted for the screen as Lovecraft’s Cosmicism and existential dread, about humanity’s insignificance in the eyes of unknowable beings, would lose its power if the creature (in this case, a colour) were presented on screen as nothing is scarier than the unknown. So, suitably intrigued I selected to see who was involved and upon seeing Nicolas Cage front and centre, it kinda clinched the deal for me that this was a must watch… the man is an enigma and is pushing acting boundaries- both good and bad.

I watched the movie late at night over a couple of days and, at times, it felt like a strange lucid dream. In fact, on the second night I had to rewatch 10 mins from the previous night as I wasn't sure that I hadn't fallen asleep and dreamt it. I can reassuringly say that no, I hadn't dreamt it and yes, it was in fact as strangely, magnificently, hauntingly beautiful as I had thought.

I only knew the director, Richard Stanley, from the amazing documentary Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau when he went into the rainforest and survived off the land, playing an extra under disguise after being fired from the film shoot. However, based on this film, I can say that he is a solid director and has great vision which would have made Moreau a more exciting proposition than what we ended up with.

The Color Out of Space is a glorious B- movie and the whole feel is very The Thing or, more recently, Annihilation as it is a slow burn that slowly brings out the scares without being too graphic or gory. Cage keeps it reigned in for the first hour before he starts to Cage Rage out but he never goes Full Cage (FC) or gives the powerhouse gonzo performance we are used to and expect (Think The Wickerman bees scene). Rather, this is a more tempered and measured approach with occasional FC elements like the alpaca shooting and 'family always sticks together' speech. The rest of the supporting cast are solid and play it straight.

The cinematography is stunning and there are moments of pure spectacle. The trippy visuals and practical special effects give the film a timeless vibe in that the CGI is very good for the budget and the practical effects work well in an 80s way- the period it most recalls in its homage to the sci-fi horror genre. The soundtrack by Colin Stetson is reminiscent of dark 80s synth wave but also with some heavier beats. Overall, it's an excellent soundtrack that complements this unusual film.

I know that this is the first of a planned Lovecraft trilogy and I eagerly await the next one, which I hope will happen even thought this film was disastrous financially but won general plaudits from fans and reviewers alike. If you have a spare couple of hours and want something very unique, this may well fit the bill.

LINK- Children of the Stones: Cult TV Series Review

LINK- The Stone Tapes: Cult TV Review

LINK- Dead of Night: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review

LINK- Supernatural (BBC): Cult TV Review

Creeped Out- Complete Season 1 Review

As the darkness settled in, I wanted to get into the Halloween spirit and watch some spoopy stuff. Now, it's been a pretty bleak year all round so I didn't fancy watching anything too scary or anything to contemplate the feeling of ennui- the fact that Lovecraft's cosmicism states that man is insignificance in a vast endless and uncaring expanse with forces beyond our understanding wishing to do us ill- so I decided to watch all of ‘Creeped Out’ instead.

It's a 13 part series of spooky takes created for an all ages bracket, so think more 'Goosebumps' or 'Are You Afraid Of The Dark' rather than 'It' or 'Saw'. The tales all start in the same way, a preamble about The Curious, a slight teen figure in a creepy mask who likes to collect tales of dread whilst whistling an unsettling melody. There are a mixture of American and British stories and as such, the cast is quite diverse.

The episodes are a veritable smorgasbord of horror tropes including classics like weird fun fair attraction, dodgy creepy neighbours etc but are identifiable with themes from classic cinema like 'Rear Window' and ‘Big' and more recent pretty decent fare like 'It Follows'.
The stories all have a monkeys paw ending of 'be careful what you wish for' but one of most interesting thing to note is that no matter the episode the power of the storytelling and kitchen sink creepy atmosphere made them all worthwhile watching, which is particularly impressive when you consider each episode had a tiny budget of like a fiver.

The episodes include :

Slapstick
After a puppet grants a young girl the power to control her embarrassing parents, the girl realises the true value of family. It features a creepy puppet so you know it's a bit scary.

Cat Food
When a young boy fakes being ill to stay home from school he gets more than he bargained for from his unusual cat-lady neighbour.

Trolled
When a cocky troll belittles and ridicules his private school mates online, there is a price to pay when he brings forth an ancient curse.

Marti
An unpopular girl gets a new smart phone and its AI goes crazy as it starts to take over her life.

A Boy Called Red
A boy visits his father's childhood home where a well leads to a different dimension.

The Call
An adopted teen who was found on a beach finds out that she isn't who she thinks she is and there is more to her heritage than meets her eye.

Bravery Badge
A reluctant girl scout has an interesting time away as a zombie infection turns her friends into creepy humming zombies... Why do they always hum lullabies in creepy voices and super slow?

Spaceman
When a kid leaves the city for the sticks he's worried it'll be too quiet and boring. Then he discovers an alien spacecraft and an alien creature and all bets are off.

Kindlesticks
A terrible baby sitter who scares the kids in her care to bed with terrible tales suffers a fate of her own making.

Shed No Fear
A couple of high school friends tackle a mysterious creature that lives in a shed. The creature fears light so they go about thinking about a way to jerry-rig a system to tackle it.

The Traveller
When two troublesome teens, who don't respond well to authority, are given powers to freeze time and use the power for ill there is a heavy price to pay.

Side Show Part 1 and 2
The two-parter ends the series with the story of an orphan, who is part of circus, who is looking for his real family. The 1950s Americana setting is well done and the mystery is very intriguing. The season ends on a high with this one.

Overall, tales are not scary with no real jump scares or violence but they are simply told tales told pretty well nonetheless. The stories are a little heavy handed though and lack nuance, the acting is a little hammy on occasion and the morals are obvious but it's a show for a younger audience so there you go. The strict age rating means that there is an economy of design with the creatures and powers are rarely seen. There's very little subtlety on show as the themes are covered in broad strokes but this is a beginners guide to the horror genre and is very much baby's first horror show.

My favourite 3 episodes from this series were Slapstick, Trolled and Side Show and if you've got a spare hour or so I'd definitely check these ones out. Go in knowing it's for tweens and you'll be fine, it ain't gonna win any Oscars but it's harmless slightly spooky fun.

LINK- The 13 Best ‘Are You Afraid of the Dark’ Episodes

LINK- The Secret Garden (BBC 1975 Review)

LINK- Children of the Stones Review

LINK- Dead of Night: Cult TV Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review

The Woman In Black (BBC 1989)- Cult TV Review

I recently watched the 1989 BBC production of The Woman on Black as it has only just been released on blu-ray by Network after many years. I loved the theater production in London and watched it twice, once with some East End youth from the centre I worked at who acted with bravado but became scared, and once with a couple of friends over Christmas. I was terrified both times. I thought a TV production wouldn't be able to reproduce the ambience and effect of the live performance, but then when I heard that one of my favorite screenwriters, Nigel Kneale (of Quatermass, The Stone Tapes and errr Halloween III: Season of the Witch fame) had worked on it I knew it would be in a safe pair of hands. 

So, how is it and is it worth a watch?

The tale is the quintessential English ghost story; a  young solicitor, from 1920s London, is sent to a rural coastal community to settle the estate of a recently deceased old widow, who lived in a large, isolated house. Whilst there he experiences unnatural goings on which builds up in a crescendo of scares. The story keeps building and ratcheting up the tension until it reaches nerve shredding. 

The way the story is structured is intelligent as it starts with a busy London, busy market town of Crythin Gifford and then moves slowly to Eel Marsh House where things are isolated, desolate and bleak. The juxtaposition of busy city life with isolated manor is marked and it creates a tension which is palpable. The location shoots are impressive and, with the BBC being no stranger to costume drama, the attention to detail regarding clothes, transportation and other paraphernalia from the period are all top notch.

I watched the more modern 2012 remake, made by Hammer films who came out of hibernation to produce it, and I have to say that I prefer this adaptation to the more recent Daniel Radcliffe affair. Don't get me wrong, the newer version was good but I found that the economy of design and budgetary constraints added a slightly unsettling feel to the older production. That's not to say that it is a cheap production in any way but it's not a big budget Hollywood production with all the sheen and polish that implies. Adrian Rawlings in his role as Arthur Kipps oozes conviction as a man slowly unraveling with all the supernatural elements swirling around him. The standout shock moment, if you know you’ll know the bit I mean, positively pops in this stunning Blu-ray transfer.

The Woman in Black is essential viewing and in my opinion this is the best on-screen version of the story I have seen. It is beautifully shot, wonderfully acted and the script is tight and tense without relying on jump scares or other common tropes. Check it out, it’s a *sigh* scream… I’ll get me coat…

LINK- Dead of Night: Cult TV Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review

Ghost in the Water- Cult TV Review

The BBC used to have long running tradition of showing slightly spooky or unnerving films during the festive period, these were called 'Ghost Stories for Christmas' series and were extremely popular. In 1982 the BBC adapted the Edward Chitham book 'Ghost in the Water' into a 50 minute short film aimed at spooking teens. 

The story centres around two students, Tess and David, who are investigating the gravestones of the local church for a History project. When they find that their research overlaps on one Abigail Parkes who "Died without harm" they team up together to find out what happened to her. Along the way they find that this 19th century death seems to be linked to Tess's family in some way. When she has visions of the past and finds a tapestry in her house connects her to Abigail the mystery deepens and becomes personal...

The acting by the young cast is earnest and a bit hammy in places but it's pretty good and consistent overall. The cinematography is basic but the atmosphere created during the dark, winters evening in the graveyard does create an effective mood in the Black Country. 

‘Ghost in the Water’ is a good quick watch and whilst it won't linger long in the memory, it's a pleasant way to while away an hour and admire the fashion and hair styles of the time. It's an intriguing premise and there are twists and turns aplenty to keep you engaged right up to the end.

Detention- Video Games As Art

Detention is a 2D survival horror adventure video game created and developed developer Red Candle Games. It is an atmospheric game and the setting of 1960’s Taiwan under Chinese martial law is an interesting one, especially when considering that it takes place during a storm after school when everyone else has gone home. There is a deep sense of unease that permeates the experience yet it is much better than most cheap jump scare fare… this slowly unravels in front of you and the psychological horror that emerges is more satisfying for it. At certain points it reminds me of Silent Hill 2 and Eternal Darkness, as you begin to understand more of the psychological state of the protagonist.

Detention is on sale on the Nintendo Switch and well worth the 4 quid or so for the 3 hour play time needed to complete the experience. I’m off now to research the Chinese occupation of Taiwan in the 1960s as this game has me proper intrigued about this time period.

Lore- Series 1 Review

Monsters are creatures we run from, beasts we warn our children about and fiends that haunt our darkest dreams. Yet, there is something enticing, mesmerising even in their appearance. Terrifying as they might be, we cannot help but look even closer, parting our fingers that our covering our eyes to peer again at the horror. There is no getting around it: Something about monsters fascinates us. They may be the stuff of nightmares that make our hearts beat faster, sweat profusely and make our hairs stand on end but we cannot get enough of it.

It may be that at the most basic level, monsters represent fears held by society, fears associated with the dangers perceived in the often vast, uncaring world. The origins of some of our most deep rooted fears has been the focus of Aaron Mahnke, who since 2015 has been releasing bi-weekly podcasts called 'Lore.'

At the time of writing there have been more than 70 meticulously researched podcasts on a wide variety of themes from vampires to evil dolls. 'Lore' has now been turned into an anthology television series by Amazon Studios and for season 1 looks at a variety of popular horror tropes and their origins. Currently there are only 6 episodes, which are all presented with interesting visuals, which are a mix of live action dramatic shorts alongside archival footage, images and animation. All this helps to bring the show to life and presents the matter in the most visually interesting way. The episodes are:

They Made A Tonic- Before we knew how disease spread, medicine was as much superstition as it was science. And in the small New England towns of the 1800s, there is a belief that consumption can only be stopped by making sure the dead are actually dead.

Echoes- Dr. Walter Freeman is the father of the icepick lobotomy. He believes the ten-minute procedure will all but end the need for the mental hospital. He has the best of intentions but winds up creating an entirely new kind of horror story.

Black Stockings- In 19th century Ireland, folklore has a strong hold. Michael Cleary is convinced his wife, Bridget, has been replaced by a fairy called a changeling. And his belief drives him to the most extreme act.

Passing Notes- In 19th century America, at the height of the Spiritualist Movement, a haunted house is not just the stuff of ghost stories. Many believe the dead can talk and, sometimes, will come back from the other side to wreak havoc on the living.

The Beasts Within- Werewolves are now movie monsters. But they were once thought to be all too real. In 1589, villagers in Bedburg, Germany, are convinced that a werewolf is killing women and children only to discover the killer is really one of their own.

Unboxed- Robert Gene Otto is a child without friends. That is, until he receives a doll as a gift. He names the doll after himself, Robert. They become fast friends and soon the boy believes the doll is real. But to everyone else...Robert the Doll is a curse.

Mahnke's sonorous voice works well on the podcast as it is cold and unsettling, however it works less well when put through the filter of visuals but overall the information is compellingly put together that it is a minor gripe in what is a fine scary, campfire-like storytelling anthology series. The acted scenes are suitably moody and there are some fine actors involved including Robert Patrick and Adam Goldberg.

The show never gives a definitive answer as to whether the phenomena shared are true or merely fabrications, it merely presents the meticulously researched historic materials and documentation and leaves it up to the viewer to decide as to what they believe. If you want to be spooked but like the more cerebral kind of horror this show (and podcast) might just be what you are looking for!

The 13 Best Episodes of Are You Afraid Of The Dark

I've covered a few British series, especially children's series with a slight creeping horror. However it wasn't just in Blighty that children's series were scaring children, during the 90's Nickelodeon aired Are You Afraid Of The Dark, a programme that had 52 episodes and lasted for 10 years. I never watched the series when it was shown but having looked at several websites and blogs with the best of lists I compiled a 20 episode watch list and over the course of October have been watching them, one episode a night. So now submitted for the approval of the Midnight Society my list of the 13 best AYAOTD episodes.

The dandy big bad is quite malevolent for a children's show

The Tale of the Whispering Walls

While driving back home from a carnival, a babysitter and the two children she's looking after get lost. When their car breaks down, she goes inside a house to call for help. Trouble begins when she disappears and the kids soon find out that while they aren't the only ones in the house, they're the only ones that are alive. Their only hope in escaping comes in the form of a helpful female ghost who must right the wrongs of her former master's crimes.


This vampire story is pretty scary and the special effects are quite effective

The Tale of the Nightshift

Amanda starts volunteering during the nightshift at the local hospital. But the hospital seems to have more than just a new volunteer. Someone or something is feeding on the hospital's patients and employees draining them of their blood and turning them into walking blood-thirsty zombies.


Dr Vink is suitably zany

The Tale of the Midnight Madness

A movie theater on the brink of closure due in large part by a new multiplex that recently opened in town gets a revival courtesy of Dr. Vink, who offers a rare copy of the 1922 film Nosferatu for screening -- as long as they agree to show his other films one night a week. When the arrogant manager refuses to honor his deal with Vink, strange things begin to happen.


There's evil in them thar woods

The Tale of Watcher's Woods

Long ago, three girls attending camp got lost in the woods never to be seen or heard from again leaving only their whistles behind. At the same exact time, a camper went crazy and started babbling about a "Watcher" lurking within the woods creating the nickname Watcher's Woods. When Kelly and Sarah, two present-day campers, get lost in the woods they soon discover that there's definitely something evil lurking within.


The fashion and style in this episode are great and quirky

The Tale of the Thirteenth Floor

Karen and her adopted brother Billy like to spend all their free time playing hockey on the empty 13th floor of their apartment building. One day, the regular elevator operator disappears and they find that the floor is now being used by a company to manufacture toys and games. However the toys that they're creating aren't exactly from this world and it's later revealed that Karen is actually Olga's daughter whom she, Leonid and Raymond had been trying to rescue.


They're ooky and they're kooky, they're the mysterious gothic family

The Tale of the Nightly Neighbours

When a new family moves in next door to Emma and her brother, the kids can't get over their strange behavior. They notice that their new neighbors seem to only come out at night and they always wear black. When several people start to get sick, they come to the conclusion that their new neighbors are vampires.


The masked girls are proper scary!

The Tale of Many Faces

A struggling teenage model named Emma finds employment with a stage actress who uses a magic book to steal the faces of her young workers and forces them to be faceless slaves.


The editing in this episode is suitably quirky and fun

The Tale of The Ghastly Grinner

Ethan wants to be a comic book artist but his submissions are constantly rejected and his lazy parents don't believe he has the talent for it. One day he's invited to a comic shop where he gets the only copy of the comic "The Ghastly Grinner" a comic book featuring a Joker-esque clown villain who turns his victims into drooling giggling idiots by staring them into their eyes. Things get an unexpected dark turn when he accidentally brings the villain to life by microwaving the comic after it gets wet.


This story is similar to the classic TV series 'Escape into Night' and 'Paperhouse'

The Tale of the Dollmaker

A young girl named Melissa goes to the countryside to spend a summer with her uncle and aunt and her best friend Susan. However, upon arriving she discovers that Susan's family has moved back to the city and that Susan is missing. Soon Melissa discovers that a mysterious dollhouse in the attic of Susan's house may be responsible for her friend's disappearance. To set things right, Melissa must go inside the dollhouse and rescue Susan.


The Crimson Clown is very creepy!

The Tale of the Crimson Clown

After stealing the money his older brother Mike had saved up for their mother's birthday present, a young bratty boy Sam learns a lesson when an evil clown doll comes to life and starts terrorizing him.


Again clowns are scary in this tale

The Tale of Laughing in the Dark

Weegee, his little sister Kathy, and his friend Josh come across the rebuilt funhouse called Laughing in the Dark and Weegee asks Josh if he had ever been inside to which Josh replies that he hasn't. Weegee subsequently dares Josh to go in and he accepts, deciding to prove that he went through by finding the clown dummy, which is modeled after Zeebo, and stealing its nose. The spirit of the clown is disturbed and chases Josh to retrieve his nose.


Who wouldn't look pimp with these glasses?

The Tale of the Super Specs

Weeds loves April Fool's Day and has planned numerous pranks for everyone that he knows. After buying a pair of "Super Specs" from Sardo's store they give his girlfriend, Marybeth the power to see beings from another dimension who live among humans. Soon everywhere she looks she sees strange figures covered in black...


This episode is my favourite of the lot

The Tale of the Deadman's Float

Zeke is good at chemistry but not at girls. When he befriends Clorice she teaches him how to swim at the school pool. However the pool has a secret: It was built on top of a graveyard and is haunted by the angry ghost of a body that was previously buried there and who takes vengeance upon anyone who dares to swim in the pool. "home".

Children Of The Stones- Cult TV Series Review

I'm a huge fan of suspense and horror- it's one of my favourite genres. I especially like when it isn't simply jump scares, gore porn or cheap thrills but a piece of work that builds up tension slowly and the payoff is exciting and jolting. So for my first review I've decided to look at Children Of The Stones. I chose this because I heard it mentioned a few times and spoken of affectionately by several people including comedian Stewart Lee, who described it as the scariest children's programme ever. As a fan of Twin Peaks, X Files, American Gothic and the like this sounded right up my street so I decided to give it a look.

Children of the Stones is often described as a landmark in children's television. The series was filmed largely in Avebury in Wiltshire and progresses over 7 episodes, shown weekly over the Summer of 1977. The series introduces us to astrophysicist Adam Brake (played by Gareth Thomas who is famous for Blake 7- I've never seen that show though) and his son Matthew as they go to the village of Milbury to carry out research on an ancient Megalithic stone circle. When they arrive at the village they start to understand that its people are held captive by the sinister power of its stone circle and the mysterious Hendrick, a prominent figure in the village.

The spooky ethereal music sets the sinister mood, the soundtrack is beautiful dark and unsettling. To get a hint of the creepiness check out the opening credits and the first few minutes of the first episode, then try to sleep tonight.

I found the introduction was very similar to the beginning of Twin Peaks where we are introduced to an outsider going into a small community. At just over 2 and a half hours the tale is well paced and crafted, brought to the screen with some very adept direction and a remarkably haunting musical score which heightens the mood and tension. The cast are excellent, even the child actors perform astonishingly well. Iain Cuthbertson is excellent in channeling his best Crowley and succeeds in being sinister.
Unsurprisingly, Children of the Stones has gained a devoted cult following in the decades since its first transmission in 1977. There are a few online forums where people still discuss the ending and the implications of what occurred at the conclusion and any series that does that is okay in my book, except Lost, now that ending sucked! Children of the Stones is inescapably haunting, even if you see it now for the first time as an adult (which I did). 

This is an incredibly intelligent, atmospheric and genuinely unnerving series and to call it a children's show is a bit of an insult. If I had to describe it to the uninitiated I'd say it was like a Young Adult version of the Wicker Man. This may seem like hyperbole as this is high praise indeed but both share many of the themes and ideas such as outsiders coming into a new town full of strange folk who seem to be guarding a secret about an ancient evil. To be honest I'm surprised it got away with being shown before the watershed. It isn't horror per se but the way people act and the situation brings a creeping dread. The series incorporates such complex concepts such as 'Time Circles', 'Psychic Bubbles' and 'Time Rifts'- heady subjects for adults let alone a programme supposedly aimed at children.