Sky- Cult TV Series Review

I have a huge affection for the more sci-fi and folklore oriented children television shows from the 70s and early 80s including shows like Children of the Stones, Under the Mountain and Chocky.

The opening credits are suitably weird and spooky.

I'd seen a lot about Sky as it featured quite heavily in my Amazon searches for these type of series so thought I'd finally give it a go. Before watching the show, I did some research and found that this 1975 production was timely as the optimism and hope of the mid to late 60s had dissipated and given way to political unrest, high inflation and strikes here in England. Life was not easy for the masses and this is reflected in the media from the time- including Sky.

In Sky, a trio of teens find a space traveller under piles of leaves while on a pheasant shoot. He takes the human looking alien traveller home to help him in his mission but a malevolent force wishes to do him ill. Over the course of seven episodes, we have a cat and mouse tale of good versus evil but we do not get a view of the larger picture until the denouement. It all involves The Book of Merlin, Glastonbury, messianic figures from history, Stone Henge and stone circles. Y'know, the usual 1970s fare that was in thrall of Erich Von Daniken's Chariots of the Gods.

Watching this with no nostalgia, I can say that it is a typically low budget but atmospheric series. It is of its time and so its economy of design means that the tone is eerie and the pacing languid. However, even with this limited budget, the show is genuinely creepy with eerie music, unsettling imagery, and a pervasive sense of dread. The special effects, while dated by today's standards, must have been surprisingly sophisticated for the era and added much to the show's eerie atmosphere. The distorted visuals, strange lights, and a general air of otherworldly menace through the use of early green screen all adds to the weirdness.

So, nearly 50 years after its release, Sky remains a chilling, unsettling blend of science fiction and the supernatural. It wasn't some whimsical adventure but seemed prescient as Sky's own world was one of ecological disaster and societal breakdown, and his presence in our time hinted at a similar fate awaiting us further down the line. The themes of environmentalism, social responsibility, and the dangers of unchecked technological advancement is one we are all examining now and, while this show was aimed at children, its willingness to tackle darker themes must be what makes it a truly memorable piece of children's television for those who saw it the first time round. 

LINK- Dead of Night: Cult TV Review

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Century Falls- Cult TV Series Review

I go through weird flights of fancy as I fall down rabbit holes of interests but this might be me at my most niche: children television shows from the early 90s written by Russell T. Davies. Davies is a name synonymous with modern British television as he is known for his amazing work on shows like Doctor Who and Queer as Folk. However, before he conquered the small screen, he crafted a series of intriguing children's programs, one of which is the lesser-known gem, Century Falls.

Century Falls is pretty creepy, especially for a ‘kids show’.

I fell down this particular wormhole after I'd discovered Dark Season, a 6 part 1991 kids show that looked at the strange sci-fi tinged adventures of a trio of teens in a secondary school. Reading the comments, I saw some people speak of Davies' other spooky kids show called Century Falls, so I thought I'd give that a go.

The 6 part series tells the story of a pregnant mother and her teen daughter, Tess, who move to the quiet village of Century Falls. They find it to be a very strange place indeed as there seems to be a sadness which seems to be linked to a religious ceremony that went wrong 40 years prior. It seems that a curse on the place has meant that no children have been born since that time.

As Tess gets to know the two other visiting children in the village (Ben and Carey) she finds that Ben has special powers which are linked to the eponymous waterfalls nearby. But why are the children all here at the same time and for what purpose? Is it fated or chance? That is the central conceit of this mystery/ folk tale.

The story is intriguing and, whilst I did not recognise any of the cast, all very earnestly and pretty consistently acted. It has that folk tale premise of an isolated community, pagan rituals, and the unsettling presence of the supernatural. The village of Century Falls itself seems to be a character, with its own history and secrets. This adds an extra layer of depth and intrigue to the story.

It's all very engaging stuff and, in places, quite spooky like when the gathering (seance) happens in the second episode. 5:10pm on the BBC might be a bit spicy for this Wicker Man style mystery... Lucky, no-one is sacrificed for a good harvest in a burning effigy but there is an intriguing golden masked figure who seems to have evil intentions upon the world who appears in a temple of fire.

Davies has similar thematic grounding in Dark Season and Century Falls as both deal with encountering the unknown, teenage angst, coming of age and challenging authority and systems of power.

Overall, I liked both series but preferred Dark Seasons more as the script was lighter and more relatable. However, for the curious Century Falls is a show well worth checking out.

LINK- Dark Season Cult TV Series Review

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Beasts- Cult TV Series Review

Nigel Kneale is one of the great British writers, gaining prominence with his Quatermass trilogy and other sci-fi/ supernatural works in television dramas and films. Over his 50 year career in writing, Kneale wrote many pieces that are high televisual watermarks including Quatermass and The Stone Tapes. One of his most regarded works is Beasts, a 6 part anthology series from 1976 which takes kitchen sink drama scenarios but with that added Kneale twist. This was a well regarded series when it was released but I had never seen it. So, as the dark nights set in I set about watching it but does it stand the test of time?

Special Offer - A young woman named Maureen becomes a cashier at a minimart. She struggles with the work as she isn't as superficially beautiful as the other cashier and items seem to fall to the floor of their volition when she is at the checkout. The manager is scathing in his rebuke of her but as the incidences escalate is there more to Maureen than meets the eye? As Billy, the mysterious invisible creature wreaks havok we are left wondering is Maureen causing it or has she got the Sight?
This was a great episode as a young Pauline Quirk (later of Birds of a Feather fame) plays the role of poor harangued Maureen the cashier well. Her simple understated performance, especially the bit where she dolls herself up and pre-empts Heath Ledgers joker look by about 3 decades, underpins the eerieness contained within these aisles. The store manager Mr. Grimley is played with glee by Geoffrey Bateman who plays the career-minded mysogynistic alpha-male well. When he calls Maureen, "A stupendous, unrepeatable, giant-sized drag" it is a peach of an insult and indicative of his feelings.
The whole episode is great as it leaves you guessing right to the final third as to what will happen.

During Barty's Party - This is a two-hander as an older couple are in their isolated country home and keep hearing a rustling and gnawing noise. The wife thinks it's a rat but the relentlessness of sound starts to affect their mental health as these seem to be intelligent rats that seem to be stalking them.
This is a solidly acted episode as the two leads, Elizabeth Sellars and Anthony Bates, play their roles to perfection. As the wife starts to get more anxious her husband becomes more irritable and tetchy with her.
This episode is creepy as it examines the effect of isolation on the human psyche. Sellars is especially good at conveying the swivel-eyed nervous wife who is slowly going out of her mind.
This episode reminds me of another cult TV series episode I saw a few years ago, the BBC Dead of Night episode 'The Exorcism'.
I must also give a shout out to the soundtrack, which is phenomenal, as it features great music including 'Shout' by Lulu and 'Hippy Hippy Shake' by The Swinging Blue Jeans.

Buddyboy - When a hard-up derelict dolphinarium owner tries to get rid of the property to a couple of adult theatre owners, they are suspicious as to his desperation. Whilst giving the building the once over, they meet an ex-worker and a weird tale of a ghostly dolphin seeking vengeance unfolds.
What can I say, this is a weird episode about a ghost dolphin who was abused by his owner due to his intelligence. It's pretty strange and builds to a dramatic climax- is the abuser being haunted or does he just feel guilt over his actions to the poor animal. Martin Shaw plays the role of the theatre owner well and as she takes the dolphinarium owner to task as he negotiates, he plays the cocky chancer role well.

Baby - A young couple move to a small cottage in the country. As they are renovating their house, knocking down a wall, they come across a large jar which was walled up. Inside is a dried husk of a strange monkey-like creature but what was it and why was it hidden away? The pregnant wife, Jo, worries about it and wants shot of it whilst the vet husband wants to investigate the creature further.
I have heard that this episode is the most well regarded of the series and I can see why. The story is a simple folk horror tale but the acting by Jane Wymark is excellent. She knows something isn't right but her overbearing husband is not listening and just thinks she's anxious about another miscarriage.
The episode slowly builds in its dread, especially when she goes to look for the cat in the nearby woods. She senses something is wrong but everyone just thinks it's just her pregnancy playing havok with her emotions. The finale is suitably dramatic and I'm guessing haunts plenty of the people who saw it all those years ago to this day, even though now the creature looks like a pile of old binbags stacked on top of each other. The ending leaves you thinking about if Jo suffers a miscarriage or if she is worried about it happening again.

What Big Eyes - When a RSPCA inspector investigates the sale of exotic animals to a pet shop, he meets a controversial mad scientist-type researching lycanthropy. The scientist has been experimenting on himself and seems to be suffering from the after-effects but what effect will it have on his body?
Mr. Curry is the RSPCA jobsworth, and is earnestly played by Michael Kitchen, but he crosses swords with the scientific genius/ controversial idiot Mr. Raymount, who is played with a self-satisfied arrogant cadence of Patrick Magee. The interplay between these two is fun and verbose and underpins what is an interesting episode. The acting as Mr. Raymount slowly dies is cringy though and, even though he is supposed to be dead, you can still see Magee's chest moving very clearly... it's embarrassingly obvious. What we have is an interesting premise that is unevenly executed and quite broadly acted in places.

The Dummy - A washed-up actor plays a rubber monster in a trashy film series but goes a bit too method and has a nervous breakdown. He goes rogue and starts trashing the set and attacking the staff.
It's an intriguing tale about mental health and how a breakdown of a marriage can affect an individual. It's all very silly as the monster looks crap but the story is interesting enough.

Kneale has a knack for turning what was then modern mundanity into something creepy and mysterious, often with a soupsons of malice and the supernatural. There are some excellent ideas here but the limited sets and budget mean it does show its age. The economy of design does make it feel like an authentic period piece though and, for those so inclined, a nostalgic look back at a bygone era and the fashion, mentalities and norms from the time.

The series is a great time capsule but more than that, it is just a good anthology series with well told stories acted by a solid British cast.

Hammer House of Horror- Cult TV Series Review

I have been a film aficionado for a long time. My father brought me up on classics like David Lean's adaptations of Oliver Twist and Great Expectations as well as the various black and white classic comedies of Charlie Chaplin and Laurel and Hardy. However I became interested in cult TV series and films whilst attending university. Our campus was media-centered and as a result it had a huge catalogue of videos to rent, free of charge. I ploughed through many often taking the maximum 8 out at a time and consumed them voraciously. As a result I believe that I am quite literate in films and TV but the series that really attracts me are the more offbeat curios.

I've explained my love for old creepy films here before and it is in this vein that I wanted to explore Hammer House of Horror, the 13 episode anthology series which was shown on ITV in the early 80s. I had never seen the series before so thought I'd dive in. What intrigued me was how the 50 minute short films were shot in the style of the times rather than the usual Hammer fare that had been famed over the previous couple of decades. The provinciality of it all recalls Minder or the kitchen sink melodrama Play for the Day rather than glamourous Dracula, Twins of Evil or the more desperately lustier affairs that precipitated the studio going into receivership.

The series was the idea of Roy Skeggs and he wanted to create a grittier, more realistic (and cheaper) horror that blended slice of life with the supernatural or eerie, a modern gothic if you will. Local problems for local people. The result is an interesting time capsule that captures the fashion, sensibilities, technology and dour mood of the time. By doing away with the 'genre crap' that Hammer had helped to create and codify, it prevents the series from being the usual campfire stories or folklore and turns it more into urban legends or friends of friend tales- a much more horrifying prospect as there were definite social messaging contained upon it's release in the early 80s.

The series tweaks the 'tenets of genre' to create something all together more interesting. Anyways, here are my thoughts on the individual episodes:

Witching Time
On a dark and stormy night, whilst home alone, married man David finds a beautiful woman in his barn claiming to a witch from the 17th century. Thinking her a kooky eccentric, he humours her before locking her in a room and calling for a doctor.
Upon arriving, the witch disappears and the doctor thinks David is overworked and hallucinating. He gives him some stronger pills but the witch comes back and starts to wreak havok upon him and his returning wife. Things quickly go downhill as we don't know if David is self-sabotaging or if there actually is a witch who has a hold of him.

This is an interesting episode as it is quite meta in that David is the sound mixer for horror films and he is being haunted himself. The slow deterioration of his mental health as the witch takes hold is interesting to see. It's a pretty solid episode and had me intrigued throughout.

The Thirteenth Reunion
When a new dieting clinic seems to be getting astonishing results, a roving reporter goes undercover to investigate the secret of their success. She sees a tough love affair where people are insulted into 'thinking themselves thin'. She bonds with a fellow 'fatty' but when he unexpectedly dies after a road accident her suspicions are raised as this seems to be happening quite regularly.

This episode goes some places and what I initially thought of as some body harvesting scam definitely ends up something much more sinister and weird. The tension is cranked up all the way through and the ending is not what I expected at all.

Rude Awakening
When an estate agent is given a property to put up for sale, he visits it but gets more than he bargained for when the manor is a state of ruin. What follows is a weird mystery about a recurring nightmare and whether the agent is losing his mind or maybe his subconscious is suffering from guilt from the murder of his wife.

Denholm Elliot shines as a cocky cockney everyman estate agent who ends up getting himself caught up in a bit of a mess when visiting the property. He plays it well, sliming it up with his young secretary in various states of fantasy attire as he tries to work out what is going on. The ending is typically dark and catches you off guard as dreams and reality merge.

Growing Pains
A young boy dies after trying some of the growth formula that his research scientist father is using on rabbits to end world hunger. A short while later, the parents adopt an orphan who has a rabbit toy and an interesting personality. When visions of the dead son appear and the pet dog starts to behave strangely, the parents question their sanity.

This is a quirky episode as the boy who eats the medicine is dopey. I mean, who goes into their father's scientific lab and scoffs strange liquids and powders from a random jar on a shelf? The boy is about 10 years old so should definitely know better. Anyways, the replacement boy plays a slightly creepy role well and the setup is intriguing. The story goes place you would not think it would go and that keeps you on your toes.

The House That Bled to Death
When a young couple and their daughter move into a house, little do they suspect that their house was the scene of a gruesome murder some years ago. As they try to bed in, unsettling things seem to be happening around them... almost as if the house wanted revenge.

This is a solid episode with lots of shocks and scares as the tension slowly escalates. The blood flows generously but, once again, the episode goes to a different place.

Charlie Boy
When a friend dies, a photographer and his friends get a chance to rifle through his things and take souvenirs home. When the photographer takes an African fetish doll, known for being used in witchcraft, people start to die. Will he make it in time before his wife and he succumb to its dark power.

This is a great episode about the power we give objects. Is it the fetish or is it the paranoia and coincidence of it all? This episode is great and it was wonderful to see the young familiar face of Angela Bruce as the wife of the photographer. The relationship between the interracial couple was loving and they treated each other like equals which was surprisingly more sensitive than what I have been used to from shows from that era. Fair play to the show for doing that.

The Silent Scream
When a habitual petty thief is released after two years inside, he finds a job at a local petshop run by Peter Cushing. When tasked with feeding the trained exotic animals he keeps at the back whilst he's away, the thief tries to open a safe and is caged. Will his wife help him get out or will the thief be trained to curb his thieving ways.

Cushing is excellent in his role as a mad scientist who looks at creating a prison without walls. He is seemingly sane and his idea has merit in principle but at what cost to civil liberties and freedom?

Children of the Full Moon

After their car careens out of control, a young couple find themselves out in the sticks in the late afternoon. They find refuge in a creepy old country house in the care of an old lady and loads of orphan children. As the night draws in, the sound of wolves can be heard and the children start to act strangely. Whatever can it all mean?

This is a great episode with Diane Dors camping it up as the old lady of the creepy manor house. This is considered one of classics of the series and is so highly regarded due to the gothic feel of the mansion, creepy woods and quite good makeup work.

The Carpathian Eagle
When a series of men are murdered, with their hearts ripped out, an old legend seems to be bubbling to the surface. A police officer and a murder-mystery author try to get to the bottom of the serial killers crimes on this short thriller.

The central conceit of this episode is great as it plays out like a crime procuderal but has the obvious supernatural elements, much like Kolchak: The Night Stalker. This episode was a firm favourite of mine as there is a great central mystery.

Guardian of the Abyss
When an antique dealer comes across a scrying glass his world is turned upside down as satanists and an escaped sacrificial victim cross his path. When his scrying glass- which may have been Dr Dee's original one- is stolen, he goes on a hunt to find it and save the glamourous sacrifice at the same time.

It's an intriguing episode as the poor guy just wants to flip the item to get some moolah but he's caught up in a demonic mess involving Enochian, Choronzon and Aleister Crowley. Fascinating stuff with a dramatic and powerful ending.

Visitor from the Grave
When a rapist is killed by his prospective victim, his body is concealed to hide the crime. However, as she struggles to reconcile her life  with the crime she slowly starts to unravel as she sees the face of the rapist in her everyday life. Maybe a Swami from India can help, for a high fee of course.

This is a slow burn episode as the action happens right at the beginning and it's all about the trauma and unravelling as the victim goes all swiveleyed and anxious. This episode is not very sensitive at all but it isn't as egregious as much other media from the time- the portrayal of a woman who has gone through a traumatic experience isn't very sensitively handled whilst the brown face of the Swami is pretty racist but this was par of the course for the time and should be considered through those optics. Thank gosh things have moved on somewhat and we live in more enlightened times.

The Two Faces of Evil
When a family on a country drive pick up a hitchhiker during a storm it doesn't go well as he attacks the family. Waking up in a hospital the family try to get back to normal but life is forever changed. The question is: has the hitchhiker gone for good?

This is an excellent episode as the sense of  claustrophobia is achieved through tight and unusually low camera angles. It disorients you as you watch the episode and even the staff at the hospital look sinister from that angle. It's quite an achievement on such a low budget. The concept of a doppelganger is intriguingly covered in this episode and the chase at the end suitably dramatic.

The Mark of Satan
When a novice who works in a morgue is accidently pricked with the bloody neddle of a corpse who claimed to have been protecting his soul through self-drill applied trepanning, he undergoes an interesting transformation. He starts seeing patterns everywhere and is worried that there is a conspiracy against him.

I liked this episode as the number 9 is a recurring motif and occurs frequently throughout. I wonder if the creators of Inside Number 9 were inspired by this particular episode as they do cite this series as a foundational text within their ouvre.

Overall, I really enjoyed this anthology series. I can see how it has influenced many shows including Inside Number 9, Black Mirror, The League of Gentlemen and The Mighty Boosh. It's a quirky series that looks at the evil that lurks beneath the normal veneer of polite (and not so polite) society.

The series can be pretty bleak and I think a lot of it is to do with the way it represents an empire in decline. Britain held much of the world in its grasp for hundreds of years and the stripping away of this worried much of society. This anxiety brought fears of class, eugenics and 'replacement theory' to the fore- maybe that's why so many of the shows of the time are to do with class, a structure that very much exists in Britain but many will deny whilst claiming that we live in a meritocracy. Looking at the sorry state of current politics puts paid to this veneer as vestiges of this illusion are removed-as  it was in the 80s when this show was create and aired.

The cultural vandalism, misappropriation and bastardising of certain principles, values and societal narratives are things that happen all the time. One only has to look at social media with its 'the way things were' photographs of yesteryear to see the guise of nostalgia wrapped in right wing anemoia. Read the comments to see the vitriol spewing forth. This show looks at the worries and concerns from the time and amplifies them through the lens of horror.

The OA- Cult TV Review

Brit Marling is an indie darling who, after having cut her teeth on the chin-stroking Another Earth and Sound Of My Voice, has always chosen intriguing roles that make you question yourself and was unafraid to ask the big question. When I heard that she had written and starred in The OA on Netflix, I was excited but then sadly learned that it had been culled after two seasons. I wasn't sure if I should invest in a show that didn't have closure but, after continuous rave reviews from publications and pop culture people I respected I thought I'd take the plunge. Boy is this series a wild ride.

The OA concerns the return of kidnapped teen Prairie Johnson, who returns home after 7 years away. During that time a miracle has occured and the once blond girl can now see. She adapts to life in the outside world with the media scrutinising this miraculous turn of events but she has a mission to save the others who were trapped with her at the hands of a crazy man. By forging friendships with 4 other people, she narrates her life story which features near death experiences, a mad scientist and multiverses. The question throughout it all is: is this all true or is she an unreliable narrator or mythomaniac?

The first series has a great ensemble cast that are a bunch of misfits, even the Principle says that as a social anthropologist he doesn't get the dynamic but that's what makes this series to interesting. Everyone has their own issues they are dealing with: the stoner who is struggling to look after his family after their mother passes and dad is nowhere to be seen, the Valedictorian with a substance abusing mother, the lonely middle-aged teacher who lost her addict of a brother and the rebellious bad boy. The story is intriguing and keeps you guessing throughout and whether Marling's OA (Original Angel) is a figure of good or a delusional false prophet is open to interpretation right up to the end.

The second series changes tack and starts off as a police procedural with a Vietnamese girl going missing in San Francisco. As a P. D. investigates the case he comes across a videogame where he must solve riddles using augmented reality. It's nearly 30 minutes before we see OA but she's her alternate world Russian version, the one who wasn't adopted and cared for by the parents in the first series. It throws the whole series on its head and you anticipate the moment she reconnects with her group of misfits from season one.

As a fan of Twin Peaks, The Prisoner, Evangelion, Haibane Renmei and many other cult television shows as well as movies like Pi, The Fountain, Mr Nobody, Donnie Darko, Three Colours Red, The Double Life of Veronique, Memento, The 12 Monkeys and The Second Coming and books like House of Leaves, The Wind Up Bird Chronicle and The Raw Shark Texts, I can say that this series was most definitely up my street. It mixes cool sci-fi elements with wobbly wobbly timey wimey stuff with a slight dash of interpretive dance.

There are some great actors in here and the ones I recognised from other work include the amazing Riz Ahmed, Zendaya, Jason Isaacs and, my favourite actress, Irene Jacobs. They really give the series a sense of prestige and present an acting masterclass. Jacobs is an extremely shrewd get as in her role as Veronique in Kieslowski's masterpiece, where she plays a double role as characters who are connected without knowing how and why, seems to fit in with her character of Elodie who states she has travelled to different dimensions where she played actresses who had roles that considered the human connection. Very meta indeed and I doff my cap to Marling and Batmanglij

The show covers a lot of ground including ethics in science, madness, the nature of reality, near death experiences, Afrofuturism, anime style tentacle stuff, Lovecraftian eldritch elder gods, and so much more. The fact that it remains pretty cohesive and compelling way is a testament to the creators and writers, Marling and Batmanglij. Sure, we may never get to know what was intended in the overarching narrative as some of these threads will likely never be resolved but that's okay as what we have is a worthwhile transcendent journey worth taking. The highlight for me me was season 2 episode 5, The Medium and the Engineer which turns the episode into a mystery box as OA and Karim try to figure out the truth about a creepy gothic style puzzle mansion. It had elements of gothic horror, Control and PT-style creepy corridors and mystery puzzles and House of Leaves non-Euclidian geometry.

For me, the show has elements of ecstatic truth. Werner Herzog equates ecstatic truth very much to the sublime which allows us to experience moments of enlightenment through deference of truth to truthiness... it just feels right even though we know it's not. It not lying but rather the feeling gets to the core of the message. I find this with David Lynch and his ouvre; the stories he has to tell don't always have to make sense but he gets to the spirit of good and evil, right and wrong, light and dark.

I'm aware that this series will definitely not be for everyone but I personally like the bold vision it has and the conviction of telling a story in such a novel way. I am gutted that the show ended on such a cliff hanger and broke the 4th wall but man was it a trip!

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I Am (Not) a Number: Decoding The Prisoner- Book Review

A short while ago, I finally saw the entire 17 episode run of The Prisoner. It was the first time I had seen the show and viewing it with no nostalgia attached, I could still see why the series had maintained a cult status. Like Twin Peaks, of which I am a huge fan of, the more one delves into the quirkiness, lore and theories, the more one appreciates what was done. It has clearly inspired many shows including Lost, Kolchak: The Night Stalker, The X Files and so many more.

It is a singular show and it's tight episode run has kept it evergreen by avoiding the bloat and repetition that plagues a lot of series.

The series is now seen as cult with its allegory of socio-politics, but it was a prime time show when it was initially released. I don't know how Patrick McGoohan managed to get funding for it as it is so ahead of its time yet of its time; the Cold War was alive and well and the fear permeates this singularly psychedelic and Kafka-esque show with some real world analogies. However, it also embraced the Summer of Love with its fashion, crazy carnival of colours and The Beatles' All You Need is Love.

The show sure goes to some odd places and it can be difficult to parse what you have just seen, so a book promising to explain the key takeaways sprinkled across the episodes as well as a grand theory intrigued me enough to buy it.

Alex Cox gives a brief overview of each episode (in the order in which they were shot) and dissects aspects of them which builds to his grand theory or decoding if you will.

The book is slight but it does capture the zaniness and kookiness of the show well, showing how McGoohan created a vibe without necessarily spoon-feeding the audience with an ending that neatly tied the solution in a bow. Instead, what we get are little clues dotted throughout, which, if considered as a whole, makes sense and is cohesive. I agree with Cox's final analysis and also agree that the ending is rather obtuse but decodable if you consider the show as a complete tapestry with a overarching design that takes in the geopolitical situation of the time as well as the space race confirms my views too.

The book is a good read and enjoyable as a companion piece whilst watching the show.

Ghost Stories for Christmas- Cult TV Series Review

During the late 1960s and 70s, the BBC had a reputation for producing some genuine yuletide scares with its Ghost Stories for Christmas series, which ran from 1968 to 1978 initially. This original wave of films were fondly remembered and kept cropping up whenever I did any research on cult television series to watch. So, I bit the bullet and bought the 6 disc definitive collection.

Whistle and I'll Come to You (1968)
A professor of philosophy goes for a holiday by the seaside and enjoys brisk walks, fresh salty air and theological chats with fellow guests about the physical realm. He doesn't believe in ghosts or the supernatural but, whilst on a walk near a graveyard he comes across a flute inscribed in Latin, which changes everything.
The short film is a concise 45 minutes and there is very little dialogue; it's all about mood and the economy of design that creates the tension. The black and white print certainly cranks up the atmosphere and the lead, played phenomenally well by Michael Hordern, certainly sells this spooky tale of a slightly arrogant man taken aback by inexplicable forces. The special effects, which are simple and thus still effective even in this modern age, makes this a rightly considered classic of horror.

Whistle and I'll Come to You (2010)
This keeps to the same premise of the original but this time gives the professor a wife who is suffering from dementia. He considers Life, the Universe and Everything and contemplates the fragility of the human body and whether our spirits live on. As he leaves his wife in a care home and goes on holiday to contemplate such matters, he goes to the beach and makes a discovery of a ring inscribed in Latin with 'Who is this who is coming?' The story then plays similarly to the original film but has a different and more emotionally impactful denouement, in my humble opinion.
John Hurt is in the main role and, like always, plays it magnificently. He embodies the world-weary everyman who suffers from guilt about leaving his wife in a care home whilst having a respite break, all whilst contemplating his own mortality. The slow-burn pacing and immaculate sound design make this a worthy modern retelling of the much admired original.

The Stalls of Barchester (1971)
Whilst cataloguing a cathedral's library collection, an archivist is shown a locked chest which contains some forbidden text kept secret by the old, long-dead Dean. What is uncovered is a diary recounting the story of the Dean's rise to power. And so, we have a back and forth between the present time in 70s Britain and a flashback to a hundred years before that where the Archdeacon died in an accident... or so it seems.
The story of a diary telling the present day reader the truth of the past is not a new one but is done effectively here; the guilt consumes the perpetrator of the heinous act. The acting is solid and features a few cast members I recognise from elsewhere including Hyacinth Bucket's husband in Keeping Up Appearances and Mavis from Coronation Street.

A Warning to the Curious (1972)
The myth of the three crowns of Anglia, where as long as they remain undisturbed the county would not be conquered, starts off this tale of dread. As antiquarians excavate the land and get ever closer to the last crown, a malevolent entity/ person seeks to stop them. Up pops amateur archaeologist, played with suitable heft by Peter Vaughan, who is hot on the trail of the treasure. When he finds it and tries to escape with it out of the village a ghostly presence stalks him.
This is a pretty spooky story due to the fact that much of it happens in the woods. The director luxuriates in the bleak quietness of the land and this marinates the story with an unsettling atmosphere. It's a great story, well translated into short film with deft acting by Vaughan.

Lost Hearts (1973)
An orphaned lad is taken in by an eccentric lord. As the tween's birthday draws near, on Halloween night no less, the learned gentleman, who has a keen was interest in the esoteric, seems to be taking an unhealthy interest in the boys health. The boy meanwhile has sightings of a young boy and girl who are missing their hearts. What malevolent intent do they have?
This is an interesting tale which hints at child abuse and neglect; it's quite tame but the predatory undertone is there. Thankfully, it's more wholesome than that with the old codger merely trying to take the youthful life essence of the child. It's very well shot and the creepy hurdy-gurdy music adds an extra layer of spookiness.

The Treasure of Abbot Thomas (1974)
When a scholarly clergyman and his young protege undertake a quest to find the lost gold of an old cleric from many centuries ago, they follow his clues in a Da Vinci Code-esque adventure. This is a rather more staid affair but no less thrilling in a Victorian/ Edwardian way.
This was one of my favorite tales as I liked following the cryptic clues to it's inevitably spooky conclusion. There is a price to pay for disturbing the treasure and it comes right at the end, cutting away at the denouement. The final 'monster' is very disappointing, looking like a muddy puddle, but the rest of the production is spot on.

The Ash Tree (1975)

A young squire becomes lord of the manor after his old uncle dies. He finds it a wonderful place and renovates it in an Italian style. He deems to make other amendments including disturbing a sole grave, marking the spot of old lady Mothersole who was tried as a witch long ago, so he can have a pew placed for his wife to be and their future offspring. Through flashbacks we see the fate of Mothersole and the hanging of an innocent old woman. The past and present merge as we see the family curse is still in effect.
This is an intriguing story about the past affecting the future. The conclusion is suitably spooky and highly symbolic of the power of women.

This marked the end of the M. R. James adaptations and what followed were from a variety of authors and from different time periods.

The Signalman (1976)
A rambler comes across a train signalman and the two bond. The signalman confides in him some ghostly goings on but the portents of doom continue. What can it all mean?
This is a Charles Dickens tale but it suits the theme quite well as it is still a scary ghost story about premonition, fate and fear of the unknown. Elliot Denholm is exceptional in this as the haunted man who has a deep sense of duty but also a creeping dread of things to come as the ghosts in the machine take hold.

Stigma (1977)
When a family move into a new cottage in the country, they try to relocate a huge stone that is in the garden. Upon it's lifting, the mother finds herself constantly bleeding. What is the cause and will the family survive?
This is a jarring change of pace as it is set in the present (for the time at least, it's the 70s) and the setting is more modern. It features a mum, dad and teenage girl dealing with a move and the unnatural goings on. I liked it but it's not as immediately interesting as the more period pieces.

The Ice House (1978)
The story starts in a sauna (one of my favourite places, so that got me immediately interested) and follows a man's journey at an exclusive resort. He enjoys the company of the brother-sister team who maintain the property and the scent of flowers but is unsettled by their demeanour and the locked ice house. What follows of a murder mystery as a body is discovered.
I've really enjoyed this story of a man finding peace and solace at a spa guesthouse, only to fall into a plot featuring the ice house and the sinister siblings. It's slightly strange and not much happens but it is quietly effective.

There was then a huge gap of about 25 years and then the next two stories come along. Of the first wave, I have to say that I loved them. The thing that comes through in all these productions is the silence; they are not afraid to be quiet to let the mood or the gravity of the situation take precedence over the dialogue or inane prattling that many films nowadays struggle with. Also, the period costume detail is on point and, even though on a tight budget, the economy of design lends the whole thing an air of authenticity; it doesn't come across as a polished costume drama but rather rough and ready Edwardian period pieces with some 60s design thrown in.

A View From a Hill (2005)
An archaeologist visits a country pile to evaluate the collection of the hier's father, an amateur archaeologist who discovered many an object. Whilst going for a walk, he spies a church tower but on closer inspection it seems to vanish. Looking through the artefacts he comes across a sketching of said tower, but apparently it was dissolved by Henry VIII centuries ago. What is happening? Maybe the camera obscura-type binoculars can help?
This is a modern production and so benefits from a clearer image and better sound quality. The M. R. James story itself is intriguing and contains that feeling of unease that his best work contains- a man intrudes on the locals with their ways and a land not his own and struggles. The scene in the woods is particularly spooky and intriguing whilst the glimpse into the past is wonderfully portrayed but tinged with a danger of forbidden sight.

Number 13 (2006)
A college man visits a small village to look through a trove of paperwork and artefacts hidden within a hole in the church wall. One night he finds a hidden manuscript with strange markings and has a Hieronymous Bosch 'Garden of Earthly Delights' -type horrific nightmare piece. There is a mystery linked to room 13 at the man's lodgings and a link to an unliked bishop.
This is a suitably moody piece and the dark subject matter is well covered with beautiful piano music complementing the well - shot, dark film. The finale is suitably scary with a proper jump scare rather than a whole ‘It's left up to you’ denouements. As a statement of intent, this story is a highlight of the renewed Ghost Stories series.

I thoroughly enjoyed watching these films over the course of several weeks; the productions were well produced and added an edge of darkness to what can be an unremitting sugary, syrupy time. The genuine shivers some of these films sent down my spine shows the potency, even some 50 years after their time.

The Watch House- Cult TV Series Review

British children’s television series during the late 70 right up to the late 80s period were quite interesting; slightly spooky but not too spooky, with a tinge of creeping dread. I'd never heard of ‘The Watch House’ but, had heard it mentioned in the same tones as Moondial, Children of the Stones and The Owl Service. Just hearing it mentioned with those greats had me interested and so, over the course of an evening, I watched all three 30 minute episodes.

The story is quite simple:
Following the difficult break-up of her parents, young teen Ann is left to stay with friends of the family at an old life-brigade watch-house. Whilst cleaning it up, she realises that the place is haunted but what is the spirit (or spirits) trying to tell her?

No-one does creepy folk horror quite like the British and this sort-of ghost story is effectively produced, featuring lots of location shoots that add some sense of place and atmosphere to proceedings. For a 1988 production, I can imagine it costing quite a bit but the shoot really adds a gorgous setting in which to set-up this ghost story. The special effects are obviously dated and we're made on a limited budget but, when the shipshead comes alive and the flashback of the ghosts is revealed, they are effective.

Whilst some of the adult actors do come across as quite hammy and theatrical, and some of the child actors precocious to the point of annoying, the whole thing generally works. Sure the story is quite basic and doesn't linger in the memory like the shows that left their endings more open (such as Children of the Stones), but what we do have is a short serial with a feisty female protagonist (played by Diana Morrison) trying to get to the bottom of a mystery.

As an adult with no nostalgia for this show, it is pretty forgettable but I don't feel like I wasted my time on this. Not every show has to be an all-time classic and this is pretty basis but effective enough.

LINK- Dead of Night: Cult TV Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

LINK: Japan: My Journey to the East

LINK- Pure Invention- Book Review

LINK- God of War: Ragnarok- Videogames As Art

Kolchak: The Night Stalker- Cult TV Review

I bought the Kolchak: The Night Stalker DVD collection a few years ago, but it had been sat in my pile of shame collecting dust. Earlier this month, I decided to finally bite the bullet and watch it during my annual January videogame detox.

I didn't know anything about the series but had heard it mentioned often when The X Files was at its peak. Apparently, Kolchak was an inspiration for Chris Carter when writing the adventures of Mulder and Scully, so if it was good enough for him it was good enough for me.

The 20 episode TV series followed Carl Kolchak (excellently played by Darren McGavin) investigating supernatural phenomena in his home city of Chicago. Each week he would have an investigation, facing off against mummies, vampires, werewolves and the like, whilst his likeable but ball-busting editor Tony Vincenzo (played by Simon Oakland) would be on his back about some more mundane mainstream story.

Typically, at the beginning of each tale we'd see Kolchak at his typewriter wistfully retelling the adventure he'd just had. Then, we'd go through the whole story as Kolchak slowly pieced together the puzzle to find out who the 'monster of the week' was. It's an effective story-telling device that offers a snapshot of a bygone age with its fashion, technology and concerns about the future. There are a few issues here and there with stereotyping, especially of the exotic 'other' like Hindus, Native Americans and Haitians, but it's not as problematic as many shows from that period, in fact the show stands up pretty well as Kolchak tried to understand these differences. It's not always subtle but I've definitely seen a lot worse from this era.

Kolchak: The Night Stalker

I watched all the episodes and my favourite 3 episodes were:

The Ripper- A serial killer in Chicago, who preys on women, has the same MO as Jack the Ripper, but it couldn't be him... it's been almost a hundred years, right?

Bad Medicine- When a man dressed as a Native American sorceror kills older ladies of distinction for their gems, Kolchak is on the case to see that the crime spree stops. Richard Kiel appears in an early career role and is suitably brooding as an 8ft transmitting giant who morphs into animals. Even though it is quite insensitive now, it is a great episode with lots of tension and mystery.

The Knightly Murders- When a museum showcasing medieval armour is under threat of being turned into a nightclub, the reanimated black armour of a cursed knight murders some of the Chicago folk involved in the museums closure. A crossbow, mace and lance are the murder weapons of choice but can Kolchak get to the bottom of it?

The show is highly entertaining and extremely watchable, even now. There is a gentle humour that goes with Kolchak being thrown out of places he shouldn't be and people not believing his wild sounding stories. McGavin has the confidence and charming personality to befriend some people whilst getting under the skin of others, much like Columbo. His dogged pursuit for the truth is endearing as he portrays Kolchak with warmth and good humour, rather than just a newshungry reporter.

LINK- Children of the Stones: Cult TV Series Review

LINK- Dead of Night: Cult TV Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review

LINK- How to be Perfect: The Correct Answer to Every Moral Question by Mike Schur- Book Review

LINK- The Good Place and Philosophy- Book Review

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

LINK- ‘Natives: Race and Class in the Ruins of Empire’ LINK: Elden Ring- Videogames As Art

Chocky- Cult TV Series Review

I have a penchant for cult TV series from the 70s and 80s and, having watched quite a few of these serials, what I find holds up the most are the shows with an economy of design. Often, it is the simple production designs, sparing use of music and often the silences that create the moments of tension that bring many of these classic productions much acclaim. Even though I never watched them at the time, programmes like 'The Stone Tapes' and 'Children of the Stones' had stood the test of time and I found them incredibly watchable today with no nostalgia attached. The excellent writing and characterisation brought these works to life and it is no wonder that many of these series have left a lasting impression on the generations that watched them as a result.

The works of British sci-fi author John Wyndham have often been turned into movies and television series. I was aware of his work due to my father having read ‘Day of the Triffids’ back in the 70s when he was in school but I never had read any of his works. I watched the 1980s BBC Triffids series and found it enjoyable as his kitchen sink drama mixed with a sense of dread made his work instantly engaging. Wyndham also authored 'The Midwich Cuckoo' (which the ‘Village of the Damned’ series of movies is based on) and 'The Chrysalids,' which I read recently. I was less aware of his final written work, Chocky, but had heard that the Thames Television 6 part TV series was worth a watch and so, after liking his previous work, I watched the show. Was it worth my time?

Chocky, follows the tales of a young boy named Matthew (excellently played by Andrew Ellams) who develops a friendship with Chocky, however this friend is imaginary... or is it? Eager to find out if this imaginary friend may not be a figment of his imagination but rather an intergalactic intruder, the fraught parents seek advice in whether the presence is benign or malign and it turns their world upside down.

It's an interesting premise as it sounds very much like the demonic possession story trope that was popular in the 80s but actually it is much more nuanced than that; it is a tale about relationships. It could have been overacted and the drama could have escalated to ridiculous proportions but generally it is the growing bond between Chocky and Matthew as well as the familial bonds between Matthew and his father (ably and sympathetically played by James Hazeldine). Rather than panic, like the mother (again, wonderfully played by Carol Drinkwater), the father seeks to understand Chocky and seeks advice. This isn't to say that the mother figure is presented as a harridan or scold but rather she is concerned as even friendly possession is possession and so, frightening to witness in your child.

I thoroughly enjoyed the programme and loved the way the family dealt with this existential threat to their unit in a plausible and sympathetic way rather than descending into histrionics and melodrama. Wyndham is a quintessential British sci-fi storyteller, with his less is more and subtle approach. Chocky is wonderful stuff which brings back waves of 80s nostalgia; the hair, the fashion, the transport and the shops. Make no mistake, this is a Cold War inspired film about an alien host but this is one about mutual respect and understanding rather than blowing each other to oblivion. With a heartfelt message like that Wyndham’s final tale is one of hope and reconciliation. One we could heed in these interesting times.

LINK- Dead of Night: Cult TV Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review

LINK- Mario 3D World- Videogames As Art

LINK- The Last Guardian- Video Games As Art

LINK- The Mysterious Cities of Gold Retro Soundtrack Review

LINK- Twin Peaks Retrospective

LINK- Twin Peaks: The Return Series Review

The Storyteller: Greek Myths- Series Review

I remember it well, Jim Henson's The Storyteller aired in the evening on Channel 4 and scared the bejeezus out of 7 year old me. The year was 1987 and the show had been heavily advertised for a few months so the anticipation had been building. When finally the show aired it became an instant classic in my mind, the stuff of wonderful nightmares. The show presented nine lesser known northern European fairytale with a a mixture of live acting, animatronics, muppetry and surreally stylish imagery. With excellent production values, marvellous special effects and stunning matte paintings the various fantasy settings all came to life and drew me in.

John Hurt played the role of the eponymous Storyteller, and next to a hearth he would tell a story with relish, accompanied by his muppety canine companion. There would be occasional interludes where the Storyteller would elaborate or expand upon a point and his verbosity and wordplay would be like music to my young ears, even if a lot of his wordplay went over my head. Even after 30 years, The Storyteller fills my heart with warmth and joy, and a little bit of a chill, but in a good way.

So, what is less well known is that there was a shorter follow up series in 1991 created by Anthony Minghella (of The English Patient fame) which looked at the Greek myths. The 4 part series swapped out Hurt and instead placed Michael Gambon into the eponymous role. He is ably supported by seasoned theatre performers such as Derek Jacobi and Art Malik and this gives the show added gravitas. With the wonderfully emotive music the show really does shine with that early 90s glow. The soft focus and fuzzy recording make the show seem like a wondrous dream and even now fill my heart with warmth.

The 4 episodes include:

Daedalus and Icarus- the classic tale of the inventor who's son reached too close to the sun is ably retold and expanded to include what happened after the death of the progeny. It is deliciously dark and arresting and Jacobi gives it his all in the title role.

Orpheus and Euridyce- the tale of a man whose music moves a wood nymph to the world of man. After getting married the nature of the wood nymph reveals itself and she dies after being bitten by a snake. Orpheus challenges the Gods to bring Euridyce back from the underworld but just as he is about to succeed a twist prevents her return. Malik is solid in the main role but the music is the real star, being equal parts joyful and mournful. I really enjoyed this episode, especially and production values of Hades.

Theseus and the Minotaur- The classic tale of man versus beast. The minotaur is well designed and the maze is suitably creepy in this well directed retelling.

Perseus and the Gorgon- The best visually arresting and special effect heavy story is saved for last. We get the tale of a hero fighting the monstrous lady who turns anyone who witnesses her visage to stone. The special effects on Medusa are amazing for the time and production costa.

The Greek tales presented are quite mature and darker in essence than much of the sanitised, Disney-fied versions out there. I would recommend it for ages 7 and above as many of the themes touched upon are to do with the human condition and the tales are, in large part, part of the European monomyth but they do cast a wondrous spell. The love, care and attention of the production comes through on the screen and even though some of the special effects have aged, this ethereal other-worldliness leaves the show an almost timeless quality. The show is well worth the short time investment and will leave its glow long after you've stopped watching.

LINK- An English Geek in Saudi

LINK- Manga Exhibition at the British Museum

LINK: Japan: My Journey to the East

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

LINK- ‘Natives: Race and Class in the Ruins of Empire’

LINK: Let’s All Create a ‘New Normal’.

LINK- Ms Marvel Can Change the World

The Clifton House Mystery- Cult TV Series Review

I have an affection for cult and offbeat TV shows and films from days of yore as consistent followers of this blog know. I've found that many still stand up to today's scrutiny and often they are full of great ideas which are earnestly acted. Usually I pick up DVDs at random from CEX but in this case it was whilst I was browsing through Amazon, checking through the recommended links for 'Children of the Stones’, an atmospheric and eerie series that I'd picked up earlier and loved, that I came across 'The Clifton House Mystery'. The series was produced by HTV, the production company that had made ‘Stones,’ and so, based on the strength of that series I took the plunge and bought the DVD set for £4.99. It has sat on my pile of shame for a couple of years but sans WiFi and access to premium channels, I thought I'd finally work my way through this series.

The story is about the Clare family, who move into a mysterious old townhouse in Bristol. The previous family had lived in the house for generations but decided to leave under mysterious circumstances. The contents of the house are auctioned off but there are secrets attached to the items and the abode that haunt the new occupants. When they find a skeleton in a sealed room the mystery deepens and they hire an eccentric ghost hunter Milton Guest, to put the spirits to rest.

The series was aimed at school children so don't expect anything too ghoulish or scary but it is effective in its own way. The economy of sound and set design adds to the slightly unnerving nature. The story is quite straightforward and a lot of Bristolian history is thrown into the mix, which I found quite good as I’m a bit of a history buff.

The cast are relatively unknown, at least to me, however, they all play their roles with surety and earnestness. The only recognisable face is Peter Sallis who plays Guest. He would later go on to voice Wallace in 'Wallace and Gromit' and find fame as one of the old codgers riding a bathtub down many a hill in 'Last of the Summer Wine'.

Overall, the series is not as enthralling as 'Children of the Stones' or as scary as 'Moon Dial' but it is still worth a watch and, at just under 2 and a half hours, it's a nice way to while away a lazy afternoon.

LINK- The Singing Ringing Tree: Cult TV Review

LINK- Jim Henson’s The Storyteller

LINK- The Secret Garden (BBC)- Cult TV Review

LINK- Dead of Night: Cult TV Review

LINK- Children of the Stones: Cult TV Series Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review

LINK- Day of the Triffids (1981 BBC): Cult TV Series Review

The Singing Ringing Tree (DEFA): Cult TV Review

I had heard of this film through various 'Top 100 Kids Shows' and other such cheaply produced shows shows that were all the rage about a couple of decades ago. Y'know, the stuff where talking 'celebs' and vox pop tried to say funny or snarky stuff about the shows they were counting down. I know that the dwarf character scared many so I hoped I would get around to seeing it and forming my own opinion. Once again, browsing CEX in Tonbridge I came across the ‘Tales From Europe’ boxset for £5 which contained ‘The Singing Ringing Tree’ and ‘The Tinderbox,’ and so I bought it. Again, it sat on my pile of shame for about 4 years and I've only just got around to watching it due to no WiFi and the ongoing pandemic.

The sets are lavish and the artistry is show is excellent for a 1957 production.

The sets are lavish and the artistry is show is excellent for a 1957 production.

'The Singing Ringing Tree' is a 1957 fairytale of a young Prince who sets out to find the eponymous tree in order to win the love of a beautiful but conceited princess. He finds it in a fairytale garden which ruled by an evil dwarf. The dwarf and Prince strike a deal whereby the prince can have the tree on the condition that he wins the princess' love before nightfall; if he fails, he will turn into a bear. Things don't go to plan and the Prince is transformed. The Princess is taken to the Kingdom and she turns from an arrogant, conceited woman into one who is kind and considerate. Her outer beauty is matched by her inner beauty. The story is not one I know but is familiar with echoes of ‘Beauty and the Beast’ (with the Stockholm Syndrome) and pretty much any fairy tale, fable or tale where true love conquers all. It’s all pure escapism.

The set are beautiful with vibrant colours and the costumes are lush and detailed. It looks like an expensive production and thus lavishness extends to the special effects, which may look laughable now but at the time I'm sure were impressive. The film has little dialogue so the German vocal track shouldn’t detract non-German speakers as it can be seen without any talking at all, or with an English narrator or a French vocal track. Looking at the story now with no nostalgia for it at all, I can say that I thought the story reminded me of Jim Henson’s The Storyteller series which also presented many European tales with a dark edge to them.

The DVD I purchased has few extras but did include an interview with the actress who played the Princess from 2003 which is insightful as we learn that this was her first role and she was still in school.
It also contains production and promotion stills which I have to say is really quite beautiful.

Overall, I thought that the film was wonderful and is well worth a look.

LINK- Jim Henson’s The Storyteller

LINK- The Secret Garden (BBC)- Cult TV Review

LINK- Dead of Night: Cult TV Review

LINK- Children of the Stones: Cult TV Series Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review

LINK- Day of the Triffids (1981 BBC): Cult TV Series Review

Day of the Triffids- Cult TV Series Review

The Day of the Triffids is a renown classic of sci-fi literature. I was aware of the book due to my father having read it back in the 70s when he was in school but didn't know much else. All I knew was it featured walking plants that could kill people. It didn't sound particularly appealing when I heard about it but as I got older I realised that I recognised the author, John Wyndham. He had written The Midwich Cuckoo' (which the Village of the Damned series of movies is based on) and The Chrysalis, which I had read.

It was whilst I was browsing my local CEx (Computer Exchange) in Tonbridge a couple of years ago that I came across the DVD of the 1981 BBC serial production. I have a penchant for cult TV series as you may know (check the other cult series I have reviewed in the links below if you want a quick catchup) so I  bought it  and it joined my 'pile of shame' where it sat until the pandemic and lack of WiFi gave me cause to finally visit the DVD. There were no excuses now not to view this series and I'm glad I did.

The story revolves around the eponymous plants, which are farmed for its use in the production of oil. The plants escape from a farm and kills people after a meteor shower renders most of the world blind. Society quickly crumbles as only a few people are left with their sight and it is in this scenario that our lead, Bill Masen, a Triffid Farmer/ biologist who was injured and had his eyes bandaged and so kept his sight, seeks to survive in this apocalyptic and dystopia world. The beginning is very 28 Days Later as Bill walks around the silent hospital and then the quiet streets of his city.

Now the premise is pretty standard sci-fi fare; something dreadful escapes the lab and changes the world into a preppers wet dream, but what makes this story interesting is the focus on the human angle. There is no deus ex machina that fixes the world and the protagonist gets beaten up trying to stop gangs from raping, pillaging and hunting the blind. It is quite unflinching in its portrayal of the downfall of society.

The actors are all relative unknowns, at least to me, however my wife was convinced that one of the small roles was played by a guy from Howard's Way, but they act with such earnestness and conviction that it doesn't matter. You empathise and feel for them as they are being hunted down by walking rhubarb. The special effects could have been silly or ridiculous but the fact that we rarely see the Triffids, and when we do the cinematography presents them at an interesting angle, means the production has aged well and can be appreciated as a period piece. The introduction credits are spooky sounding and quite eerie until a lady gets hit on the face with a quite-obvious foam stinger (see the video below at 37 seconds).

Having watched quite a few of these cult TV serials what I find holds up the most are the shows with an economy of design; it is the silences and the moments of tension that bring classic BBC productions much acclaim. Much like 'The Stone Tapes' and 'Children of the Stones', this series does not have much in the way of music but the uncomfortable silence lends the proceeding an air of ever present dread.

At 6 episodes, Day of the Triffids clocks in at just over 2 1/2 hours but it is time well spent. The series is a time capsule to show the fashion, hairstyles and Cold War fears of the 80s but, more importantly, it is a good example of what can be done when you create a human story within a sci-fi setting that is not demanding on production or special effects. This is a masterclass in the story being king.

LINK- Dead of Night: Cult TV Review

LINK- Children of the Stones: Cult TV Series Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review