The 3 Worlds of Gulliver- Cult Film Review

I was doom scrolling through Amazon Prime seeking a new film or series to watch when I came across The 3 Worlds of Gulliver. The cover looked familiar and triggered some long forgotten memory I must have had, either that or some Mandala effect had occured by I was sure I must have seen this film at some point, probably in my childhood on a cold Winters day or Bank Holiday as was often the case when these types of films were often shown. I read that it was a Ray Harryhausen and Charles Schneer production and so I ordered it and waited with excitement. I am a huge fan of their work and had quite recently revisited the three Sinbad films they had collaborated on.

I am aware of Gulliver's Travels but only loosely. The premise of a man who travels and gets shipwrecked on an island where he is a giant to the Lilliputians is well known. However, I did not know that there were further adventures where he travelled to a land where he was small. Either way, the story of a compassionate and caring man dealing with man's vanity and hubris was a powerful political polemic by author Jonathan Swift on release. The ridiculousness and petty-mindedness of the situations Gulliver has to deal with shows the corrosive elements of power.

The first thing to note is that the opening music by Bernard Herrman is amazing, not Seventh Voyage of Sinbad amazing but definitely noteworthy as it sets the mood well. Actor Kerwin Mathews has a strong screen personality and is a likable personality. His fiancée Elizabeth, ably played by the tragic June Thorburn, complements him well and there is real chemistry on the screen but the musical-like interludes are intrusive and don't fit the film that well in my opinion.

The costume, set and sound design are all uniformly great and there are a lot of clever perspective shots using great matte paintings to give the illusion of space. However, there are only two of Harryhausen’s signature Dynamation techniques; one of is a squirrel and one a crocodile. The squirrel is especially impressive as it captures the jittery frenetic energy of the animal well but this is a short animated piece.

Director, Jack Sher, does a good enough job but it lacks the cinematography or director’s eye that stronger directors would have. What comes across is a solid piece of film making but neither dynamic or remarkable.

Make no mistake, this is a relatively low budget affair but economy of design has helped maximise what has been achieved, much like what The Singing Ringing Tree would achieve years later. It's a joyful and pretty innocent film and worth an hour and a half of your time.

Pokemon Concierge- Series Review

Whilst on the train journey to London, I watched the 4 episode Pokemon Concierge series. Now, I'm not that into Pokemon as the series became prominent just as I was hitting secondary school but I know it was mad popular with my younger siblings and cousins. The games didn't really interest me either and even though I played the original few, I never really got into the in any real way. So, Pokemon for me is something that has been present but always in the periphery. What interested me about Pokemon Concierge was the stop motion style and the pastel coloured look of the show. With 4 hours of a train journey to kill I dove in.
The show follows Haru, an anxious young woman who finds employment in the Pokemon Resort after being dumped by text by her boyfriend of 6 1/2 years. She goes on a journey of self-discovery and through connections created with Tyler, Alisa, Ms. Watanabe and the various Pokemon, she realises that the worries she has are not really that big when looked at from certain angles and nothing is insurmountable.

So that's the premise but how is the show? Well, I have to say that the show is gorgeous to look at. The stop motion is smooth and the character designs are gorgeous. The Pokemon are often made of felt and look adorable and incredibly tactile.

The inner monologuing of Haru is interesting, all Millennial angst and second guessing, but as she learns to open up and appreciate the small things in life, it is wonderful to see her personal growth. The voice actor for Haru, Karen Fukuhara, is great as she really captures the insecurities of the character well.
The show is not going to blow anyones mind but as a gentle animation about the growth, evolution and maturity we all go through, it's great.

Afrofuturism: The World of Blacks Sci-Fi and Fantasy Culture- Book Review

Afrofuturism is a genre that gained mainstream prominence through Marvel's Black Panther film in 2018 but for those not in the know, it's a genre looking at Africa's potential had it not been exploited and carved up in the Age of Exploration (and exploitation). It's a great ‘what if’ alternate timeline where elements of sci-fi, history and geopolitics are reconsidered and combined in interesting ways. These ideas were put forth by social change agents who looked at the potential of what could be, what not was or had been- it was not a critique of society with its history of slavery and subjugation but rather it looked to the future perspective.

The book was written by Ytasha Womack in 2013, so this predates the ascent of Chadwick Boseman, Little Nas X, Jordan Peele, Zendaya and other entertainers who have raised the profile of a people's who have traditionally been marginalised or underappreciated (ahem 2015 Oscars where not one black person was nominated for any lead awards in any categories #OscarsSoWhite).

When talking about the role of black people in sci-fi, Womack briefly discusses Independence Day, Men in Black, I Am Legend, Book of Eli and, the black sci-fi representation cultural lodestone: The Matrix. Morpheus, played by a kickass Lawrence Fishburn, made black leather trench coats and tiny sunglasses cool, changing attitudes towards black representation in sci-fi, which was usually the reserve of homogenous white archetypes like Flash Gordon, Dan Dare etc. I'm obviously aware of black actors playing Hollywood stereotypes, usually portraying characters in a negative light, but I'd never considered them as usually the first victims in sci-fi films.

Womack discusses how the Internet and social media have allowed Afrofuturists to share their vision without being beholden to the usual gatekeepers. In the past, many black people and people of colour were often not in sci-fi films, video games, comics, books or other media almost like in the future they would simply cease to exist. Representation has got better but there are still issues as black geeks face descrimination, like the black bird watcher who was accused of some unknown crime by some Karen or being excluded out of videogames genres as black people couldn't possibly exists... in the fake world with dragons (Final Fantasy 16).

Now, I have been pretty ignorant of this scene so this book has been a great primer for me and directed me to learn more about Afrofuturism, Afrosurrealism and black fantasy as well as the works of creatives like Sun Ra, Octavia Butler, Janelle Monae and so many more people who have contributed to the majestic tapestry of this aesthetic and movement. For those who are willing to learn about the birth, growth and evolution of the movement, this book does a lot of the ground work that can be built upon.

Killmongers speech is not wrong in Black Panther as the potential of the African continent has been undermined and suppressed through the legacies of colonialism. What could it have achieved if left to its own devices? Well, this book looks at that and wonders...

The Kiss of the Vampire- Cult Film Review

I have been a film aficionado for a long time. My father brought me up on classics like David Lean's adaptations of Oliver Twist and Great Expectations as well as the various black and white classic comedies of Charlie Chaplin and Laurel and Hardy. However I became interested in cult TV series and films whilst attending university. Our campus was media-centered and as a result it had a huge catalogue of videos to rent, free of charge. I ploughed through many often taking the maximum 8 out at a time and consumed them voraciously. As a result I believe that I am quite literate in films and TV but the series that really attracts me are the more offbeat curios. I've explained my love for old creepy films here before and it is in this vein that I wanted to explore some classic horror films from yesteryear. The Kiss of the Vampire, the 1962 production, is one very such film I sought out as it is a lesser known Hammer horror film.

The story follows a young well-to-do honeymooning couple end up stuck in some backwater in Bavaria. Whilst finding accommodation in a nearby hotel they are invited for dinner by Doctor Ravna, an aristocrat who lives in the nearby castle. It all seems too good to be true as the host and his family are revealed to be the disciples of  vampires. When the wife is kidnapped, bitten and turned into a vampire, her husband looks to rescue her from the clutches of the doctor.

This film is a gorgeous production with a vibrant colour palette, beautifully decorated sets and detailed costumes. The cinematography is excellent and sound design dramatic in just the right way. The actress who plays the wife Marianne, Jennifer Daniel, is beguiling in this and plays the role of the ingenue well. This film is unconventional in its ending too as there is no stake through the heart, great fire or anything of the sort. Rather an incantation brings about the demise of the coven of vampires. The special effects for this section are laughably bad but the idea is a good one- even though it is a deus ex machina

I would recommend this film as it is old skool Hammer and existed before the studio went through its difficult years of excess where there was too much gratuitous sex and violence. I'm not saying that there is no place for these but in short sharp bursts it's more effective than where Hammer ended up.

I Have America Surrounded : The Life of Timothy Leary by John Higgs- Book Review

I am a bit of a fan of John Higgs, having read three of his previous books The KLF: Chaos, Magic and the Band Who Burned One Million Pounds, The Future Starts Here: An Optimistic Guide to What Comes Next and William Blake vs. The World.

I loved reading these books as his works often takes many turns that often bamboozle me but always had me interested in the topics he was covering. I find that Higgs seems to be a Humanist at heart and he gets to the heart of the matter and the core questions we all ask; what is our purpose and how does this affect the narrative we tell ourselves?

So, it was with much curiosity that I picked up his book on Timothy Leary, the famed face of the counter-culture movement who advocated for the use of LSD and advised people to ‘Turn On, Tune In and Drop Out.’ Apart from this, I didn't know much else apart from the fact that he was called 'The most dangerous man in America' by then President Richard Nixon.

This book was a great primer then as the first few chapters are a biography highlighting Leary's rebellious and self destructive nature before he settled as professor of psychology at Harvard. He found that the psychology profession was not having the success it claimed it making; 1/3 made good progress, 1/3 made some progress and 1/3 made no progress with psychological help... this sounded pretty good until he revealed that his test group showed similar results with no help. He realised that the psychological profession was built on sand upon the white middle class expectations of 'norms'. He declared  professional development was needed and the only way to achieve that was for psychologists to open themselves up to the lives of their patients rather than be removed- in other words,to touch grass. He was a maverick before but when he discovered magic mushrooms his world view opened up.

There was an idea that the emergence of religion was due to psychedelics but, as you can imagine, this was a hugely controversial and would receive backlash so his friend and advisor Aldous Huxley, of Brave New World fame, suggested Leary try the drugs on the powerful and influential to see what they thought and move the conversation forward as culturally powerful people.

There was a school of thought that said that psychedelics would be too powerful for the general populace and needed to be protected and controlled by the elite. Leary disagreed and got on side with the Beat Generation and Allen Ginsberg stating that everyone in the world should experience the ecstatic and that drugs should be kept away from the elite.

These two conflicting views led to Leary testing the drugs on prisoners who were nearing release to prevent recidivism. Then LSD happened the changed Leary’s view to include the reality tunnel and the idea that society was a construct. This idea is not new and many religious teachings and meditation teach this too but not in such a scientifically supported way from a Harvard academic.

He helped start the counter culture movement but some took it as an excuse to drop out of society. The 1967 Summer of Love slowly moved into the remorseful morning after in 1969: The Beatles broke up, the Manson family committed horrific crimes and there was a mood of dourness at the close of the decade as the optimism dissipated. The possible positive uses of psycheledics was glossed over with the more shrill arguments about the hippie culture. Leary's life from there is full of crazy escapades as he pivoted from philosopher, lifestyle guru to friend to the rich and famous.

Higgs is an excellent writer and his skill in conveying a complex life with verve and energy is compelling. The fact that he presents Leary as a vain, complex and flawed human being yet still a hopeful maverick makes this an intriguing read and, with the recent reappraisal of the medicinal use of psychedelics, possibly a renaissance man way ahead of his time.

I would recommend this book as this is a singular life lived and we may never know the like again.

LINK- Twin Peaks: The Return Series Review

LINK- Secret History of Twin Peaks: Book Review

LINK- Twin Peaks: The Final Dossier Book Review

LINK- The Midnight Library and the Idea That You Can’t Go Home Again

LINK- Ulysses 31 Retro Soundtrack Review

LINK- Blood, Sweat and Pixels- Book Review

LINK- The Offworld Collection- Book Review

LINK- Shadow of the Colossus- Book Review

LINK- Japan: My Journey to the East

Vampire Circus- Cult Film Review

My love for old horror films started in my formative teen years. The BBC would show cult horror films late on Friday and Saturday nights in the early to mid-90s and, when we got Sky, late 90s/ early 2000s Bravo Channel. Some were the more salacious films of 60s and 70s European cinema, often in the horror genre but not always-  some were experimental pieces which had a deeply ethereal feel and long moments of quiet where the gorgeous scenery and silence would wash over you. It was here I first saw Circus of Horrors, Vampiros Lesbos, The Witchfinder General and many, many more.

Whilst flicking through the ITVX app, I saw the image for Vampire Circus. I vaguely remembered the film so decided to revisit it for the first time in 30 or so years.

Vampire Circus was produced in 1971 which was the start of the period of decline for Hammer. Hammer had risen to prominence in the two decades before with its gothic top tier b-movie films which were rich in detail and storytelling. However, by the 70s the audience’s tastes were changing and the drop in production quality led to a glut of poorer Hammer movies that seemed to be poorer imitations of what had come before. Luckily, Vampire Circus is not one of these films as it still stands as a great film- maybe one of the last great Hammer films before its decline. Taking inspiration from post-modern European films, it is an erotic dreamlike venture with lashings of gore thrown in for good measure.

The film is about a small town in a forest which is beholden to the evil Count Mitterhaus (played in bohemian Byronesque fashion by Robert Tayman). He feasts on the blood of children and preys on the beautiful women within this community. When the people rise up and kill him he curses them, saying that they and their children, and their children’s children etc will die. Cue the title card and the beginnings of an intriguing story.

We fast forward 15 years and see that the village is in decline as the neighbouring villages know about the curse and do not want the isolated village to spread the curse further. However, a travelling circus troupe, The Circus of Night, visits the village and performs for the people whilst secretly exacting revenge by killing the children of the families and dripping their blood onto the corpse of their cousin Count Mittterhaus. Will the village discover what is happening or will all the children of the village die and the Count resurrect?

I throughly enjoyed the film. Even though any film with child death is challenging to watch the overall plot of the story and the sheer sense of place in this Germanic town is well realised. Sure, there are bare bodies aplenty and lots of gore but the story at its heart of a class battle between the aristocratic class against the poorer and middle classes is still a relevant one even today. This film is not for the faint of heart but is well worth your time.

LINK: Kolchak: The Night Stalker- Cult TV Series Review

LINK- Dead of Night: Cult TV Review

LINK- The Stone Tapes: Cult TV Review

LINK- Twin Peaks Retrospective

LINK- On, and On and Colston (Or, ‘How We Learned to Talk About the Legacy of Colonialism in GB’)

LINK- ‘Natives: Race and Class in the Ruins of Empire’

Maris the Wondergirl- Cult Manga Review

I do love the works of Rumiko Takahashi and her Rumik World anthology series. Her Fire Tripper run in Manga Mania was the first complete manga series I read and I purchased quite a few of the OAV adaptations including Fire Tripper and Laughing Target. One of the OAVs I had not seen was Maris the Wondergirl so, with 50 minutes to spare, I sat down and watched this short film.

Maris is a super strong lieutenant in the Intergalactic Space Patrol but when she damages her third ship through her super Thanatosian strength, she has to take on part time jobs to pay the organisation back. When the playboy son of a  billionaire is kidnapped Maris dreams of romance as well as a big payday. The only thing standing her way is fellow super strong warrior Sue, who defeated Maris in a wrestling match once by cheating. As Maris makes her way to the fortress where the hier is kept all is not what it seems in the final showdown.

The 1986 animation is very impressive.

This is a cute and disposable OAV. It doesn't really stay long in the memory but is fun with good animation and great 80s hair rock music complementing the fight scenes. The opening two minutes are impressive as the Maris is involved in a dramatic dogfight. Maris is a goofy and flawed character and the moral of 'money doesn't buy happiness but it does make life easier' is a message I can get behind in this humorous 50 minute diversion. This is a great slice of mid 80s animation and is well worth a watch.

LINK: Fire Tripper- Cult Manga Review

LINK- Akira Soundtrack Vinyl Review

LINK- Monster City- Cult Manga Review

LINK: Japan: My Journey to the East

LINK- The Offworld Collection- Book Review

LINK: Manga Exhibition at the British Museum

LINK- The Midnight Library and the Idea That You Can’t Go Home Again

LINK- The Transportive Nature of Objects (And the Power of Mini Consoles)

Roujin Z- Cult Manga Review

I never saw Roujin Z when it came out in the early 90s. I saw the VHS on sale often enough but the cover did not look inviting; an old guy in some weird looking robot bed thing... No thank you. As an edge lord teen I was looking for the cool stuff like Guyver, Devilman and Cyber City Oedo 808. If I'd known that it was by the genius that is Katsuhiro Otomo, the visionary creator of Akira and Memories, and had the art direction of Satoshi Kon, who would go on to direct some seminal manga films including Perfect Blue, Paprika and the stunning series Paranoia Agent, I might have picked it up sooner. However, I hadn't but I decided to write this wrong and sat through the movie earlier today and had a great old time.

In the film, set in the present day but prescient of the ticking-time bomb of an aging population, Japan has a crisis with its elderly. There is a need for change in the health and social care sector to deal with this overwhelm. A nascent technology company may have a solution with the Z-001, an automated networked bed that takes care of the needs of the patient. All it needs is a test subject and Kijuro Takazawa seems to fit the bill however his volunteer nurse Haruko isn't so sure. When the machine goes haywire and becomes self aware things get out of hand as the military get involved seeking to save their 6th generation top of the range technology and atomic powered engine.

I have to say, this film was not at all what I was expecting. Expectations for this film were high upon release as this was coming after the release of the juggernaut that was Akira. I wish I could have seen the reaction from the time as this is a more concise and satirical sci-fi film, clocking in at just under 80 minutes.

You know this is an unusual film when the creative genius that is Otomo uses his calligraphy skills to write the title with a brush at the beginning of the film. His hand symbolically breaks the animation 4th wall showing that there is a human touch behind the veneer of technology and animation.

The rest of the film is beautifully rendered in loving detail and depicts the minutaie of life- homes, medical technology, transport, fashion and people- whilst the social commentary is pointed and stinging. Japan is a country built on respect for its traditions and history so how could it care for the elderly and balance this with the need to keep innovating and moving forward? The film looks at this dilemma as it looks at how the care for the elderly is inadequate with its lack of staffing, high costs and oversubscription.

This is a socially conscious film and I think it shows that all life is valuable- there is so much we don't know and will never know in the short time we are here. We have to accept that there are some mysteries we will never solve in our lifetime, but, with a little help, me might to figure out a few of them before we shuffle off this mortal coil.

We are in a existentially terrifying era of late state capitalism and this is having an impact on the entire world- the only way to survive is to work together and unite rather than break off into disperate groups and go it alone. We need to be there for one another as we either 'fix our hearts or die' to quote David Lynch.

This is an excellent example of 90s manga and deserves to be seen as it is moralistic but also bloody funny too.

LINK: Fire Tripper- Cult Manga Review

LINK- Akira Soundtrack Vinyl Review

LINK- Monster City- Cult Manga Review

LINK: Japan: My Journey to the East

LINK- The Offworld Collection- Book Review

LINK: Manga Exhibition at the British Museum

LINK- The Midnight Library and the Idea That You Can’t Go Home Again

LINK- The Transportive Nature of Objects (And the Power of Mini Consoles)

Hammer House of Horror- Cult TV Series Review

I have been a film aficionado for a long time. My father brought me up on classics like David Lean's adaptations of Oliver Twist and Great Expectations as well as the various black and white classic comedies of Charlie Chaplin and Laurel and Hardy. However I became interested in cult TV series and films whilst attending university. Our campus was media-centered and as a result it had a huge catalogue of videos to rent, free of charge. I ploughed through many often taking the maximum 8 out at a time and consumed them voraciously. As a result I believe that I am quite literate in films and TV but the series that really attracts me are the more offbeat curios.

I've explained my love for old creepy films here before and it is in this vein that I wanted to explore Hammer House of Horror, the 13 episode anthology series which was shown on ITV in the early 80s. I had never seen the series before so thought I'd dive in. What intrigued me was how the 50 minute short films were shot in the style of the times rather than the usual Hammer fare that had been famed over the previous couple of decades. The provinciality of it all recalls Minder or the kitchen sink melodrama Play for the Day rather than glamourous Dracula, Twins of Evil or the more desperately lustier affairs that precipitated the studio going into receivership.

The series was the idea of Roy Skeggs and he wanted to create a grittier, more realistic (and cheaper) horror that blended slice of life with the supernatural or eerie, a modern gothic if you will. Local problems for local people. The result is an interesting time capsule that captures the fashion, sensibilities, technology and dour mood of the time. By doing away with the 'genre crap' that Hammer had helped to create and codify, it prevents the series from being the usual campfire stories or folklore and turns it more into urban legends or friends of friend tales- a much more horrifying prospect as there were definite social messaging contained upon it's release in the early 80s.

The series tweaks the 'tenets of genre' to create something all together more interesting. Anyways, here are my thoughts on the individual episodes:

Witching Time
On a dark and stormy night, whilst home alone, married man David finds a beautiful woman in his barn claiming to a witch from the 17th century. Thinking her a kooky eccentric, he humours her before locking her in a room and calling for a doctor.
Upon arriving, the witch disappears and the doctor thinks David is overworked and hallucinating. He gives him some stronger pills but the witch comes back and starts to wreak havok upon him and his returning wife. Things quickly go downhill as we don't know if David is self-sabotaging or if there actually is a witch who has a hold of him.

This is an interesting episode as it is quite meta in that David is the sound mixer for horror films and he is being haunted himself. The slow deterioration of his mental health as the witch takes hold is interesting to see. It's a pretty solid episode and had me intrigued throughout.

The Thirteenth Reunion
When a new dieting clinic seems to be getting astonishing results, a roving reporter goes undercover to investigate the secret of their success. She sees a tough love affair where people are insulted into 'thinking themselves thin'. She bonds with a fellow 'fatty' but when he unexpectedly dies after a road accident her suspicions are raised as this seems to be happening quite regularly.

This episode goes some places and what I initially thought of as some body harvesting scam definitely ends up something much more sinister and weird. The tension is cranked up all the way through and the ending is not what I expected at all.

Rude Awakening
When an estate agent is given a property to put up for sale, he visits it but gets more than he bargained for when the manor is a state of ruin. What follows is a weird mystery about a recurring nightmare and whether the agent is losing his mind or maybe his subconscious is suffering from guilt from the murder of his wife.

Denholm Elliot shines as a cocky cockney everyman estate agent who ends up getting himself caught up in a bit of a mess when visiting the property. He plays it well, sliming it up with his young secretary in various states of fantasy attire as he tries to work out what is going on. The ending is typically dark and catches you off guard as dreams and reality merge.

Growing Pains
A young boy dies after trying some of the growth formula that his research scientist father is using on rabbits to end world hunger. A short while later, the parents adopt an orphan who has a rabbit toy and an interesting personality. When visions of the dead son appear and the pet dog starts to behave strangely, the parents question their sanity.

This is a quirky episode as the boy who eats the medicine is dopey. I mean, who goes into their father's scientific lab and scoffs strange liquids and powders from a random jar on a shelf? The boy is about 10 years old so should definitely know better. Anyways, the replacement boy plays a slightly creepy role well and the setup is intriguing. The story goes place you would not think it would go and that keeps you on your toes.

The House That Bled to Death
When a young couple and their daughter move into a house, little do they suspect that their house was the scene of a gruesome murder some years ago. As they try to bed in, unsettling things seem to be happening around them... almost as if the house wanted revenge.

This is a solid episode with lots of shocks and scares as the tension slowly escalates. The blood flows generously but, once again, the episode goes to a different place.

Charlie Boy
When a friend dies, a photographer and his friends get a chance to rifle through his things and take souvenirs home. When the photographer takes an African fetish doll, known for being used in witchcraft, people start to die. Will he make it in time before his wife and he succumb to its dark power.

This is a great episode about the power we give objects. Is it the fetish or is it the paranoia and coincidence of it all? This episode is great and it was wonderful to see the young familiar face of Angela Bruce as the wife of the photographer. The relationship between the interracial couple was loving and they treated each other like equals which was surprisingly more sensitive than what I have been used to from shows from that era. Fair play to the show for doing that.

The Silent Scream
When a habitual petty thief is released after two years inside, he finds a job at a local petshop run by Peter Cushing. When tasked with feeding the trained exotic animals he keeps at the back whilst he's away, the thief tries to open a safe and is caged. Will his wife help him get out or will the thief be trained to curb his thieving ways.

Cushing is excellent in his role as a mad scientist who looks at creating a prison without walls. He is seemingly sane and his idea has merit in principle but at what cost to civil liberties and freedom?

Children of the Full Moon

After their car careens out of control, a young couple find themselves out in the sticks in the late afternoon. They find refuge in a creepy old country house in the care of an old lady and loads of orphan children. As the night draws in, the sound of wolves can be heard and the children start to act strangely. Whatever can it all mean?

This is a great episode with Diane Dors camping it up as the old lady of the creepy manor house. This is considered one of classics of the series and is so highly regarded due to the gothic feel of the mansion, creepy woods and quite good makeup work.

The Carpathian Eagle
When a series of men are murdered, with their hearts ripped out, an old legend seems to be bubbling to the surface. A police officer and a murder-mystery author try to get to the bottom of the serial killers crimes on this short thriller.

The central conceit of this episode is great as it plays out like a crime procuderal but has the obvious supernatural elements, much like Kolchak: The Night Stalker. This episode was a firm favourite of mine as there is a great central mystery.

Guardian of the Abyss
When an antique dealer comes across a scrying glass his world is turned upside down as satanists and an escaped sacrificial victim cross his path. When his scrying glass- which may have been Dr Dee's original one- is stolen, he goes on a hunt to find it and save the glamourous sacrifice at the same time.

It's an intriguing episode as the poor guy just wants to flip the item to get some moolah but he's caught up in a demonic mess involving Enochian, Choronzon and Aleister Crowley. Fascinating stuff with a dramatic and powerful ending.

Visitor from the Grave
When a rapist is killed by his prospective victim, his body is concealed to hide the crime. However, as she struggles to reconcile her life  with the crime she slowly starts to unravel as she sees the face of the rapist in her everyday life. Maybe a Swami from India can help, for a high fee of course.

This is a slow burn episode as the action happens right at the beginning and it's all about the trauma and unravelling as the victim goes all swiveleyed and anxious. This episode is not very sensitive at all but it isn't as egregious as much other media from the time- the portrayal of a woman who has gone through a traumatic experience isn't very sensitively handled whilst the brown face of the Swami is pretty racist but this was par of the course for the time and should be considered through those optics. Thank gosh things have moved on somewhat and we live in more enlightened times.

The Two Faces of Evil
When a family on a country drive pick up a hitchhiker during a storm it doesn't go well as he attacks the family. Waking up in a hospital the family try to get back to normal but life is forever changed. The question is: has the hitchhiker gone for good?

This is an excellent episode as the sense of  claustrophobia is achieved through tight and unusually low camera angles. It disorients you as you watch the episode and even the staff at the hospital look sinister from that angle. It's quite an achievement on such a low budget. The concept of a doppelganger is intriguingly covered in this episode and the chase at the end suitably dramatic.

The Mark of Satan
When a novice who works in a morgue is accidently pricked with the bloody neddle of a corpse who claimed to have been protecting his soul through self-drill applied trepanning, he undergoes an interesting transformation. He starts seeing patterns everywhere and is worried that there is a conspiracy against him.

I liked this episode as the number 9 is a recurring motif and occurs frequently throughout. I wonder if the creators of Inside Number 9 were inspired by this particular episode as they do cite this series as a foundational text within their ouvre.

Overall, I really enjoyed this anthology series. I can see how it has influenced many shows including Inside Number 9, Black Mirror, The League of Gentlemen and The Mighty Boosh. It's a quirky series that looks at the evil that lurks beneath the normal veneer of polite (and not so polite) society.

The series can be pretty bleak and I think a lot of it is to do with the way it represents an empire in decline. Britain held much of the world in its grasp for hundreds of years and the stripping away of this worried much of society. This anxiety brought fears of class, eugenics and 'replacement theory' to the fore- maybe that's why so many of the shows of the time are to do with class, a structure that very much exists in Britain but many will deny whilst claiming that we live in a meritocracy. Looking at the sorry state of current politics puts paid to this veneer as vestiges of this illusion are removed-as  it was in the 80s when this show was create and aired.

The cultural vandalism, misappropriation and bastardising of certain principles, values and societal narratives are things that happen all the time. One only has to look at social media with its 'the way things were' photographs of yesteryear to see the guise of nostalgia wrapped in right wing anemoia. Read the comments to see the vitriol spewing forth. This show looks at the worries and concerns from the time and amplifies them through the lens of horror.

The OA- Cult TV Review

Brit Marling is an indie darling who, after having cut her teeth on the chin-stroking Another Earth and Sound Of My Voice, has always chosen intriguing roles that make you question yourself and was unafraid to ask the big question. When I heard that she had written and starred in The OA on Netflix, I was excited but then sadly learned that it had been culled after two seasons. I wasn't sure if I should invest in a show that didn't have closure but, after continuous rave reviews from publications and pop culture people I respected I thought I'd take the plunge. Boy is this series a wild ride.

The OA concerns the return of kidnapped teen Prairie Johnson, who returns home after 7 years away. During that time a miracle has occured and the once blond girl can now see. She adapts to life in the outside world with the media scrutinising this miraculous turn of events but she has a mission to save the others who were trapped with her at the hands of a crazy man. By forging friendships with 4 other people, she narrates her life story which features near death experiences, a mad scientist and multiverses. The question throughout it all is: is this all true or is she an unreliable narrator or mythomaniac?

The first series has a great ensemble cast that are a bunch of misfits, even the Principle says that as a social anthropologist he doesn't get the dynamic but that's what makes this series to interesting. Everyone has their own issues they are dealing with: the stoner who is struggling to look after his family after their mother passes and dad is nowhere to be seen, the Valedictorian with a substance abusing mother, the lonely middle-aged teacher who lost her addict of a brother and the rebellious bad boy. The story is intriguing and keeps you guessing throughout and whether Marling's OA (Original Angel) is a figure of good or a delusional false prophet is open to interpretation right up to the end.

The second series changes tack and starts off as a police procedural with a Vietnamese girl going missing in San Francisco. As a P. D. investigates the case he comes across a videogame where he must solve riddles using augmented reality. It's nearly 30 minutes before we see OA but she's her alternate world Russian version, the one who wasn't adopted and cared for by the parents in the first series. It throws the whole series on its head and you anticipate the moment she reconnects with her group of misfits from season one.

As a fan of Twin Peaks, The Prisoner, Evangelion, Haibane Renmei and many other cult television shows as well as movies like Pi, The Fountain, Mr Nobody, Donnie Darko, Three Colours Red, The Double Life of Veronique, Memento, The 12 Monkeys and The Second Coming and books like House of Leaves, The Wind Up Bird Chronicle and The Raw Shark Texts, I can say that this series was most definitely up my street. It mixes cool sci-fi elements with wobbly wobbly timey wimey stuff with a slight dash of interpretive dance.

There are some great actors in here and the ones I recognised from other work include the amazing Riz Ahmed, Zendaya, Jason Isaacs and, my favourite actress, Irene Jacobs. They really give the series a sense of prestige and present an acting masterclass. Jacobs is an extremely shrewd get as in her role as Veronique in Kieslowski's masterpiece, where she plays a double role as characters who are connected without knowing how and why, seems to fit in with her character of Elodie who states she has travelled to different dimensions where she played actresses who had roles that considered the human connection. Very meta indeed and I doff my cap to Marling and Batmanglij

The show covers a lot of ground including ethics in science, madness, the nature of reality, near death experiences, Afrofuturism, anime style tentacle stuff, Lovecraftian eldritch elder gods, and so much more. The fact that it remains pretty cohesive and compelling way is a testament to the creators and writers, Marling and Batmanglij. Sure, we may never get to know what was intended in the overarching narrative as some of these threads will likely never be resolved but that's okay as what we have is a worthwhile transcendent journey worth taking. The highlight for me me was season 2 episode 5, The Medium and the Engineer which turns the episode into a mystery box as OA and Karim try to figure out the truth about a creepy gothic style puzzle mansion. It had elements of gothic horror, Control and PT-style creepy corridors and mystery puzzles and House of Leaves non-Euclidian geometry.

For me, the show has elements of ecstatic truth. Werner Herzog equates ecstatic truth very much to the sublime which allows us to experience moments of enlightenment through deference of truth to truthiness... it just feels right even though we know it's not. It not lying but rather the feeling gets to the core of the message. I find this with David Lynch and his ouvre; the stories he has to tell don't always have to make sense but he gets to the spirit of good and evil, right and wrong, light and dark.

I'm aware that this series will definitely not be for everyone but I personally like the bold vision it has and the conviction of telling a story in such a novel way. I am gutted that the show ended on such a cliff hanger and broke the 4th wall but man was it a trip!

LINK- Twin Peaks: The Return Series Review

LINK- Secret History of Twin Peaks: Book Review

LINK- Twin Peaks: The Final Dossier Book Review

LINK- The Midnight Library and the Idea That You Can’t Go Home Again

LINK- Ulysses 31 Retro Soundtrack Review

LINK- Blood, Sweat and Pixels- Book Review

LINK- The Offworld Collection- Book Review

LINK- Shadow of the Colossus- Book Review

LINK- Japan: My Journey to the East

Innsmouth

The algorithm can be annoying as you get thrown loads of stuff in your filter bubble that is tangentially linked to something you once looked up by accident. I think mine is still recovering after my youngest daughter got on my laptop and started to look up Teeniepigs (check out the opening credits- it’s pretty bad) as I still get loads of bad CGI animation clips with questionable voice acting in my feed.

Occasionally thought, the algorithm throws you a bone that is so very you and that is what happened this time with Innsmouth.  A classic H.P. Lovecraft tale given a Japanese twist by Chiaki Konaka, the writer who would go on to write the cult classic anime Serial Experiment Lain? Yes please! Where have you been all my life?

I didn't even know this TV movie even existed until it popped up on my feed but diving in blind was blown away by how me it was.

A travel photojournalist, Hirata Takuyoshi, heads to Innsmouth to see if there is a potentially untapped holiday spot in the making for his travel magazine. He discovers a quaint old fishing village which seems to have fallen into state of disrepair. The locals are unfriendly and he struggles to find anything redeeming about the village, until he meets a beautiful widow. They chat and kiss and things are going well but when Hirata discovers his used camera rolls taken and the local police unhelpful maybe the town is working against him. It all comes to a head one night, during the festival of Lord Dagon, when Hirata must escape from the village with his sanity intact.

The setting of Japan seems like a perfect fit for the story as many of the coastal fishing villages have been abandoned by the youth who have headed to the big cities, leaving behind the older generations. A sense of decay pervades the show and adds a feeling of otherworldliness to proceedings as our protagonist explores the port, museum, and local sites.

The music of Zbigniew Preisner, with his title score from The Double Life of Veronique, complements the film as a man struggles for his life against eldritch beings of which he has no knowledge.

For the budget of about a fiver, this hour long made for TV short film is effective and well worth your time.

My Dry January (February, March and Most of April Too).

I love books... more than music, videogames, comics and any other of my media based hobbies. I think this may surprise many people who know me.

Whenever I go out, be it a holiday, day trip or even a small walk somewhere, I always take a couple of books with me; you never know when it will come in handy as there could always be a (in)convenient time where I need to fill time. Books are a huge part of who I am and the way I am. By reading we connect to others and create ‘memes,’ Dawkins’ idea of how we spread units of information such as values, customs, traditions and ideas.

The combined collective history of the world, the knowledge and wisdom thereof, is contained within books whilst stories allow me to experience places I may or could never visit. Terrestial or offworld, I can travel through time or space to the past or future. I can be a difference race, species or being- the possibilities really are endless.

I've always loved libraries, their peace, the smell of old books (I recently learnt that this is called biblichore- what a great word!) and the atmosphere they give... wonderful. I've always loved reading and read voraciously in my youth and formative years. As time has passed and my free time- truly free time away from work and family commitments- has become squeezed I've used my Audible audio book subscription as a crutch to keep up to date with my reading habits. In this way I've read loads of books but nothing beats actually holding a real book, finding a comfortable spot and losing yourself in the text for hours on end.

Time is finite though so I have to be picky with what I consume but not everything is gold. However, in some ways, even the lowest common denominators, the 7/10 books if you will, offer an insight or idea that remain long after you have put the books down.

I read I Am (Not) a Prisoner: Decoding The Prisoner by Alex Cox about The Prisoner TV series and it gave me insight into this confounding cult phenomenon. Talking about confounding, I read Twin Peaks Unwrapped by Ben Durant and Bryon Kozaczka about all of the Twin Peaks series. I loved revisiting one of my cultural lodestone and its breakdown of season 3, Twin Peak: The Return, was excellent at letting me parse that ending. I very recently finished a fascinating deep dive into The OA by David Sweeney. The short book was like a longform essay (just over 100 pages) about the show and I finished it with a whole list of new texts and media to check out. The same was the case for the Hideo Kojima book of essays, The Creative Gene. Finally, I love the artwork of Yoshitaka Amano and reading his beautiful biography was a real treat.

Audible wise, I've listened to over 40 hours of audio books. I started the year with Fern Brady's autobiography Strong Female Character and learned a lot about masking and how ill equipped schools were to deal with such a wide spectrum of need. I also finished Werner Herzog's memoir/ autobiography/ Stream of Consciousness/ Philosophy book Every Man for Himself and God Against All and man do I love that man; his creativity and the way he speaks about the human condition are unparalleled, in my humble opinion. To plug a knowledge gap, I listened to Afrofuturism: The World of Black Sci-Fi and Fantasy Culture by Ytasha L. Womack which presented a world of hope and aspirations, free from the legacy of slavery and subjugation. The Ark Before Noah by Dr. Irving Finkel was a fascinating listen about the origins of the Ark myth and his journey through the Mesopotamian cuniform tablets is carefully detailed. Finally, I listened to one of my favourite writers Johns Higgs’ I have America Surrounded and learnt a lot about counter-culture figurehead, Timothy Leary.

Anyways, we are at the mid-stage of May as I write this and, even thought my pile of videogame shame is huge, I've enjoyed taking some time out to read and catch up with my favourite hobby.

Mermaid's Scar- Cult Manga Review

Rumiko Takahashi might be better known for her quirky comedies and romance tales but her Rumik World series showed her sharper, horror tinged edge. Her Fire Tripper run in Manga Mania was the first complete manga series I read and I purchased quite a few of the OAV adaptations from the Rumik World anthology series including Fire Tripper, Laughing Target and Maris the Wonder Girl.
One of the Rumik World films I had not seen but had read a bit of was Mermaid's Scar. I had picked up a grab bag from my local comic shop and it contained an issue of Mermaid's Scar comic in it but this was not the whole run. I'd only read this one comic and wanted to read more but never found any other issues. Also, I don't think the film was released in the UK. Setting out to right this wrong (and to gain closure after nearly 30 years), I sat down to watch it alongside it's companion piece Mermaid Forest. This is my review for Mermaid's Scar as I have already reviewed Mermaid Forest before.

Whilst doing some research about the film, I found that Mermaid's Scar is one of the many tales that makes up the Mermaid Saga. The series apparently ran sporadically in Japan and the premise is based on the Yao Bikuni, or Happyaku Bikuni legend, where eating the flesh of a mermaid will grant immortality or turn you into a terrible monster called a 'lost soul'.

The series follows Yuta, a young man of about 18 years old, who eats the flesh and is thus immortal. He seeks a way to gain his mortality whilst undergoing The Littlest Hobo or The Incredible Hulk TV show style adventures where he helps people before moving on in his quest.

In Mermaid's Scar, Yuta is joined by Mana, a young woman of similar age and affliction. In this OAV, we are not told how they met but they pass each other off as siblings and travel together.
They meet a young boy, Masato, who is travelling alone to meet up with his mother who lives in a mansion on top of some dramatic cliffs overlooking the ocean. The pair find work at a local building site nearby and see that the relationship between the boy and his mother is terse and abusive. Is there more to this ralationship than meets the eye? Well, when a Lost Soul turns up I'd say yup!

This is a darkly violent OAV with its fair share of blood including someone being shot, piano wired, tied in barbed wire, stabbed with scissors, strangled and then potentially beheaded with an axe. So yes, this isn't (or rather IS) very much your grandpa's Takahashi. The tale is about the perils of losing your humanity when you live forever and  Masato comes across as a real price if work, selfish and self-centred, like any 800 year old 10 year old would be.

This OAV is well animated and the music really sells the mood. It's a shame we didn't get more of this series in the West as I would definitely have invested in it. If you have a spare 50 minutes, this manga is well worth your time of you like twisted little horror films.

I'm now hoping to watch the 2003 Mermaid's Scar series and see if that is a more complete offering of the saga.

LINK: Fire Tripper- Cult Manga Review

LINK- Akira Soundtrack Vinyl Review

LINK- Monster City- Cult Manga Review

LINK: Japan: My Journey to the East

LINK- The Offworld Collection- Book Review

LINK: Manga Exhibition at the British Museum

LINK- The Midnight Library and the Idea That You Can’t Go Home Again

LINK- The Transportive Nature of Objects (And the Power of Mini Consoles)

The Imperminence of Games (and why GAAS is a fallacy built on sand)

'Look upon my works, ye mighty and weep in despair. ' And so goes the poem Ozymandias by Shelley. It is the boast of a megalomanic Ramesses II who thinks his glory and works will persist forever, an immortality of sorts. Of course, a few centuries later his works are in ruins as they have been pillaged by other empires and he is barely remembered, apart from a bit part in The Ten Commandments film where he is played brilliantly arrogant by Yul Brenner and the impressive temple complex near Luxor, the Ramesseum. Shelley was writing about the impermanence of everything and I only wish more people in the upper echelons of the games industry would pay attention.

I was lucky enough to visit Abu Simbel in 2011 and can say that it is a very impressive monument to greatness.

Across time, many have sought glory- fame or infamy. There have been great rulers, despots and dictators who have sought to use the power of the profane and divine to create reverential works that they hoped would be like Ozymandias'. No matter how much many studios try, this has not come to pass for the vast majority in the digital videogaming space. Whereas before people create great physical monuments or arts praising their achievements, now game studios spend much more money, time and effort to carve up a bit of immortality- at least for a short while- in the digital space, only to realise that their works are ephemeral and will be lost in time, like tears in rain. Be it consolidation, downsizing or shuttering there is a real problem happening in the videogames space. Some studios are even shuttered within a few short months after spending hundreds of millions of pounds on a product, even if it was well received and award winning.

Most of these studios are closed… even after releasing successful game.

Games As a Service are looking for a part of this immortality, they look to be monuments in our life that we interact with daily but there is a flaw: time is finite so not all GAAS can or will succeed. Instead, what games should look for is immortality through greatness like Doom, which has been ported to manner of devices including calculators, or any manner of Nintendo titles that lack backwards compatibility and so are always sought after. Their greatness is ported across generations and lives on, like RE4 or Skyrim. Who wouldn't want that for their title?

The digital real estate business- which is what this is- as whole world's lore and mechanics are created, costs more than some of their real world counterparts but will obviously lack their permanence, being a digital space rather than an actual physical space.

Some studios are aware that their works cannot withstand the ballooning costs of development and are limited in their scope and aspirations, a moment in the sun for a while to support their next moment in the sun maybe. However, for those who place their entire fortune and future at the foot of their one and only hope, there can only be heartbreak as not all succeed. This is what we are seeing as this unsustainable risen in costs is leading to huge cuts across the board and consolidation across companies as they all seek to carve up a piece of the stagnating pie that hasn't seen console install base growth for a while.

We'll see what happens but, as a guy who likes the big AAA titles as much as the next person, maybe reign the costs in a bit by removing the bloat, 'roadmaps' and carved up games which I still in you the need to buy the DLC to finish the experience!

LINK- Japan: My Journey to the East

LINK- Mysterious Cities of Gold Season 3 (English Dub) - Complete Series Review

LINK- The Midnight Library and the Idea That You Can’t Go Home Again

LINK- Manga Exhibition at the British Museum

LINK- The Golden Voyage of Sinbad- Cult Movie Review

LINK- The Transportive Nature of Objects (And the Power of Mini Consoles)

LINK- My One True Gaming Constant in Life- Nintendo

Solar Ash- Videogames As Art

I’ve just finished Solar Ash, a visually stunning and kinetic action-adventure videogame from Heart Machine studios. The game mixes a horcrux-like finding exploration of different biomes before culminating in Shadow of the Colossus big boss battles. The game has a fluid protagonist who skates along and does some fantastic gymnastics.

The 8 hour gameplay loop is addictive and looks spectacular when running. Here are some screenshots of my playthrough.

Somna: A Bedtime Story (for adults) - Graphic Novel Series Review

I have loved Becky Cloonan's artwork since Demo and By Chance Or By Providence, which I have a signed copy of. I had a chance to meet her several years ago at Orbital Comics in London and she was wonderfully gracious as she signed the graphic novels and several of my Gotham Academy books. I also have a signed print from her and, which my wife isn't a fan of as it looks quite emo, but I love her gothic horror influenced style which is sexy and exciting.

When I heard that Cloonan was working with another artist to create an erotic gothic horror book I was in. At the time, I was not aware of Tula Lotay but, having read the Somna series, I really do appreciate her painterly ethereal style which complements Cloonan's extremely well... It really is a dream team.

The story of Somna is quite simple: In an English village in Stuart times, around 400 years ago, a young woman named Ingrid is married to a sexually repressed witch hunter. Whilst he is constantly on the lookout for witches and kills many women, Ingrid is left with repressed desires that manifests in nightmares. Her childhood friend Maja, a strong and independent woman, supports Ingrid and helps her as best she can but the Shadow Man from Ingrid's nightmares seems to be gaining power and influence over her. Can Ingrid survive the paranoia of the era and prevent herself from being cast as a witch?

Somna is a very effective read as it carries the themes of much folk horror; a person who is not a part of the community finding out about the horrors that exist within the community. What makes Somna so interesting is that Ingrid, the protagonist is from the community but doesn't feel like she is a part of it as she has suppressed desires as her husband is not fulfilling his husbandly duties so she is repressed. This creates a space for a darker force to exert its influence over her. The story of female subjugation and abuse by the patriarchy is an old one but the backdrop of the witch trials is a good one as it looks at how society blames the powerless and weak through methods of social control.

I loves the 3 part comic series as it is stunningly beautiful with lyrical layouts that make you swoon over the artistry on show. Cloonan takes the lead on the main scenes but Lotay's dream scenes complement the work as they oresnrt the Shadow Man gaining in power and influence over Ingrid.

The story is powerful and incredibly erotic but in the best possible way. This is definitely for adults but is tasteful and classy in its erotica - think Company of Wolves, Midsommer, The Witch or The Witchfinder General (which they cite as influences)  rather than Urotsokidoji and you'll get the idea. This book is a big recommend from me.

The Power of Dungeons and Dragons.

Over many years, I've heard many videogame developers and designers talk about how Dungeons and Dragons helped influence their game design philosophy. I've read with interest but have no grounding in this as I have never played a D and D game in my life, despite owning the game for over 25 years! I bought it on a whim on one of my many shopping trip to Forbidden Planet in London as I’d heard so much about it, especially during the Satanic panic that swept across America.

Over the subsequent decades, I've heard much more about it through the various pop culture podcasts I have listened to, hearing the hosts talk about their formative years with the board game and then, of course, through Stranger Things where it gained pop culture traction.

My only context in my youth was the cartoon and the various shops I saw, as well as the Dragon Lance book series I read as a tweenager. Anyways, here's my D and D complete box which had never been played and I hope to organise a game as I have a board gaming group here in Devon who I play Ticket to Ride, Brass and Eclipse with on occasion. A friend informed me that my set might be worth something as they change the ruleset quite often so there's that I suppose.

Maybe I'll get my crew into D and D... We'll see, eh?

The Rise of the Niche Book Scene

The physical books industry went through a torrid time in the 90s with many independent shops closing due to multiple factors. Competitors offering discounted books, supermarkets selling at a discount and the burgeoning online marketplace all ate their lunch and so the industry seemed in terminal decline, especially within niche interest books. However, something truly amazing has happened in recent years as small, niche publishers have been able to create a business for themselves by selling directly to their consumer or by being able to more easily reach their audience through targeted marketing online. It's been amazing as over the past few years I've contributed to a few Kickstarters or crowd funding projects to purchase books on such niche interests as diverse videogame essays (Offworld) and the animation of DIC (creators of series such as Mysterious Cities of Gold, Inspector Gadget and Jayce and the Wheeled Warriors).

Book publishing has evolved and, whilst it can't beat the experience of browsing a well-stocked bricks and mortar store, I appreciate that all tastes can be catered for.

This has faltered somewhat as in late 2023 (which will date this article) there has been a huge rise in paper and energy costs. The closing of pulp mills, rise in energy costs across the world and the slow economic rise post-Covid has had a knock-on effect but I foresee things settling and things getting better. Now, excuse me as I tuck into my book about the series The OA.

Mermaid Forest- Cult Manga Review

Rumiko Takahashi might be better known for her quirky comedies and romance tales but her Rumik World series showed her sharper, horror tinged edge. Her Fire Tripper run in Manga Mania was the first complete manga series I read and I purchased quite a few of the OAV adaptations from the Rumik World anthology series including Laughing Target and Maris the Wonder Girl.

One of the Rumik World films I had not seen but had read a bit of was Mermaid's Scar. I had picked up a grab bag from my local comic shop and it contained an issue of Mermaid's Scar comic in it but this was not the whole run. I'd only read this one comic and wanted to read more but never found any other issues.

I found this comic in a grab bag and it was the only one in the series which I had.

Doing some research, I found that Mermaid's Scar was one of the many tales that made up the Mermaid Saga. The series apparently ran sporadically in Japan and the premise is based on the Yao Bikuni, or Happyaku Bikuni legend, where eating the flesh of a mermaid will grant immortality or turn you into a terrible monster called a 'lost soul'.

The series follows Yuta, a young man of about 18 years old, who eats the flesh and is thus immortal. He seeks a way to gain his mortality whilst undergoing The Littlest Hobo or The Incredible Hulk TV show style adventures where he helps people before moving on in his quest.

I saw this on shelves bu never got around to buying it or watching it at the time.

In Mermaid Forest, the prequel, Yuta and Mana, who are of a similar age and suffer the same affliction of immortality, are drawn into a terrible situation when their power is sought by an evil woman named Towa. She was half-turned into a 'Lost Soul' by her sister many years ago. Mana's life is in danger as Towa wants to know why the mermaid's fleshes power doesn't work for everyone and wants a head transplant!

This is a very effective story as we get the back story of Yuta and see how he became immortal with a flashback, taking in the horrific situation of his fishermen friends all dying. Throughout there is extreme violence as Takahashi is not squeamish at all with liberal use of gore.

This OAV is well animated and is very evocative if the era with quality framing and artistry throughout. The music is dramatic and complements the scenes well but it's the foley work, with all the squelching, slopping about of blood and slapping that really sells the horror.

The tale of revenge is well done and it's a shame we didn't get more of this series in the West as I would definitely have invested in it. If you have a spare 50 minutes, this manga is well worth your time of you like twisted little horror films.

The Laughing Target- Cult Manga Review

I do love the works of Rumiko Takahashi and her Rumik World anthology series. Her Fire Tripper run in Manga Mania was the first complete manga series I read and I purchased quite a few of the OAV adaptations including Fire Tripper but also the adaptation of a curious one shot comic adaptation called Laughing Target. The cover was suitably sinister in this short horror tale and back then I had no idea what it would entail.

The cover of the film is quite dramatic.

This OAV holds a special place in my heart, even if it isn't even close to being creator Takahashi's best work. It is arguable what is but it's probably a toss up between Urusei Yatsura, Maison Ikkokou, Ranma 1/2 or Inuyasha but back then I didn't know any of that. All I knew was that this was an edgy horror anime featuring a fight to the death with bows and arrows. Looking back now, I can see that it is about trauma and how we process it.

The story outline is pretty straightforward: During her childhood, a young girl named Azusa goes missing. She encounters something sinister in the woods and comes back different- changeling style. When she turns 6, Azusa is betrothed to her cousin Yuzuru and they are set to marry when they are grown up. Fast forward 10 years and Yuzuru is a confident archer with groupies and a girlfriend, Satomi. When Azusa arrives, keen to keep to the promise, Yuzuru's world is turned upside down as malevolent forces seek to ensure Satomi's end and the union of Yuzuru to Azusa.

Laughing Target is an effective short horror film.

Laughing Target is well worth a watch as it stands the test of time as an intriguing horror OAV with enough chills to still genuinely unsettle. Rather than just a stereotypical evil shrew, the film elicits sympathy for Azusa, a survivor of abuse at the hand of three boys as well as an isolated girl by her eccentric and overbearing mother. The latent powers of summoning the ghosts of death when she is angry or scared seems understandable under these circumstances! The promise to her betrothed kept her anchored but when she sees that he has given his heart to another, and assaulted her in defence of his love Satomi , it triggers memories of past abuses and untethers her. It is quite powerful but I hadn't read it like that 30 or so years ago.

Rumiko Takahashi might be better known for her quirky comedies and romance tales but her Rumik World series shows her sharper edge. Laughing Target is a well done story, presenting difficult concepts at a time when they were often poorly represented.

The film is well worth 50 minutes if your time. Also, stay for the credits as it ends on a downbeat note that will linger long in the mind.