Roujin Z- Cult Manga Review

I never saw Roujin Z when it came out in the early 90s. I saw the VHS on sale often enough but the cover did not look inviting; an old guy in some weird looking robot bed thing... No thank you. As an edge lord teen I was looking for the cool stuff like Guyver, Devilman and Cyber City Oedo 808. If I'd known that it was by the genius that is Katsuhiro Otomo, the visionary creator of Akira and Memories, and had the art direction of Satoshi Kon, who would go on to direct some seminal manga films including Perfect Blue, Paprika and the stunning series Paranoia Agent, I might have picked it up sooner. However, I hadn't but I decided to write this wrong and sat through the movie earlier today and had a great old time.

In the film, set in the present day but prescient of the ticking-time bomb of an aging population, Japan has a crisis with its elderly. There is a need for change in the health and social care sector to deal with this overwhelm. A nascent technology company may have a solution with the Z-001, an automated networked bed that takes care of the needs of the patient. All it needs is a test subject and Kijuro Takazawa seems to fit the bill however his volunteer nurse Haruko isn't so sure. When the machine goes haywire and becomes self aware things get out of hand as the military get involved seeking to save their 6th generation top of the range technology and atomic powered engine.

I have to say, this film was not at all what I was expecting. Expectations for this film were high upon release as this was coming after the release of the juggernaut that was Akira. I wish I could have seen the reaction from the time as this is a more concise and satirical sci-fi film, clocking in at just under 80 minutes.

You know this is an unusual film when the creative genius that is Otomo uses his calligraphy skills to write the title with a brush at the beginning of the film. His hand symbolically breaks the animation 4th wall showing that there is a human touch behind the veneer of technology and animation.

The rest of the film is beautifully rendered in loving detail and depicts the minutaie of life- homes, medical technology, transport, fashion and people- whilst the social commentary is pointed and stinging. Japan is a country built on respect for its traditions and history so how could it care for the elderly and balance this with the need to keep innovating and moving forward? The film looks at this dilemma as it looks at how the care for the elderly is inadequate with its lack of staffing, high costs and oversubscription.

This is a socially conscious film and I think it shows that all life is valuable- there is so much we don't know and will never know in the short time we are here. We have to accept that there are some mysteries we will never solve in our lifetime, but, with a little help, me might to figure out a few of them before we shuffle off this mortal coil.

We are in a existentially terrifying era of late state capitalism and this is having an impact on the entire world- the only way to survive is to work together and unite rather than break off into disperate groups and go it alone. We need to be there for one another as we either 'fix our hearts or die' to quote David Lynch.

This is an excellent example of 90s manga and deserves to be seen as it is moralistic but also bloody funny too.

LINK: Fire Tripper- Cult Manga Review

LINK- Akira Soundtrack Vinyl Review

LINK- Monster City- Cult Manga Review

LINK: Japan: My Journey to the East

LINK- The Offworld Collection- Book Review

LINK: Manga Exhibition at the British Museum

LINK- The Midnight Library and the Idea That You Can’t Go Home Again

LINK- The Transportive Nature of Objects (And the Power of Mini Consoles)

Robot Carnival- Cult Manga Review

I do love me a good old anthology series, they are short and if you get bored you only have to wait a few minutes for another episode to come on. Additionally, you avoid the bloat and filler as with each episode being self contained and everyone has their own opinion on what one is the best.

I had heard of Robot Carnival, it was described as a manga Fantasia which is very high praise indeed, but had never seen it. I sought to acquire a way to watch it and I finally managed to and I do have to say that it is indeed a tour de force of Japanese animation from the 80s.

There are 9 segments, each with their own story and director.

1: Opening by Atsuko Fukushima and Katsuhiro Otomo, has a barren post-apocalyptic village in the desert being barrage by the Robot Carnival. Fireworks, bombs and explosions ensure as the village is destroyed as the carnival makes its way onwards, ever oblivious to the suffering it has just caused.

2: Franken's Gears by Koji Morimoto has a scientist create a robot. He is pleased with his creation and teaches it to move only for it to turn and kill him.

3: Deprive by Hidetoshi Omori is like an awesome anime music video in which a young woman is taken by an attacking alien army. Her friend, a cybernetically enhanced boy, take the fight to the aliens and aims to rescue her against a backdrop of a large scale alien army.

4: Presence by Yasuomi Umetsu is about a married but unfulfilled inventor who creates an automaton. The automaton falls in love with the inventor but he destroys it as he can't love it back. Years later he regrets it as she still haunts his waking dreams.

5: Star Light Angel by Hiroyuki Kitazume is a tale of two friends who go to a robot themed amusement park. When one friend goes to meet her friends boyfriend she realises that he is a cad who gifted her a star necklace. Heartbroken she runs off, meets a robot who falls in love and tackles an evil robot. It all ends well as the girl and boy start to date. Totally weird but cool.

6: Cloud by Mao Lamdo is a beautiful short that features a robot boy walking and the background around him changing into wonderful surreal landscapes before he ascends to the skies.

7: Strange Tales of Meiji Machine Culture: The Westerner's Invasion by Hiroyuki Kitakubo takes us back to the early Meiji period and features two mechs fighting it out in their wood and cogs runs machines. It is a war of attrition as the mechs destoy that which they set out to protect.

8: Chicken Man and Redneck by Takashi Nakamura has a mech destroying the city by converting electrical machines into heinous machines which take over the land. It reminds me of A Night On Bald Mountain part of Fantasia in that the creatures all slowly march in time to the music and raise merry heck.

9: Ending by Atsuko Fukushima and Katsuhiro Otomo features the giant Robot Carnival coming to rest on the dunes and crumbling as the credits roll.

The music by the legendary Joe Hisaishi is sublime and adds much to panoply of creativity here. Some of the stories are fun and throwaway whilst others will haunt you long after you watch it. This is an amazing cultural artefact of a time when Japan's bubble economy was riding high and shows a confident and strident people making boundary pushing art. I'm glad to have seen it and I'm sure you will be too.

Magnetic Rose (Otomo's Memories)- Cult Film Review

Katsuhiro Otomo is a manga legend, rising to prominence with his seminal masterpiece Akira. It was the first real breakthrough worldwide manga hit, spread initially by word of mouth and then gaining a cult fandom until it broke through to the mainstream thanks to the terrific but confusing film.

For his follow up work, Otomo went a little more left field, creating a comic anthology series of which 3 were turned into an animated film called Memories. I knew of the film due to the soundtrack that I purchased at Forbidden Planet for a then-princely sum of £25. I was intrigued by the cover and when I saw that one of the composers was Yoko Kanno, whose work I'd loved in 'Macross Plus, I bought it. The music was mesmerising, bringing together Puccini's Madame Butterfly with Kanno's wending jazzy brassiness. It is a hauntingly beautiful score and I played it for years before ever seeing the film.

In the late 90s, the emergence of the internet made buying, selling and trading anime much easier and so, after striking an friendship with a fellow manga and anime fan, I received a copied VHS of Memories.

Now, all three short films are worthy of attention but for this review I specifically want to shine a light on the first, Magnetic Rose. I only read one comic from the anthology series and that was Magnetic Rose, but that was after having watched the 50 minute enthralling sci-fi horror/ psychological film

I only recently found out that Magnetic Rose was written by the late, great, gone-too-soon Satoshi Kon who made Paprika, Perfect Blue, Millenium Actress, Paranoia Agent and Tokyo Godfathers, and looking at those works, the psychological angle is obvious. The storyline is about a salvage ship on their way home receiving a distress signal. Following protocol, they go to provide assistance only to find a graveyard of ships all merged together in the shape of a rose. As the crew explore the interior they encounter a facsimile of a baroque world but there seems to be a presence within which means harm.

I won't spoil it but the atmosphere created, enhances by the evocative operatic soundtrack, is second to none and the film will linger in your mind long after the denouement. The animation is sublime and has some of the most technically impressive multi-plane shots seen at the time, lending the film a lived-in free movement which is appropriate for space.

I've been into manga and anime for over 30 years and this particular film is one of my all-time favourites. Even after all these years, the film haunts me.

Manga Exhibition at the British Museum: Review

In Japan, manga has been a part of the culture for a long time. The origins of manga are debated and The Handscroll of Frolicking Animals by Kitazawa Rakuten is considered a major influence, but generally it gained prominence in the post World War 2 era where artists such as Osamu Tezuka brought some levity and lightness to proceedings with Mighty Atom or Astro Boy as he's known in the West. Tezuka was to manga what Will Eisner was to American comics; the medium existed before their arrival but they brought it to the fore and forever changed it.

Astro Boy is iconic and will feature heavily in the 2020 Olympics, which will be held in Japan.

As a young boy growing up in east London, England, I didn't know anything about manga or anime but I was consuming it unknowingly through shows such as The Mysterious Cities of Gold and Ulysses 31.
One Saturday I went into my local WH Smith and saw issue 22 of a magazine called Manga Mania and was taken by the big eyes, spiky hair style and tiny mouth and nose of the cover star that reminded me so much of the animation style I liked. When I picked it up, from the top shelf next to the more salacious magazines, I felt a bit of a rebel but upon opening it the kinetic imagery and artistry blew me away. Flicking through it I saw a mention of The Mysterious Cities of Gold in the letter pages and knew I had found something special. From then on I would buy Manga Mania monthly and purchased graphic novels, VHS films, soundtracks and even anime cels. The shop Forbidden Planet became nerd nirvana for me and I'd visit it monthly. Manga was one of my first true loves and one that has survived to this day, at least to some lesser extent. Manga is in my lifeblood and even though it doesn't feature as prominently in my daily life as it once did for me, it was formative in my youth and for that I am still grateful.

I loved getting my monthly Manga Mania fix.

I loved getting my monthly Manga Mania fix.

Since those heady underground days in the early 90s, manga has grown and thrived and its influence is spreading across the world. So, when I heard that the British Museum was hosting the largest manga exhibition outside of Japan I wasn't surprised and knew that I had to go. The British Museum has dipped its toes into the manga and anime pool before over the years but these have been smaller, more focused exhibition. This promised to be a much larger, grander affair as manga is still developing and evolving, the form has and is still contributed rather uniquely to modern culture and I'm glad that a venerable institution as the British Museum is recognising this. I visited the Kyoto International Manga Museum several years ago, which is the largest repository of manga in the world, and wanted to see how this exhibition would compare.

So the question is, is the exhibition worth visiting? In a word, yes.... but this comes heavily loaded with a proviso, which I'll go into later.

The whole show feels less like a staid exhibition but more like something you'd see at more immersive and engaging galleries, no surprise as manga means 'irresponsible pictures' and what is on show is a riotous walk-through of the medium. Being a family oriented exhibition the more controversial elements have been excised but that doesn't diminish what's on show, rather it still offers a smorgasbord of artists and genres that covers the art-form well without excluding younger generations or upsetting some sensibilities.

The exhibition starts with an introduction about the origins of manga and provides a guide on how to read it, from left to right. Then there is a section on the manga-ka, the artists who produce the manga, and the tools of their trade.

On an impressive display of collected comics are a few televisions with the chiefs and editors of the weekly manga collections which are published weekly and sell in the millions. They offer their insight into the creative, production and distribution process.

Around the corner, there is a brief look at the influence of woodblock and scroll works on the medium. There are a few stunning pieces on show but a couple stood out to me, the one where a recent piece of work by artist Katsuhiro Otomo (Akira, Domu and Memories) was compared to his woodblock forebear. The current breed of artists have built on the shoulders of giants and their influence is appreciated here.

After that, the bulk of the exhibition is split into little islands where different themes of manga and artists are explored like Love, Sports, Horror etc. This is all quite dynamic and exciting as there are banners and posters hanging from the ceiling and giant murals and original art pieces stuck on the gallery walls.

In the middle of the exhibition, there is an impressive library of manga on offer and many soft seats in which to read at your own pace.

Manga Exhibition at the British Museum

The last section of the exhibition has a couple of art installations. Kawanabe Kyosai’s theatre curtain from 1880 was painted in just four hours after the artist had imbibed several bottles of rice wine. He painted the 17 metres by five metres high piece using a huge brush and it was done in such a rush of inspiration that you can still see his footmarks on it!. It really is an impressive achievement and whilst not manga, it shows the kinetic frenetic art style that would feature in so much manga years down the line.

Kawanabe Kyosai’s theatre curtain certainly is an impressive piece of work.

Kawanabe Kyosai’s theatre curtain certainly is an impressive piece of work.

Near the exit, a large projected montage of Studio Ghibli films at the end is a fitting bookend to an impressive exhibition.

The exhibition is a great primer for the common manga fan or someone with a cursory interest in the medium but someone looking for a deeper look into the minutiae of manga, this is not that. In my opinion the exhibition, whilst well organised and curated, had some glaring omissions in manga-ka such as Rumiko Takahashi (Mermaid Saga, Urusei Yatsura and Inuyasha) and Masamune Shirow (Ghost in the Shell, Aplleseed and Dominion Tank Police),  but on a personal level I'd have loved to have seen some works by Yoshitoshi Abe (Serial Experiment Lain, Haibane Renmei) and Yukito Kishiro (Battle Angel Alita). I understand that with such a large number of artists it is not possible to get everything in the exhibition but Takahashi and Shirow are titans of the medium and needed some mention or recognition. It’s like having an exhibition on Italian masters and forgetting to mention any of the Turtles; Leonardo, Raphael, Donatello and Michelangelo, it just wouldn’t seem complete. However, as the first real look at manga outside of Japan this is an excellent exhibition and well worth the 90 or so minutes of your time. It is an amuse-bouche to the promise of something more and for that I’m excited.

LINK: Japan: My Journey to the East

LINK- Battle Angel Alita: And So It Ends

LINK- The Moomins 80's Soundtrack Vinyl Review

LINK- Inspector Gadget Retro Soundtrack Review

LINK- Ulysses 31 Retro Soundtrack Review

LINK- The Mysterious Cities of Gold Retro Soundtrack Review

LINK- Sonic Mania Video Game Vinyl Soundtrack

LINK- Thomas Was Alone Video Game Vinyl Soundtrack Review

LINK- Akira Soundtrack Vinyl Review