Reflections on Twin Peaks: The Return

It's been a year since Twin Peak: The Return was on television and I have been reflecting on the series recently as we come up to its first anniversary. Last year the series lit up the screens and the fandom was reinvigorated and excited to see the saga unfold with Agent Dale Cooper lost in the Black Lodge and Bob possessing the body of Cooper and repeating "How's Annie?"
There was a high level of expectation and hype surrounding the series after the 25 year wait. However the new series defied expectation and forged its own path, free from most of the shackles of its past and as a result, was the finest mixture of art and television I have ever seen.

Twin Peaks: The Return was a sublime limited series. Each episode was like a mini movie with gorgeously framed shots and haunting imagery that stayed with you long after the episode had ended. The story meanwhile moved at a deliberate, some would say glacial pace, especially for those who didn't like the Dougie Jones portions of the story, yet the story was multilayered and open to interpretation. Even now I am still working through theories and ideas in my head and, through Facebook groups, building and developing my understanding of the world Lynch and Frost created.

Episode 8 of the series was the high watermark in my opinion and one of the finest hours of television I've ever experienced.

A year on the series still haunts my dreams and I hope that this mercurial series is remembered for the masterpiece it truly is. In the meantime I'll try to get to sleep without the echoes of Carrie Page's scream reverberating in my ear.

LINK- Twin Peaks Retrospective

LINK- Twin Peaks: The Return Series Review

LINK- Secret History of Twin Peaks: Book Review

LINK- Twin Peaks: The Final Dossier Book Review

Twin Peaks: The Final Dossier - Book Review (No Spoilers)

Twin Peaks: The Return premiered in May of 2017, and consisted of 18 episodes. David Lynch described the work as an 18 hour movie and for fans of the director that's exactly what they got, a confounding and occasionally frustratingly long movie with his usual level of abstraction, ambiguity and strangeness.
Many questions that were left unanswered since season 2 were left unanswered at the close of this new season and the fate of certain characters and the time line of events meant that much was open to interpretation. Added to that were the myriad of new questions that arose from the latest season and the interest on online forums and message boards reached fever pitch as people tried to figure out exactly what was going on.

When co- creator Mark Frost, announced a new book that would help to fill in the gaps and answer the many many loose ends fans were excited. Last year, with The Secret History of Twin Peaks, Frost provided fans of the show with the rich storied lore of the town and its people. It was written in a creative and unique style with archival images, newspaper clippings, FBI reports and annotations by the 'Archivist.' It added much to the series and enhanced the viewing experience for many, me included.

The Final Dossier answers almost all of the main questions, or at least gives the reader enough information from which to draw their own conclusions. Written from the point of view of FBI Agent Tammy Preston, who was ably played by Chrysta Bell in the show, we get extra background information on many of the unique residents.

A beautiful looking book but for me the contents was underwhelming.

For those left miffed at Audrey's minimal time on the show and shocking reveal you are provided with information on her background if not her fate as shown in the programme. We learn who funded the observation and operation of the mysterious glass box and what exactly happened to Major Briggs.
Also for those seeking a resolution to the season 2 cliffhanger, we finally find out what happened to Annie!
The information contained in this book is important and explosive for fans but also feels strangely underwhelming. It's hard to explain but it's like reading the Cliff Notes of a Shakespeare play or seeing the Mona Lisa for the first time as a low resolution jpeg. When  taken alongside the stunning limited television event, groundbreaking original series, operatic Fire Walk With Me film or even Frost's The Secret History of Twin Peaks, this book, although essential, seem like a lesser piece of work.

Not only are there no entries for the Palmer, Deputy Hawk, Dale Cooper or Diane but the writing style is lacking the verve and sheer excitement of Frost' s other book. I know that as an FBI dossier it is supposed to read as matter of fact but for the reader it is difficult to get excited about what amounts to little more than a brief outline of what happened to each character.

This is a difficult book to evaluate as it contains essential information for any Twin Peaks fan but is also quite dry. Also, as is often the case with revealing too much, the mystique is lost. For example the monsters that were Hannibal Lector, the vampire Lestat or Darth Vader were better before their origins reveal. Did anyone walk away feeling better after knowing Darth Vader was a petulant teen named Anakin who took the death of his wife Natalie Portman so badly that he had to slaughter many Jedi children and turn to the dark side? No, no-one gained from that reveal, it was underwhelming and poorly executed. This is not as grievous as that wrong but I do feel that the heart of something beautiful has been lost with this book.
This book then is a must read for those seeking closure on many of Twin Peaks questions but it comes at the price of revealing too much in my opinion.

LINK- Twin Peaks: The Return- Complete Series Review

LINK- The Secret History of Twin Peaks- Book Review

Twin Peaks: The Return- Complete Series Review

I have loved the new series of Twin Peaks. Like a lot of David Lynch's work The Return infuriated and frustrated but boy when it came together it really came together.

Every week I looked forward to the next episode to snatch a little more information and develop more of an understanding of the mythos and world that had been created. I hadn't become aware of how complacent a lot of TV shows or even my viewing habits had become; I often multitask and do other things whilst watching most TV shows and some movies but not so with Twin Peaks. The nature of the show demanded your attention, a mere second could reveal so much that you had to watch things carefully, including the credits to work out who the large cast of characters were.

The first 7 episodes had me frustrated as I wanted to know where Annie was and what had happened to Agent Dale Cooper. But I liked the flow and mystery of the show and so continued to watch, hoping that Lynch and Frost would finally provide me with the closure I needed to THAT 25 year old cliffhanger.

Things got weird at episode 8; the most avant garde piece of television film making I've seen for a long time. It started off as a normal, well as 'normal' as Twin Peaks gets but then after a protracted night drive sequence and a raw performance from Nine Inch Nails the whole feel of the episode changes and we are presented with a flashback, presented in black and white, of the Giant. The episode gets even stranger with an atomic bomb test exploding in New Mexico and what I believe to be the birth or origins of Bob into this world. We see Laura as 'The One' with a glowing orb of her face, the one we are all familiar with of her homecoming photo... But this is the 1950s so is Laura Palmer prophesied to be the force for good nearly 40 years before her existence? Who knows?

After the craziness of episode 8 the series took a 2 week hiatus, as if knowing people would need the time to collect themselves and process what they had just seen. I know many shows have mid-season breaks for a while to ramp up the excitement but I've not really seen a show decide to take a week off to let it's viewers digest that specific episode.

From then on the seemingly disparate elements seemed to come together thick and fast.

Agent Cooper had spent the episodes is a fugue state as Dougie Jones, a doppelganger created by Evil Coop (another doppelganger who is possessed by Bob). These Dougie Jones segments were charming but seemed to drag early on. Like most I was hungry to see the Agent Dale Cooper we all know and love but as time went on and the Jones world was revealed to be a part of the larger Twin Peaks tapestry I fell in love with the affable lug, just like his wife Janey E, played wonderfully by Naomi Watts. It is the most unconventional love story but Dougie/ Agent Cooper and Janey E have a cute story arc where she falls in live with her former wastrel of a husband.

Episode 15 was a standout episode as 2 characters who have been in love for a long time but been unable to be together for various reasons finally got together. I fist pumped and whooped for joy at this scene, which was beautiful scored with Otis Reddings 'I've Been Loving You Too Long'. This episode also features the final appearance of the Log Lady who gives a clue to Hawk and says her goodbyes in the most heartrending scene.

Episode 16 gave the fans what they have waited for and I'll not spoil it here but will say that it was worth the wait. Several despicable people got their comeuppance whilst a pivotal moment was marked by whoops of joy in my household. There were still mysteries abound surrounding Audrey and Diane but with the two part finale coming up it was all building up to be spectacular.

The final two episodes answered many questions but in typical Lynch fashion left many more open to interpretation or just plain unanswered. Episode 17 gave us the background on Judy but more importantly it gave us the meeting of Evil Coop and Agent Dale Cooper. It went a little comic booky here but delivered with things kicking off at the Sheriff's Station. Freddie finally came into his own and we found out who Naido was. Cooper got to meet his FBI colleagues and reunited with the Sheriff's Department staff in a heart warming moment.

We then got a lengthy reintroduction of Fire Walk With Me with many scenes from the film shown from different angles but this time with Cooper in them, Cooper in the woods hiding whilst Laura and James shared an intense moment. The fact that Cooper went to Laura and tried to save her by walking through the woods with her only for her to vanish was shocking and made me uncomfortable... it seemed like Cooper was so close but had been outdone by Judy again!

Then it went a little surreal as Cooper tried to go to the past to alter the timeline and save Laura Palmer, who was in the alternate timeline/ dimension was Carrie Page, a middle aged maybe-Laura Palmer who worked as a waitress at Judy's Cafe. Cooper took her back to her house in Twin Peaks and when he knocked on the door there was no Sarah Palmer but rather the mysterious lady who bought the house from a Mrs Chalfont. Agent Dale Cooper was confused and asks,"What year is this?" and then we hear Laura Palmer/ Carrie Page scream... and the screen fades to black.

What does this all mean? Well I don't quite know but it could be that there are no happy endings and the battle between good and evil will continue infinitely. Evil will triumph but as long as there are good men like Cooper fighting the good fight there is always hope. Lynch and Frost have created a masterful ending which is open to interpretation and already I have seen hundreds of posts online with theories, claims and counter-claims about what the ending represents but is there an answer? Lynch works best when creating a mood and like author Haruki Murakami, the work defies logic but seems to have a narrative that would be easy to decipher, if only you had the Rosetta Stone.

Overall Twin Peaks: The Return was one of the finest series I have ever seen. The levels of violence against women was uncomfortable at times but when looking at the whole piece of work, necessary to bring to the fore the issues that we have in the real world of misogyny and abuse. After all Twin Peaks was the story of a young girl being sexually abused by her father by the will of an evil spirit and largely ignored by her aloof mother. It is a challenging watch but often the finest works are, there are no easy answers and for a work of this magnitude there shouldn't be. Lynch and Frost make us uncomfortable and question the status quo and for that they should be applauded.

The way the writing pair have woven a story after 25 years with some of the cast and crew either passing away or not being available to film is remarkable, the fact that it all flowed and made sense is astonishing. Nothing in Twin Peaks is weird or surreal for just its sake, there is a deep lore here and it underlies everything.

The Return was amazing and answered most of the questions I had from the first two series but it wasn't always an easy watch early on. For those with patience and a spare 18 hours available Twin Peaks is an essential watch, it challenges what TV in this day and age can do and requires you to pay attention and watch closely, something I know I have become complacent at through binge watching.

A special mention must be made of the performances of the large ensemble cast. Kyle MacLachlan did some excellent work in his three roles, playing the menacing Mr C with cold-hearted detachment, but also giving us the lovable Dougie Jones, a character you grow to love as he makes the world better by his subtle features and occasionally repeated words. As Agent Cooper he embodies the goodness that made the character so beloved and admired.

Grace Zabriskie, who plays Sarah Palmer, gave a stunning tour de force performance of a parent who had suffered so much and is in anguish at losing her loved ones.

The Log Lady, Margaret Lanterman, played by a dying Catherine Coulson, was phenomenal. Knowing she was dying in real life of cancer, her turn as the Log Lady dying on the show is heart-breaking. Her final call to Deputy Hawk on the night she knows that she is going to die (episode 15) is heart-rending, you can feel the connection between these two actors who have worked on something as profound as Twin Peaks. The new melancholy score by Angelo Badalamenti underscored this. When Hawk tells the rest of the Sheriff's department Lynch lingers on the scene to give it gravitas but also as a memorial to arguably the most iconic Twin Peaks character.

I was pleased to see Philip Jeffries return but not as we expected, due to David Bowie's death the role was played by a giant bell/ kettle. Why? Because Lynch.

If you haven't had a chance to see this masterpeice you owe it to yourself, you really won't be disappointed.

Twin Peaks: The Return (Series so far review)

Wonderfully quirky yet full of menace, Twin Peaks: The Return is nothing like I expected yet everything I didn't know I needed. I watched the first two episodes on the night of their premiere and even though Episodes 3 and 4 were made available for streaming on Sky Atlantic here in Britain on the same day, I held off to fully appreciate the first two episodes and reflect on what I had just seen.  Watching those first two episodes, I once again became entranced by the world of Twin Peaks. I had no idea what was going on and still have no clue to be honest but Lynch and Frost's work has sunk its hooks into me and I want to find out more, I need closure!

 I don't know what future episodes will bring, but the series has so far subverted my expectations by being deliberately slow paced and oblique at times- counter to the current binge watching state of most series. It requires patience and thought; people hoping for a quick resolution to 'Where's Annie?' and what has happened to Dale/ doppeldale are going to have to wait and see. 

 The new episodes (6 at the time of writing) are not artificially structured to allow for adverts and so we have some extremely long scenes which last several minutes, this allows the show to present its dream logic in an uninterrupted way. This could go disastrously wrong, and there are a few scenes where I believe it does, but for the most part Twin Peaks: The Return is essential viewing.  

 Moving on to episode 3 and 4 we finally get to spend more time Dale Cooper but not as we once knew him. Out from the Black Lodge after 25 years he spends his timeacclimatising to life back on this plane and it is slow going. There are scenes that will make you laugh and some have led to memes galore, HelloOOOoo Mr Jackpot, but as a whole the deliberate slow world building has enraptured fans of Lynch's work whilst turning off some viewers who do not like the more Fire Walk With Me direction that The Return persues.

 From episodes 5 things seem to ratchet up. In episode 5 but particularly 6, there is swearing, nudity and violence but it is all indicative of Lynch's auteur style. In episode 6 there is an incredibly brutal stabbing yet in typical Lynch fashion the scene has an absurdist humoured take on violence. Later on in the same episode there is an incredibly moving scene of a mother mourning the death of her son as he is run over whilst crossing a road. The scene is shocking and Lynch lingers on the mother's anguished face, yet there is lightness as a passerby sees the soul of the young boy ascend to the heavens and comforts the mourning mother. This is also where the first real new score by composer Angelo Badalamenti comes in, which heightens the emotions of whole scene further. 

 So how is the return of Twin Peaks? Well, the new episodes are like a fever dream, things don't make sense and for every moment of wonder and joy there are two for dark and disturbing. Some of the cast return but for the most part we are introduced to new characters, it has been over 25 years after all. It is starting to come together, I'm not sure where it will lead but I'm sure that it will be a journey that is both wonderful and strange, and I for one am going to enjoy the ride.