Twin Peaks: The Final Dossier - Book Review (No Spoilers)

Twin Peaks: The Return premiered in May of 2017, and consisted of 18 episodes. David Lynch described the work as an 18 hour movie and for fans of the director that's exactly what they got, a confounding and occasionally frustratingly long movie with his usual level of abstraction, ambiguity and strangeness.
Many questions that were left unanswered since season 2 were left unanswered at the close of this new season and the fate of certain characters and the time line of events meant that much was open to interpretation. Added to that were the myriad of new questions that arose from the latest season and the interest on online forums and message boards reached fever pitch as people tried to figure out exactly what was going on.

When co- creator Mark Frost, announced a new book that would help to fill in the gaps and answer the many many loose ends fans were excited. Last year, with The Secret History of Twin Peaks, Frost provided fans of the show with the rich storied lore of the town and its people. It was written in a creative and unique style with archival images, newspaper clippings, FBI reports and annotations by the 'Archivist.' It added much to the series and enhanced the viewing experience for many, me included.

The Final Dossier answers almost all of the main questions, or at least gives the reader enough information from which to draw their own conclusions. Written from the point of view of FBI Agent Tammy Preston, who was ably played by Chrysta Bell in the show, we get extra background information on many of the unique residents.

A beautiful looking book but for me the contents was underwhelming.

For those left miffed at Audrey's minimal time on the show and shocking reveal you are provided with information on her background if not her fate as shown in the programme. We learn who funded the observation and operation of the mysterious glass box and what exactly happened to Major Briggs.
Also for those seeking a resolution to the season 2 cliffhanger, we finally find out what happened to Annie!
The information contained in this book is important and explosive for fans but also feels strangely underwhelming. It's hard to explain but it's like reading the Cliff Notes of a Shakespeare play or seeing the Mona Lisa for the first time as a low resolution jpeg. When  taken alongside the stunning limited television event, groundbreaking original series, operatic Fire Walk With Me film or even Frost's The Secret History of Twin Peaks, this book, although essential, seem like a lesser piece of work.

Not only are there no entries for the Palmer, Deputy Hawk, Dale Cooper or Diane but the writing style is lacking the verve and sheer excitement of Frost' s other book. I know that as an FBI dossier it is supposed to read as matter of fact but for the reader it is difficult to get excited about what amounts to little more than a brief outline of what happened to each character.

This is a difficult book to evaluate as it contains essential information for any Twin Peaks fan but is also quite dry. Also, as is often the case with revealing too much, the mystique is lost. For example the monsters that were Hannibal Lector, the vampire Lestat or Darth Vader were better before their origins reveal. Did anyone walk away feeling better after knowing Darth Vader was a petulant teen named Anakin who took the death of his wife Natalie Portman so badly that he had to slaughter many Jedi children and turn to the dark side? No, no-one gained from that reveal, it was underwhelming and poorly executed. This is not as grievous as that wrong but I do feel that the heart of something beautiful has been lost with this book.
This book then is a must read for those seeking closure on many of Twin Peaks questions but it comes at the price of revealing too much in my opinion.

LINK- Twin Peaks: The Return- Complete Series Review

LINK- The Secret History of Twin Peaks- Book Review

Twin Peaks: The Return- Soundtrack Review

I thoroughly enjoyed the return to Twin Peaks recently and a huge part of that was due to the extraordinary soundtrack. There are few composers as gifted as Angelo Badalamenti, who can create stunning unearthly sonic soundscapes that swell, ebb and flow whilst running the gamut of emotions from euphoria to earth-shattering sadness. His music is a key component of the series and at it's best enhances the visuals and what is seen on the screen.

David Lynch, who was the Director and Sound Designer for Twin Peaks: The Return, has said that “cinema is sound and picture, flowing together in time,” and this soundtrack conveys that sentiment well. This album is the companion to a separate collection of the music from the series that features guest stars who appeared at the Road House, usually at the end of an episode. This CD features mainly the instrumental music that Twin Peaks fans of old will be familiar with and some new ones thrown in for good measure.

  1. Twin Peaks Theme (Falling) – Angelo Badalamenti
  2. American Woman (David Lynch Remix) – Muddy Magnolias
  3. Laura Palmer’s Theme (Love Theme From Twin Peaks) – Angelo Badalamenti
  4. Accident / Farewell Theme – Angelo Badalamenti
  5. Grady Groove (feat. Grady Tate) – Angelo Badalamenti
  6. Windswept (Reprise) – Johnny Jewel
  7. Dark Mood Woods / The Red Room – Angelo Badalamenti
  8. The Chair – Angelo Badalamenti
  9. Deer Meadow Shuffle – Angelo Badalamenti
  10. Threnody For The Victims Of Hiroshima (with Warsaw National Philharmonic Orchestra) – Witold Rowicki/Krzysztof Penderecki
  11. Slow 30’s Room – David Lynch & Dean Hurley
  12. The Fireman – Angelo Badalamenti
  13. Saturday (Instrumental) – Chromatics
  14. Headless Chicken – Thought Gang (Angelo Badalamenti & David Lynch)
  15. Night – Angelo Badalamenti
  16. Heartbreaking – Angelo Badalamenti
  17. Audrey’s Dance – Angelo Badalamenti
  18. Dark Space Low – Angelo Badalamenti

Badalamenti revisits old classics like the Twin Peaks theme, “Falling,” and “Audrey’s Dance” but also has six new compositions which are specific to scenes from the series. There are many other tracks on the album create by other composers and individuals and they are all great. Special mention must be made of Witold Rowicki’s “Threnody for the Victims of Hiroshima," which is performed by the National Philharmonic Orchestra Warsaw. This piece is shown in the avant-garde nuclear tests in episode eight and is an assault on the senses that suits the abstract imagery of the creation of a death bringer and evil, in this case BOB.  Another track I particularly like is Johnny Jewel's Windswept, a relaxed jazzy number that recalls Badalamenti's style yet adds its own modern sheen. I checked out Jewel's Windswept LP and can say that it is a great album and well worth a listen in its own right.

As for the six Badalamenti pieces, they are stunning and worth a further look individually.

“The Chair” is from episode nine where Bobby Briggs is given a secret scroll of information by his mother from his father Garland. The chair has been in the Briggs’ living room since his father’s mysterious passing yet held the secret for 25 years. The track itself is suitably melancholic and has an air of sadness yet still has that trademark speck of hope.

“The Fireman” comes from the experimental arthouse episode eight, where we see The Giant create the golden globe containing the essence of Laura Palmer to combat the evilness of BOB who is released after the nuclear bomb tests in New Mexico. This is my favourite new composition from Badalamenti as it is a sombre, emotional piece which has a lot of power.

"Dark Mood Woods/ The Red Room" plays when Agent Cooper is in the Red Room and is trying to escape but gets confused in the mazelike space and also in the casino Mr Jackpots scene. It is otherworldy track with a deep brooding vibrating soundscape which slowly moved to and fro but later is interspersed with sharp jingles.

"Dark Space Low" comes at the end of the series as we are dealt the suckerpunch when Agent Dale Cooper, with Laura Palmer in tow, asks, "What year is this?" This piece has a kind of empty but longing feeling, like waking from a nightmare to find that you are in a worse situation.

"Night"plays after the scene when the Log Lady phones Hawk to say that she is dying. It is a heartrending scene, especially as the actress playing the Log Lady, Catherine Coulson, actually died of cancer four days after filming this scene) The track is somber and deeply sad yet beautiful in its melancholy. This track is the perfect eulogy to this wonderful charcater and actress.

"Heartbreaking" plays at the end credits of episode 11 and also when the homeless lady who won big at the casino, thanks to a fugue state Agent Dale Cooper, sees him again and tells her how he changed her life for the better. It is a heartwarming scene and even the 'badguy' Michum Brothers see good in the world and seem changed as a result. This is a beautiful piano piece which is full of hope and yearning.

"Accident/ Farewell Theme" plays in episode six when Richard Horne runs over a young boy crossing the road and Carl (Harry Dean Stanton) sees the boy's spirit leave the body as he comforts the mother. This track is ethereal ambience at its best, starting off full of sadness and despair but calming later, reflecting the shock and grief of the scene and the letting go.

Overall the Twin Peaks: The Return soundtrack is a triumph. It suited the mood of the series well and fit in when it was needed yet is still listenable in its own right. The soundtrack is an extremely atmospheric album and is worth a listen.

LINK- Twin Peaks: The Return- The Series So Far Review

LINK- The Secret History of Twin Peaks- Book Review

LINK- Xiu Xiu Cover the Twin Peaks Soundtrack

LINK- Twin Peaks Soundtrack Vinyl Re-release

LINK- Twin Peaks: The Return- Complete Series Review

Twin Peaks: The Return- Complete Series Review

I have loved the new series of Twin Peaks. Like a lot of David Lynch's work The Return infuriated and frustrated but boy when it came together it really came together.

Every week I looked forward to the next episode to snatch a little more information and develop more of an understanding of the mythos and world that had been created. I hadn't become aware of how complacent a lot of TV shows or even my viewing habits had become; I often multitask and do other things whilst watching most TV shows and some movies but not so with Twin Peaks. The nature of the show demanded your attention, a mere second could reveal so much that you had to watch things carefully, including the credits to work out who the large cast of characters were.

The first 7 episodes had me frustrated as I wanted to know where Annie was and what had happened to Agent Dale Cooper. But I liked the flow and mystery of the show and so continued to watch, hoping that Lynch and Frost would finally provide me with the closure I needed to THAT 25 year old cliffhanger.

Things got weird at episode 8; the most avant garde piece of television film making I've seen for a long time. It started off as a normal, well as 'normal' as Twin Peaks gets but then after a protracted night drive sequence and a raw performance from Nine Inch Nails the whole feel of the episode changes and we are presented with a flashback, presented in black and white, of the Giant. The episode gets even stranger with an atomic bomb test exploding in New Mexico and what I believe to be the birth or origins of Bob into this world. We see Laura as 'The One' with a glowing orb of her face, the one we are all familiar with of her homecoming photo... But this is the 1950s so is Laura Palmer prophesied to be the force for good nearly 40 years before her existence? Who knows?

After the craziness of episode 8 the series took a 2 week hiatus, as if knowing people would need the time to collect themselves and process what they had just seen. I know many shows have mid-season breaks for a while to ramp up the excitement but I've not really seen a show decide to take a week off to let it's viewers digest that specific episode.

From then on the seemingly disparate elements seemed to come together thick and fast.

Agent Cooper had spent the episodes is a fugue state as Dougie Jones, a doppelganger created by Evil Coop (another doppelganger who is possessed by Bob). These Dougie Jones segments were charming but seemed to drag early on. Like most I was hungry to see the Agent Dale Cooper we all know and love but as time went on and the Jones world was revealed to be a part of the larger Twin Peaks tapestry I fell in love with the affable lug, just like his wife Janey E, played wonderfully by Naomi Watts. It is the most unconventional love story but Dougie/ Agent Cooper and Janey E have a cute story arc where she falls in live with her former wastrel of a husband.

Episode 15 was a standout episode as 2 characters who have been in love for a long time but been unable to be together for various reasons finally got together. I fist pumped and whooped for joy at this scene, which was beautiful scored with Otis Reddings 'I've Been Loving You Too Long'. This episode also features the final appearance of the Log Lady who gives a clue to Hawk and says her goodbyes in the most heartrending scene.

Episode 16 gave the fans what they have waited for and I'll not spoil it here but will say that it was worth the wait. Several despicable people got their comeuppance whilst a pivotal moment was marked by whoops of joy in my household. There were still mysteries abound surrounding Audrey and Diane but with the two part finale coming up it was all building up to be spectacular.

The final two episodes answered many questions but in typical Lynch fashion left many more open to interpretation or just plain unanswered. Episode 17 gave us the background on Judy but more importantly it gave us the meeting of Evil Coop and Agent Dale Cooper. It went a little comic booky here but delivered with things kicking off at the Sheriff's Station. Freddie finally came into his own and we found out who Naido was. Cooper got to meet his FBI colleagues and reunited with the Sheriff's Department staff in a heart warming moment.

We then got a lengthy reintroduction of Fire Walk With Me with many scenes from the film shown from different angles but this time with Cooper in them, Cooper in the woods hiding whilst Laura and James shared an intense moment. The fact that Cooper went to Laura and tried to save her by walking through the woods with her only for her to vanish was shocking and made me uncomfortable... it seemed like Cooper was so close but had been outdone by Judy again!

Then it went a little surreal as Cooper tried to go to the past to alter the timeline and save Laura Palmer, who was in the alternate timeline/ dimension was Carrie Page, a middle aged maybe-Laura Palmer who worked as a waitress at Judy's Cafe. Cooper took her back to her house in Twin Peaks and when he knocked on the door there was no Sarah Palmer but rather the mysterious lady who bought the house from a Mrs Chalfont. Agent Dale Cooper was confused and asks,"What year is this?" and then we hear Laura Palmer/ Carrie Page scream... and the screen fades to black.

What does this all mean? Well I don't quite know but it could be that there are no happy endings and the battle between good and evil will continue infinitely. Evil will triumph but as long as there are good men like Cooper fighting the good fight there is always hope. Lynch and Frost have created a masterful ending which is open to interpretation and already I have seen hundreds of posts online with theories, claims and counter-claims about what the ending represents but is there an answer? Lynch works best when creating a mood and like author Haruki Murakami, the work defies logic but seems to have a narrative that would be easy to decipher, if only you had the Rosetta Stone.

Overall Twin Peaks: The Return was one of the finest series I have ever seen. The levels of violence against women was uncomfortable at times but when looking at the whole piece of work, necessary to bring to the fore the issues that we have in the real world of misogyny and abuse. After all Twin Peaks was the story of a young girl being sexually abused by her father by the will of an evil spirit and largely ignored by her aloof mother. It is a challenging watch but often the finest works are, there are no easy answers and for a work of this magnitude there shouldn't be. Lynch and Frost make us uncomfortable and question the status quo and for that they should be applauded.

The way the writing pair have woven a story after 25 years with some of the cast and crew either passing away or not being available to film is remarkable, the fact that it all flowed and made sense is astonishing. Nothing in Twin Peaks is weird or surreal for just its sake, there is a deep lore here and it underlies everything.

The Return was amazing and answered most of the questions I had from the first two series but it wasn't always an easy watch early on. For those with patience and a spare 18 hours available Twin Peaks is an essential watch, it challenges what TV in this day and age can do and requires you to pay attention and watch closely, something I know I have become complacent at through binge watching.

A special mention must be made of the performances of the large ensemble cast. Kyle MacLachlan did some excellent work in his three roles, playing the menacing Mr C with cold-hearted detachment, but also giving us the lovable Dougie Jones, a character you grow to love as he makes the world better by his subtle features and occasionally repeated words. As Agent Cooper he embodies the goodness that made the character so beloved and admired.

Grace Zabriskie, who plays Sarah Palmer, gave a stunning tour de force performance of a parent who had suffered so much and is in anguish at losing her loved ones.

The Log Lady, Margaret Lanterman, played by a dying Catherine Coulson, was phenomenal. Knowing she was dying in real life of cancer, her turn as the Log Lady dying on the show is heart-breaking. Her final call to Deputy Hawk on the night she knows that she is going to die (episode 15) is heart-rending, you can feel the connection between these two actors who have worked on something as profound as Twin Peaks. The new melancholy score by Angelo Badalamenti underscored this. When Hawk tells the rest of the Sheriff's department Lynch lingers on the scene to give it gravitas but also as a memorial to arguably the most iconic Twin Peaks character.

I was pleased to see Philip Jeffries return but not as we expected, due to David Bowie's death the role was played by a giant bell/ kettle. Why? Because Lynch.

If you haven't had a chance to see this masterpeice you owe it to yourself, you really won't be disappointed.

The Secret History of Twin Peaks- Book Review (No Spoilers)

Mark Frost, co-creator and executive producer (alongside David Lynch) of the legendary series Twin Peaks, has been teasing the book The Secret History of Twin Peaks for a while now. When it was first announced a few months ago I, like many Twin Peaks fans I'm sure, promptly per-ordered it to find out the fate of the characters and delve deeper into the world. Well I waited with bated breath to receive my copy and it was delivered a week ago. I read it between my other commitments and I finally finished reading it yesterday and these are my thoughts. I won't spoil it for you so please be aware that this is spoiler free territory.

First of all I should state that rather than a novel this is a beautifully produced dossier of faux historical documents, newspaper clippings and articles, revealing a series of historical events and conspiracies about the town of Twin Peaks and the Washington area over a period of over 200 years. For those expecting a more linear narrative this may prove to be disappointing as I know fans are looking for detailed account of what happened to the characters after the events of the cliffhanger in season 2. However what this dossier does provide is immersive and rich resources which are clearly designed to show how paranormal activity has been surrounding Twin Peaks for hundreds of years; this deepens and broadens the scope of the series and gives the events of the series much more context.

The book starts off with a letter from FBI Deputy Director Gordon Cole, who was played by Lynch in the original TV series, asking an agent to go over the contents of a box found at a crime scene that “appears to have a relationship to an investigation conducted in northwest Washington State many moons ago.”

The mysterious Archivist, who produced the dossier contained inside the box, has been carrying out research on strange phenomena and the history of Twin Peaks. The dossier starts with the taking of the land that would become Twin Peaks from the indigenous Indians and moves over to prospector gold rush times to the rise of the logging mills at the turn of the 20th century. It then moves into X-Files territory with reports throughout concerning Roswell, UFOs, Nixon, the Freemasons, the Illuminati, Project Blue Book, the Majestic 12, Alistair Crowley, L. Ron Hubbard, Jack Parsons... and Jackie Gleeson (of Honeymooners fame). All pretty heavy stuff full of intrigue and mystery but probably not what fans of the series were expecting when they purchased this novel.

The dossier provides the history of a few of the prominent families and individuals and it does reveal the fates of a few of Twin Peaks character's from the cliffhanger in season 2 but the majority of this patchwork dossier focuses on the relatively obscure character of Mayor Milford's brother Douglas, who emerges as the closest thing to a 'lead'. This proves to be a little disorientating but I have found it incredibly enthralling and have been carrying out research on the prospectors of the time, D.B. Cooper and Project Blue Book. The last time a TV series made me do this was Lost or even Evangelion, so that is high praise indeed! The book is similar in style to House Of Leaves by Mark Z. Danielewski, not in content or style but the feelings it evokes... A sense of mystery and unease, very much like the show itself.

The book doesn't initially seem to give too much away about the mysteries of Twin Peaks as I'm sure they're leaving that up to the upcoming season 3 but I think that the book merits repeat readings as I feel that throughout there were hidden meanings and secrets waiting to be discovered. The plethora of diagrams, photographs and sketches draw you in and make the whole dossier feel 'real'.

Overall I'd say the book was not what I expected but it took me on a journey that was both strange and wonderful. There are a lot of profound truths about the human condition contained within and there were moments of revelation that left me questioning our place in this world.

Well worth a read with a cup of coffee and a piece of cherry pie!

The Secret History of Twin Peaks is a beautifully presented book ©Macmillan/ Mark Frost