A Child's Voice- Cult TV Review

Whilst falling into the YouTube rabbit hole looking for new old things to watch, I came across 'A Child's Voice,' a half hour spooky ghost story that seemed interesting so I gave it a whirl. 

The story is about a mystery thriller writer and radio broadcaster, who nightly chills millions with his tales of horror, only to become the victim of one of his own macabre plots.

Having watched the production I can say that it shares a lot of DNA with the BBC's ‘Ghost Stories For Christmas’ series but I found out that it was a one-off production and was not part of an anthology series. It was shown on BBC 2 on 12th December 1982 over the Christmas period and I believe it may have inspired Mark Gatiss, who may have used it as inspiration for his 'The Dead Room' short film which shares a lot of the same story beats.

For its age and production it's an effective half hour of television, nothing mind blowing and not comparable to the best work of M. R. James but effective nonetheless. As the dark nights start to draw in and the weather gets a bit colder, this low budget but effective production might be just what the doctor ordered.

The Clifton House Mystery- Cult TV Series Review

I have an affection for cult and offbeat TV shows and films from days of yore as consistent followers of this blog know. I've found that many still stand up to today's scrutiny and often they are full of great ideas which are earnestly acted. Usually I pick up DVDs at random from CEX but in this case it was whilst I was browsing through Amazon, checking through the recommended links for 'Children of the Stones’, an atmospheric and eerie series that I'd picked up earlier and loved, that I came across 'The Clifton House Mystery'. The series was produced by HTV, the production company that had made ‘Stones,’ and so, based on the strength of that series I took the plunge and bought the DVD set for £4.99. It has sat on my pile of shame for a couple of years but sans WiFi and access to premium channels, I thought I'd finally work my way through this series.

The story is about the Clare family, who move into a mysterious old townhouse in Bristol. The previous family had lived in the house for generations but decided to leave under mysterious circumstances. The contents of the house are auctioned off but there are secrets attached to the items and the abode that haunt the new occupants. When they find a skeleton in a sealed room the mystery deepens and they hire an eccentric ghost hunter Milton Guest, to put the spirits to rest.

The series was aimed at school children so don't expect anything too ghoulish or scary but it is effective in its own way. The economy of sound and set design adds to the slightly unnerving nature. The story is quite straightforward and a lot of Bristolian history is thrown into the mix, which I found quite good as I’m a bit of a history buff.

The cast are relatively unknown, at least to me, however, they all play their roles with surety and earnestness. The only recognisable face is Peter Sallis who plays Guest. He would later go on to voice Wallace in 'Wallace and Gromit' and find fame as one of the old codgers riding a bathtub down many a hill in 'Last of the Summer Wine'.

Overall, the series is not as enthralling as 'Children of the Stones' or as scary as 'Moon Dial' but it is still worth a watch and, at just under 2 and a half hours, it's a nice way to while away a lazy afternoon.

LINK- The Singing Ringing Tree: Cult TV Review

LINK- Jim Henson’s The Storyteller

LINK- The Secret Garden (BBC)- Cult TV Review

LINK- Dead of Night: Cult TV Review

LINK- Children of the Stones: Cult TV Series Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review

LINK- Day of the Triffids (1981 BBC): Cult TV Series Review

The Moomins- Retro Soundtrack Review

To kick off the first of hopefully many retro soundtrack reviews I've got a spectacular starter, the vinyl of the 1980s Moomins series. I've spoken previously about how as a child the jerky, awkward animation style and the creepy title music spooked me but with time I've come to respect the art choices and direction taken with this work and have come to appreciate similar works by the Bolex Brothers and Jan Svankmajer 

Getting the vinyl itself was an interesting story worthy of Tove Jansson herself; Drift Records had procured a sizable chunk of the initial 600 vinyl shipment but on the day of their arrival into the UK the box was mislabeled and the vinyls were taken elsewhere to another warehouse with over 1000 other containers. It took over a month for the box to be found and the Moomins to be rediscovered... truly a wonderful tale for such whimsical characters, but what of the record itself? 

The record is beautifully presented within a large image from the 80s show and on the back is the track list with the blurb which reads: 

Imagine, if you will, a foreboding homemade electro-acoustic, new age, synth driven, proto-techno, imaginary world music Portastudio soundtrack for a Polish-made animated fantasy based on a modern Finnish folk tale, created for German and Austrian TV, composed in 1982 by two politically driven post-punk theatre perfomers from a shared house in Leeds!

Yeesh! Maybe I should have chosen a simpler, more straightforward album to review but this album was too good to pass up on so on we go!

This blurb is a good indicator of the musical journey you take over the course of the 30 minute or so it takes to finish the record. 

It kicks off with the Moomin Theme and it is wonderful to hear the completed piece with an elongates ending. The whole piece sounds a bit like a broken Victorian carousel mixed with a calliope falling down the stairs.

The Travelling Theme suits the title well and is a measured gentle plodding piece, almost metronome-like in its style. It has a simple beat which plays under a wonderful ethereal flute sound. This is an early highlight of the album.

Hobgoblins Hat is suitably mysterious and atmospheric with an arabesque woodwind sound and a throbbing synthesizer pulse underneath it.

Leaving Moomin Valley is grand and sweeping with gentle strings adding a sense of longing.  

Moomins Partytime sounds almost calypso in its rhythm and beat but is punctuated with whoops of joy and guttural throaty sounds which almost give it a tribal feel.  

Hattyfatteners Row is a frenetically paced track with deep throaty shouts of 'row' whilst a drum beat persistently beats. It is a driving track and almost sounds like an early garage or jungle track.

Woodland Band is a whimsical piece which brings together the sounds of various woodwind instruments and forest sounds together. The piece is quite sweet and has a 'regular' musical sound. This is another beautiful highlight of the album.

Most Unusual is exactly that; unusual. It sounds almost like a theremin mixed with a metallophone and is quite muted and moody but pleasing to the ear.

Midwinter Rites is a spooky piece which starts off with a deep percussive drum beat and strange guttural voices which growl and moan to the driving beat whilst in the background other higher screams are heard. An Indian sounding pungi piped instrument slits in and adds to the peculiarity. A strange piece indeed but an unusual highlight.

Piano Waltz is an elegant waltz piece and one of the more conventional pieces on the album but no less wonderful for that fact. 

Creepers sounds like a gamalan piece with lots of gentle rhythmic thumping and beeps flitting in and out. A melodic relaxing piece.

Woodland Band (Far Away) is a reprise of sorts of Piano Waltz but done in woodwind, it sounds so gentle and calming.

Comet Shadow is a haunting piece with howling wind and echoing whistles and a reverberating low synthesizer sound, this piece sounds moody and sinister. 

Comet Theme is a piano based theme with the same few notes played in different keys, getting faster and faster as the comet approaches I guess! 

The Moomins Theme (Ending Titles) are the same as the beginning it shorter and by my reckoning faster but I could be wrong. 

Overall the album is unlike anything I've heard before, apart from this show which I occasionally caught in my youth. It is unique, both beautiful and strange and so it is a difficult one to recommend to everyone. For people with niche tastes and quirky sensibilities this might be your bag but for most this is an uncomfortable and strange listen. I love this album and even though I know I won't listen to it very much, it's just not that sort of album, I'm glad I've got it to listen to on occasion when the need to be terrified/ whimsified takes me. If you'd like to listen to a sample of the album follow the link here.