To kick off the first of hopefully many retro soundtrack reviews I've got a spectacular starter, the vinyl of the 1980s Moomins series. I've spoken previously about how as a child the jerky, awkward animation style and the creepy title music spooked me but with time I've come to respect the art choices and direction taken with this work and have come to appreciate similar works by the Bolex Brothers and Jan Svankmajer.
Getting the vinyl itself was an interesting story worthy of Tove Jansson herself; Drift Records had procured a sizable chunk of the initial 600 vinyl shipment but on the day of their arrival into the UK the box was mislabeled and the vinyls were taken elsewhere to another warehouse with over 1000 other containers. It took over a month for the box to be found and the Moomins to be rediscovered... truly a wonderful tale for such whimsical characters, but what of the record itself?
The record is beautifully presented within a large image from the 80s show and on the back is the track list with the blurb which reads:
Imagine, if you will, a foreboding homemade electro-acoustic, new age, synth driven, proto-techno, imaginary world music Portastudio soundtrack for a Polish-made animated fantasy based on a modern Finnish folk tale, created for German and Austrian TV, composed in 1982 by two politically driven post-punk theatre perfomers from a shared house in Leeds!
Yeesh! Maybe I should have chosen a simpler, more straightforward album to review but this album was too good to pass up on so on we go!
This blurb is a good indicator of the musical journey you take over the course of the 30 minute or so it takes to finish the record.
It kicks off with the Moomin Theme and it is wonderful to hear the completed piece with an elongates ending. The whole piece sounds a bit like a broken Victorian carousel mixed with a calliope falling down the stairs.
The Travelling Theme suits the title well and is a measured gentle plodding piece, almost metronome-like in its style. It has a simple beat which plays under a wonderful ethereal flute sound. This is an early highlight of the album.
Hobgoblins Hat is suitably mysterious and atmospheric with an arabesque woodwind sound and a throbbing synthesizer pulse underneath it.
Leaving Moomin Valley is grand and sweeping with gentle strings adding a sense of longing.
Moomins Partytime sounds almost calypso in its rhythm and beat but is punctuated with whoops of joy and guttural throaty sounds which almost give it a tribal feel.
Hattyfatteners Row is a frenetically paced track with deep throaty shouts of 'row' whilst a drum beat persistently beats. It is a driving track and almost sounds like an early garage or jungle track.
Woodland Band is a whimsical piece which brings together the sounds of various woodwind instruments and forest sounds together. The piece is quite sweet and has a 'regular' musical sound. This is another beautiful highlight of the album.
Most Unusual is exactly that; unusual. It sounds almost like a theremin mixed with a metallophone and is quite muted and moody but pleasing to the ear.
Midwinter Rites is a spooky piece which starts off with a deep percussive drum beat and strange guttural voices which growl and moan to the driving beat whilst in the background other higher screams are heard. An Indian sounding pungi piped instrument slits in and adds to the peculiarity. A strange piece indeed but an unusual highlight.
Piano Waltz is an elegant waltz piece and one of the more conventional pieces on the album but no less wonderful for that fact.
Creepers sounds like a gamalan piece with lots of gentle rhythmic thumping and beeps flitting in and out. A melodic relaxing piece.
Woodland Band (Far Away) is a reprise of sorts of Piano Waltz but done in woodwind, it sounds so gentle and calming.
Comet Shadow is a haunting piece with howling wind and echoing whistles and a reverberating low synthesizer sound, this piece sounds moody and sinister.
Comet Theme is a piano based theme with the same few notes played in different keys, getting faster and faster as the comet approaches I guess!
The Moomins Theme (Ending Titles) are the same as the beginning it shorter and by my reckoning faster but I could be wrong.
Overall the album is unlike anything I've heard before, apart from this show which I occasionally caught in my youth. It is unique, both beautiful and strange and so it is a difficult one to recommend to everyone. For people with niche tastes and quirky sensibilities this might be your bag but for most this is an uncomfortable and strange listen. I love this album and even though I know I won't listen to it very much, it's just not that sort of album, I'm glad I've got it to listen to on occasion when the need to be terrified/ whimsified takes me. If you'd like to listen to a sample of the album follow the link here.
