Ask Iwata- Book Review

Satoru Iwata was the president of Nintendo, formerly president of HAL and beloved coder and innovator who oversaw the success of the Wii and DS. Upon his early death from cancer in 2015, the outpouring of respect and love for the man was immense. Many loved his human approach to leadership, exemplified by his taking a paycut himself to save staff when the Wii U underperformed, as well as his willingness to participate in fun promotional work, such as the memorable muppet show in the 2015 E3.

Ask Iwata is a collection of his thoughts and ideas about his approach to business and people; It not an autobiography with photos but rather is similar Nintendo of America’s Reggie Fils-Aime's book on business practices. This book has a more human touch and is thus more approachable for the layman not looking at business jargon and theories. What comes across is that Iwata was a humble man who worked his way through the ranks through sheer diligence and hard work - sprinkled with a little luck.

Here are some of the thoughts that really stuck with me:

As human beings, unless we have someone to compliment our work and enjoy what we've created, we're not apt to go out on a limb. Which is why meeting this friend in high school had such a positive effect on the course of my life.

... Decision-making means gathering and analysing information and managing priorities, and that as you discover your priorities, you should see where they take you as you work though your decisions.

... I never want to work under a leader who fails to understand that people can evolve... pays attention and acknowledges my growth.

.. Management depends on an ability to minimise your personal agenda...

The books end with thoughts from colleague and close friend Shigeru Miyamoto (creator of Mario and Zelda) and Shigesato Itoi (Earthbound) and these are tales of Iwata, the man, away from business. It is clear that he was a much loved and gentle man. The book is an interesting read and we get an insight into the great man who made sure that Nintendo continued to march to the beat of its jaunty own Wii Music drum.

LINK: Gamesmaster: The Oral History- Book Review

LINK: Heaven’s Vault- Book Review

LINK: Elden Ring- Videogames As Art

LINK- The Transportive Nature of Objects (And the Power of Mini Consoles)

LINK: Japan- My Journey to the East

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

LINK- An English Geek in Saudi

LINK- Streets of Rage 2 on Vinyl Review

Love, Death + Robots- Season 3 Review

Love, Death + Robots is a Netflix backed anthology series of sci-fi stories that mixes cutting-edge animation styles with quick fire storylines. Each episode is stand-alone and with the longest episode clocking in at just over 18 minutes, you’re never too far away from a new world and new ideas. Obviously, this means that some episodes will chime more than others depending upon your tastes but they are all uniformly solid. I liked season 1 just fine but felt that, given the freedom to create, a lot of the short films were trying to be too edge-lordy and reminded me of the anime and manga often released in England in the early 90s when it was trying to gain a foothold; the more violent, gratuitous stuff wasn't always representative of the best the medium had to offer and so it is was with season 1.
I felt that season 2 was okay with a lower episode count. Also, they had toned down the sex and violence but many of the stories were not that interesting. So, season 2 had built on the solid work of season 1 but it make incremental steps forward rather than huge leaps. I went into season 3 hoping that this would be the one to really nail it. Here are my thoughts on the individual episodes:

Three Robots: Exit Strategy
The three likable robots travel around the remnants of human culture to find out what happened when the robots uprising began. Along the way they look at how society broken down in a Lord of the Flies way.

A hilarious yet deeply depressing animation about the way humans would rather destroy each other than work together to find a solution. This ending is real surprising too.

Bad Travelling
When a ship is attacked by a giant crustacean, they listen to its request to gain passage to a busy island nearby. The captain doesn't want to unleash the beast upon the innocent people and so plans a trip to a deserted island, but can he convince his crew?

A very dramatic episode with gorgeous darkly stylised art and lashings of gore. It's powerful as it looks at the value individuals put on their own lives above others.

The Very Pulse of the Machine
The story is based on a short from Michael Swanwick and looks at the journey of a lone astronaut, Martha, stranded on the moon of Io, trying to find her way out whilst her oxygen slowly depletes. It is a psychological piece as we have Martha, superbly voiced by Mackenzie Davis, having a conversation with an invisible entity, or it could delusions caused by a mixture of hypoxia and morphine.

It's a very existential piece, not just because of the isolation of the astronaut, but because the individual is in conversation with something greater than herself. I found that very interesting as the dialogue was very philosophical and profound in places. I won't spoil it but the film evokes memories of 2001: Space Odyssey and the Star Child; death is not the end but a new part of the journey and that's a beautiful thought. The crescendo of the soundtrack at the denouement is spectacular and still sends shivers down my spine when I hear it.

The Very Pulse of the Machine is my favourite of the season but Jibaro is very close second.

Night of the Mini Dead
When a randy couple commit lewd acts in a cemetery, their unholy behaviour awakens a zombie apocalypse.

I loved this episode as it was done in an isometric minifig style with lots of cute voices. Don't get me wrong, the end of the world was apocalyptic but it was just gosh darn cute.

Kill Team Kill
When a military team is attacked by a rogue cybernetically enhanced experiment, their sense of humour and devil may care attitude might just be enough to see them survive.

I lived the cel shaded animation style of this episode as it reminded me of Otomo's work, especially Magnetic Rose from Memories. I think the cocksureness of this episode is a direct response to the macho gung-ho attitude of previous seasons of the show as it was a nod and wink at the audience as to how stupidly shallow the violence is.

Mason's Rats
In the near future, after WW3, a farmer struggles to survive with the ratocalypse. He invests in machines but the rats fight back harder, the situation escalates but who will emerge the victor.

This is a great short animation with a witty story about the casualties of war and how talking and reaching out can be enough.

In Vaulted Halls Entombed
A military unit of a mission to find and secure a taken hostage find an eldritch elder God held captive in an underground complex. One by one the crew get picked off except a lone warrior; will she survive?

This is a very effective and dark short, feeling at times like a videogame like House of Ashes or Eternal Darkness, which dealt with similar subject matter. It's a solid episode and poses many question about humanity's place in the cosmos.

Jibaro
When a group of Conquistadors encounters a siren, they all lose their heads to her deadly voice. However, a deaf Knight isn't swayed and what follows is a deadly cat and mouse game; an elaborate dance to the death, as the siren seeks her prey whilst the soldier seeks the gold covering her body.

This is one episode I heard a lot about with some citing it as the best LDR episode in season 3 and I can sort of see why. The animation is astonishing and the art direction is phenomenal, with the siren being beautifully haunting like a spooky Klimt piece come to life all shimmering and gold. The dialogue is pretty non-existent and it reminds me in style to The Black Knight in that the artistry and cinematography is king. The music adds so much and the flashy, frenetic edits and cuts make it a powerful piece where the images will stay in your mind for a long time.

This LDR season was probably the most consistent in my opinion with all episodes offering something. The Very Pulse of the Machine, Bad Travelling and Jibaro are the obvious highlights but overall, it's a solid season that shows the anthology series had some legs. I like the maturity the series seems to have gone through as the stories and worlds presented are more interesting. I am very much looking forward to season 4.

LINK- Love, Death + Robots- Season 1 Review

LINK- Love, Death + Robots- Season 2 Review

LINK- The 7th Voyage of Sinbad- Cult Movie Review

LINK- How to be Perfect: The Correct Answer to Every Moral Question by Mike Schur- Book Review

LINK- The Good Place and Philosophy- Book Review

LINK- Utopia for Realists- Book Review

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

LINK- ‘Natives: Race and Class in the Ruins of Empire’ LINK: Elden Ring- Videogames As Art

Heaven's Vault - Book Review

“Stories don’t have tidy beginnings, the past is always present.”

With this, Heaven's Vault the videogame had truly sunk its claws into me. I had played through to the end and loved the experience.

Often I've seen historical based games reduced to simply killing the next bad guy and trashing the ancient ruins, which is fine in a power fantasy I suppose, but as an armchair anthropologist (with a degree in the subject) who has a love of archeology, linguistics and ethnography, a game where you felt like a real archaeologist had me excited. Luckily, Heaven’s Vault did not disappoint; the deep dive into archeology with a vast open-world to explore, underscored with excellent narrative beats held me captive for the 20 or so hours until completion.

When I heard that there were two novels based off the videogame by Inkle's narrative director Jon Ingold, I bought both and consumed them voraciously over the course of a couple of weeks.

For the uninitiated, Heaven's Vault has the protagonist Aliya Elasra, a space archaeologist, tasked with finding the missing University faculty roboticist, Janniqi Renba. Along the way, Aliya and her robot companion Six, discover clues to the ancient past of the Nebula that may impact the current political situation where the Protectorate of Iox may not be as benevolent as it presents itself. Throw in Aliya's contradictory theory about the cyclical nature of the Nebula for good measure and what you have is an intriguing narrative.

There are two books in the Heaven’s Vault series and they contain the complete story.

The central conceit is an interesting one as it builds upon the narrative of the videogame but takes it further. The books are very much about how history is largely written and shaped by the ‘victors’. Aliya is a threat to all this as, by using the artefacts from the past, she is able to reinterpret what actually occurred and challenge the circumambient narrative that is prevalent in the cosmos and challenges the systems that perpetuate it.

I liked how Ingold shows how archeology is not just about the collection of artifacts or visiting dead sites but more a discipline dedicated to helping us understand our collective past and what it means for our future. Archaeology has the power to shape the future as by looking into the past, we can look forward and challenge the accepted norms; controlling access to the past controls people in the present by affecting thought and behaviour. Misappropriation and manipulation of the past is a real issue even now and so it is in this story where the status quo is challenged.

The two books were enthralling and I fell in love with the characterisation and world.

LINK: Elden Ring- Videogames As Art

LINK- The Good Place and Philosophy- Book Review

LINK- Humankind: A Hopeful History- Book Review

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

LINK- ‘Natives: Race and Class in the Ruins of Empire’ LINK: Elden Ring- Videogames As Art

LINK- The Transportive Nature of Objects (And the Power of Mini Consoles)

LINK: Japan- My Journey to the East

LINK- An English Geek in Saudi

LINK- Streets of Rage 2 on Vinyl Review

Love, Death + Robots- Season 2 Review

Love, Death + Robots is a Netflix backed anthology series of sci-fi stories that mixes cutting-edge animation styles with quick fire storylines. Each episode is stand-alone and with the longest episode clocking in at just over 18 minutes, you’re never too far away from a new world and new ideas. Obviously, this means that some episodes will chime more than others depending upon your tastes but they are all uniformly solid. I liked season 1 just fine but felt that, given the freedom to create, a lot of the short films were trying to be too edge-lordy and reminded me of the anime and manga often released in England in the early 90s when it was trying to gain a foothold; the more violent, gratuitous stuff wasn't always representative of the best the medium had to offer and so it is was with season 1.

Would season 2 be better? I have written a brief synopsis and my views of those episodes briefly.

Automated Customer Service- When an automated vacuum cleaner goes rogue and turns into a killbot, an elderly lady and her pet dog fight for their life whilst waiting in the dreaded customer service queue.

The animation is distinctive with human looking faces but small extremities, it's a bit distracting and unsettling. The story is darkly humorous and relatable, I mean who hasn't been kept waiting with some 'Your call is important to us... You are number 265 in the queue' etc. It's felt dystopian for us all at some point, right?

Ice- On a cold planet, where most people have been modded and augmented, a teenage Earth boy struggles to fit in. Going out to see the frost whales with his younger, augmented brother he meets a motley crew of locals who do a death run against the creatures.

The art style is noirish and angular with a lot of dark colours. The animation is chromatic in style and didn't really appeal to me but different strokes for different folks eh. The made up 'foreign' language and mixed up English adds a further dimension.

Pop Squad- In the future people can prolong their lives but this inhibits their reproductive capability. Some choose to forgo their immortality to breed but they are hunted by the police and terminated. A cop struggles with the toll of taking the lives of children.

This is a beautifully cgi animated short and reminds me of Blade Runner with the constant rain and decaying metropolis motif. It's quite powerful and is a strong episode.

Snow in the Desert- A traveller with regenerative powers is sought by officials and the more unscrupulous elements of society. So, he lives off grid, trying to survive by himself until a chance meeting with a cop changes all that.

The animation is realistic but the main character looks a cross between Rutger Hauer and Boris Becker. No knock against it but it is off putting in this well realised short tale about the journey being more important than the destination. In this case, the journey to find connection.

The Tall Grass- When a train is stopped in its tracks by a shortage of steam a passenger explores the lights in the tall grass nearby. However, this leads to dire consequences.

This is an effective story and the painterly rotoscoped animation lends it a certain distinctive style. The drama is intense and at times it feels like a QTE in a videogame; this is meant as a compliment.

All Through the House- When two young children hear noises on Christmas Eve, they think it's the jolly man. Instead, what they encounter is a totally different festive beast.

The stop motion animation style is big and expressive and the story is darkly humorous.

Life Hutch- When an astronaut crash lands on a planet and seeks refuge in a life hutch, he faces off against a maintenance robot that has malfunctioned. Will he find a way to stay alive?

This is a very strong episode as Michael B. Jordan is a very strong actor and the CGI works well around his central performance.

The Drowned Giant- A dead giant's body washes up on the beach and enthrall the people of the island. As the slow decay of the body occurs, a documentarian shares his thought on life, the Universe and everything.

This is an odd duck indeed, very surreal like you are watching a nature documentary complete with voice over. Very affecting and effective indeed.

Overall, the season is okay with less sex and violence but many of the stories are not that interesting. The highlight for me was 'The Drowned Giant' as it tried something unusual and the documentary style of presentation drew me in. Overall, season 2 builds on the solid work of season 1 but it make incremental steps forward rather than huge leaps. Here's hoping season 3 nails it.

LINK- Love, Death + Robots- Season 1 Review

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

LINK- Nintendo: My One True Gaming ConstantLINK- Children of the Stones: Cult TV Series Review

LINK- Dead of Night: Cult TV Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- The Future Starts Here: An Optimistic Guide to What Comes Next- Book Review

LINK- Uncharted 4- Video Games As Art

LINK: Japan: My Journey to the East

Sackboy: A Big Adventure- Videogames As Art

I'm a bit of a platforming fan. Nintendo has been a huge part of this as its creativity and uniqueness in creating wonderful gaming experiences that you can play with your family has been pretty much unchallenged for years; Super Mario 3D World, Yoshi's Crafted World and Kirby's Epic Yarn are all great fun. The sheer creativity and wealth of ideas on show has been crazy.

In the past few years, there have been a few challengers to the throne. Rayman Origins, A Hat in Time and now, I’d like to add Sackboy: A Big Adventure. The game is bursting with personality but the soundtrack is what really sets this game apart. As well as unique tracks there are bangers like Britney’s Toxic, Bowie’s Let’s Dance and Bruno Mars’ Uptown Funk. The gameplay is usually reactive to the soundtrack and it just really pulls you in and helps the gameplay flow very well. Check out screenshots of my playthrough.

Sinbad and the Eye of the Tiger- Cult Movie Review

Sinbad and the Eyes of the Tiger is the third and final trilogy of Sinbad films that stop-motion maestro Ray Harryhausen made for Columbia, the others being The 7th Voyage of Sinbad (1958) and The Golden Voyage of Sinbad (1973). It was not a commercial success apparently but I have fond memories of watching it in my youth, either on a rainy weekend or some national holiday or half-term. Of the three Sinbad movies created by Harryhausen and director Charles H. Schneer, this movie is the one I remember the most because of the iconic bronze minotaur creature but was my fondness well placed or was it sepia-tinted memories of a poor film? To answer this, on a typically rainy Easter half-term afternoon, I decided to watch it again and see- thus completing my journey of the three Sinbad films.

The story is quite simple, as it has been in each time; A sorceress (and evil stepmum) wants her son to ascend to the throne and so curses the actual prince of the land, turning him into a baboon. Along the way, she tried to kill Sinbad and his crew to prevent them from helping the prince but he prevails. He also learns of a way to transform the prince back in order to repay a favour and make himself a hero worthy of the princess. He travels to an island to seek advice from a wise man, Melanthius, who might be able to turn the prince back but they need to travel to the icy north. Will the plan work though?

Patrick Wayne plays Sinbad but, whilst he certainly looks impressive with his groomed beardline, curly hair and gold earring, his acting it a bit wooden and lacks charisma, a major flaw when you are the main protagonist who is known to be dashing, swashbuckling and daring. Jane Seymour is Princess Farah and does okay with what she is given, speaking earnestly and with a slight accent to make herself suitably 'Arabian'. Margaret Whiting chews the scenery as the evil sorceress Zenobia and is effective in a Mighty Morphin Rita Repulsa kind of way. Meanwhile, Patrick Troughton's Melanthius plays the old wise man well but makes ridiculous choices like giving a hornet a potion that makes it grow larger and it then proceeds to attack him: not so wise then…

There is earnestness in the acting but the plotting is wonky at best and the special effects are not as effective as they were in the earlier film. Harryhausen is still a master but the imagination isn't flowing fully here, sure the Minoton bronze minotaur is impressive looking (and is pretty much a glorified rower) but Talos in Jason and the Argonauts was better (and done earlier). The other fantastical creatures such as the gryphon and cyclops from the earlier Sinbad films are lacking here, being replied by a huge walrus and hornet, hardly the special effects showcase we'd come to know and love from the myths and legends of the Arabian Nights. However, the final battle between the smilodon and troglodyte is well staged and suitably dramatic but is too little to late to save this film from mediocrity- a sin with a world as ripe for interpretation as Sinbad.

That said, the matte art is impressive and the location shooting in Petra, Jordan and some Balearic isles makes it a pretty journey. The costumes are great too and the soundtrack and sound effects suitable for this type of movie.

Taking the movie as a whole, it is simple daft fun; it is still worth a watch but it does lack the heart and, dare I say, fun and creativity shown in the earlier Sinbad films.

Out if the three, I'd say this was the worst of the bunch but it isn't bad per se, just underwhelming.

LINK- The Golden Voyage of Sinbad- Cult Movie Review

LINK- The 7th Voyage of Sinbad- Cult Movie Review

LINK- Into the Unknown Exhibition Shines Bright at the Barbican

LINK- Ray Harryhausen: Titan of Cinema Virtual Exhibition Experience- Review

LINK- Children of the Stones: Cult TV Series Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

LINK: Japan: My Journey to the East

LINK- Pure Invention- Book Review

The Golden Voyage of Sinbad- Cult Movie Review

The Golden Voyage of Sinbad is the second of the trilogy of Sinbad films that Dynamation stop-motion monster movie creator Ray Harryhausen made for Columbia, the others being The 7th Voyage of Sinbad (1958) and Sinbad and the Eye of the Tiger (1977). In the three movies created by Harryhausen and director Charles H. Schneer, it often sits comfortably in the middle or at the top but it's all relative and heavily based on nostalgia. Nonetheless, what it does have is a popular b-list cast of actors, amazing mythical monsters and a simple but engaging enough story.

The plot follows Sinbad as he comes into possession of part of a tablet which is dropped by a mysterious homunculus. He finds out that the tablet is a single part of three which shows a nautical chart to the mysterious land of Lemuria and a special treasure. Ably supported by the Grand Vizier Of Marabia, a slave girl (played by genre favourite Caroline Munro) and his loyal crew, Sinbad attempts to get to the Fountain of Destiny before the evil magician Koura (an effectively villainous pre-Dr Who Tom Baker) who wishes to extend his life and use the power for his own nefarious means.

I remember watching the film in my youth and falling in love with the Harryhausen monsters (as well as stunning Munro). The sweeping cinematography and Arabesque music lent it all a sense of the exotic and, I can say even after all this time, it is still thoroughly watchable.

Even though the production was made on a shoestring budget you wouldn't know it as the film has some stunning matte art for the backgrounds, seemingly inspired by the Angkor complex in Cambodia, giving it a sense of grandeur and space. The costumes are sumptuous and present the atmosphere of Arabian Nights. The dialogue is basic but does feature some great one-liners like, 'My heart is full of bravery but I have very cowardly legs.'

However, once again, it is the Harryhausen Dynamation process that raises the whole production as we see a possessed ship's figurehead come to life as well as mythical beasts like a centaur and griffin and the goddess Kali.

If you're looking for a quick matinee fix for a rainy afternoon over Easter, this is the movie for you.

LINK- The 7th Voyage of Sinbad- Cult Movie Review

LINK- Into the Unknown Exhibition Shines Bright at the Barbican

LINK- Ray Harryhausen: Titan of Cinema Virtual Exhibition Experience- Review

LINK- Children of the Stones: Cult TV Series Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

LINK: Japan: My Journey to the East

LINK- Pure Invention- Book Review

The 7th Voyage of Sinbad- Cult Movie Review

The word myth comes from the Greek word 'mythos' which means 'to tell a story'. Myths are the oldest and most powerful of all story forms; they were usually passed on through spoken word as books had not yet been invented. They often carry an important message for a culture or group, their function was to explain, to teach lessons, and to entertain. Every culture has its own myths that are centuries old and even now through various mediums the creatures and monsters from myths and legends emerge.

For a certain generation of people the name Ray Harryhausen is synonymous with myths and legends. The mere mention of his name conjures up many images of wonderful creatures from such matinee classics as 'Jason and the Argonauts,’ 'Clash of the Titans' and the various Charles H. Schneer helmed Sinbad movies from the 50s, 60s and 70s.

Harryhausen was a legend, a genius, an artist, a filmmaker, a magician, but more than all of that he was an inspiration whose work inspired many generations of film-makers including such luminaries as James Cameron and Steven Spielberg.

I recently rewatched 1958 film The 7th Voyage of Sinbad for the first time in many years and was pleasantly surprised at how well the film held up.

The story has Sinbad and his crew travelling past the island of Colossa when they see a cyclops attacking a black-robed man. They come to his aid and rescue him, finding out that the man is a magician named Sakurah who was on the island seeking a lamp. He wants to go back but Sinbad refuses. In revenge, the magician shrinks Sinbad’s betrothed and slyly offers to restore her to her normal size if they go back to the island and retrieve the ingredients needed for the potion. Thus, Sinbad and his crew travel back to the island and battle the cyclops, the Roc, a dragon and the signature skeleton. Can Sinbad save his beloved and find out the truth about the evil magician?

Director Nathan H. Juran and Harryhausen are obviously having a lot of fun and turn Sinbad (played by a dashing Kerwin Matthews) into a swashbuckling Errol Flynn type hero. The Dynamation process, which combines video footage with the stop-motion beasts and shrunken princess (earnestly played by Kathryn Grant), is impressive and must have blown minds nearly 70 years ago. Sure, in this day and age the special effects have dated but what was achieved back then was mighty impressive. Throw in an impressive score, which I have been humming since seeing this film in my youth but could never quite placing until seeing this film again, by genius Bernard Herrmann, and you have a truely impressive audio-visual treat. Sure, it would be eclipsed by the later Sinbad films but what a great rainy Sunday afternoon film to watch with the family!

Gaia Exhibition at Exeter Cathedral Enthralls

A few weeks ago, my daughters and I went to Exeter Cathedral to see Luke Jerram's gaia exhibition. The exhibition consisted to a giant detailed Earth suspended from the ceiling which rotated slowly whilst sounds of the vox populi shared their loves, worries and concerns about the planet we call home.

Exeter Cathedral is a gorgeous building.

Going into a sacred space carries with it all the aura and wonder that these places are reknown for; they are transportative and meditative for believers and - for unbelievers of this faith (like me)- liminal and magical.

It was interesting to see how different people reacted to the exhibition; some people were lying down looking at the globe from underneath deep in thought, others were having a hot drink and whispering with friends, others, like my kids, were exclaiming in wonder at the sight of the globe floating in such a spectacular place with dramatic lighting. The colours from the stained-glass windows added further magic to the proceedings and the thing felt transportative.

Looking up at the globe created feelings of worry for me and the tiny blue dot. As we wandered the sacred space there were a few specific exhibits that made you consider your links to the planet in a spiritual and philosophical way:

Fire-  this station had you make notes on regrets and worries and burn them.

Earth- had you feeling different stones and think about your own rough edges.

Water- images of rivers and the power of water for life were shared.

All these station were simple yet efficient at looking at the interconnectedness of the planet, our physical and spiritual selves. It was a good exhibition and we'll worth a visit. I wasn't blown away or anything but it was effective and provided my daughters with a sense of awe and wonder.

American Born Chinese- Graphic Novel Review (and thoughts).

In a medium that had been pretty homogenic in portraying powerful white heroes, the past decade has seen a huge rise in representation in mainstream comics. I believe that art is of its time but it can have a long-lasting cultural and societal impact on the world. By encouraging a sense of community and a forum for discussion, change can occur and comics are an excellent medium for showing or even introducing that change.

Over the past few years, in wake of the Covid pandemic there has been a rise in anti-Asian sentiment. There was a huge spike in attacks against this community, especially in America, as Covid ripped through the country. Asian- Americans were scapegoated by some and it led to this community feeling under seige.

In this way, the story of Jin Wang, the main protagonist in American Born Chinese by Gene Luen Yang may offer some people from that community the same joy I felt at finally seeing a more rounded representation of my faith and culture in Ms. Marvel.

As a longtime comic book fan, I first started collecting when I was 7 in 1988 and Iron Man and Spiderman were my first loves, however I was beyond excited at the announcement of Ms. Marvel in 2013.

The fact that the main protagonist, Kamala, was the child of immigrant parents from Pakistan, Muslim and a millennial changed the hitherto well tilled soil of fertile comic tropes. I had loved comics for years and certain aspects I could identify with; Peter Parker being picked on by Flash Thompson in High School, the various aspects of loss in the Death of Superman and striving to achieve against all odds, which was a common comic book trope but with Ms. Marvel it was different. I could identify with her, even though I'm not a millennial teenage girl I am a Millenial Muslim comic book geek who enjoys pop culture. I remember what it was like as a young teen trying to find my way through school and life where balancing my home life and religious beliefs and practices with those of my mostly white Christian friends was difficult. I wanted to go to parties, go out clubbing and have relationships. Other comics have covered these aspects but the fact that the struggle Kamala has in balancing her home and life outside rings true for me.

In American Born Chinese, we have three tales all dealing with the themes of alienation, discrimination and being true to yourself. The first deals with Jin and his burgeoning friendship with recent immigrant Wei-Chen Sun. The second tale looks at the Monkey King (he of Journey to the West fame) who wants to become more human and attain godhood. The final tale deals with Asian-American Danny and his cousin Chin Kee, who represents all of the worst racial stereotypes about Chinese people that Danny is trying to distance himself from. The stories all weave and support each other and help to reach a highly satisfying and thought-provoking finale.

The artwork is effective, colourful and detailed when it needs to be. Like Raina Telgemeier's work, there is an illusion of simplicity in the images but the emotions conveyed are true but the story is king here.

Kolchak: The Night Stalker- Cult Movie Review

Recently, I've finally watched the 20 episode television series of Kolchak, after having had the DVD collection for years. I had heard it mentioned often when The X Files was at its peak. I thought the series was excellent and could understand why it had achieved cult status over the past 50 or so years; it had a late night pulpy horror charm. However, I'd never seen the made-for-television movies which predated the series so, whilst in the right mindset, I thought I'd give it a go.

This movie is over 50 years old and has aged pretty well.

Kolchak: The Night Stalker is the 1972 movie which follows a down on his luck investigative reported Carl Kolchak, exploring the murders of young women in Las Vegas. He sees it as a modern day vampire case whilst the local law enforcement see it as a serial killer. Kolchak is determined to find out the truth, which is indeed stranger than fiction.

The first thing to note is that the production values on this are high; the crowd scenes, the main strip car scenes and creepy house setting are well realised. It also offers a window into the past of Las Vegas, showing areas that, I'm sure, have changed and either been cleaned up and gentrified or left to decay.

Also, Kolchak's enlightened attitude to his girlfriend's showgirl night work is enlightening and especially ahead of the curve from the time. His characters attitudes are more forward facing than the inspector who claims the murderer must have been 'high on pot.' I'm not sure the murderer would have any enthusiasm and I'm sure there would be a case of the 'munchies' but this is an extreme case.

The movie is also a slower paced affair and cranks up the tension quite a bit, it's a lot less jokey than the television series would become but it is an interesting watch and has aged pretty well. The outside shots are well done and lends the film a sense of place, whilst McGavin's acting gives the character of Kolchak a likeable personality. The tightness of the film makes it watchable and exciting, even now. Okay, the makeup effects are dated but at least they don't look like dated Dorito-effect CGI (I'm looking at you ‘The Scorpion King’). Watch this film if you can, it’s a blast.

LINK: Kolchak: The Night Stalker- Cult TV Series Review

LINK- Children of the Stones: Cult TV Series Review

LINK- Dead of Night: Cult TV Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review

LINK- How to be Perfect: The Correct Answer to Every Moral Question by Mike Schur- Book Review

LINK- The Good Place and Philosophy- Book Review

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

LINK- ‘Natives: Race and Class in the Ruins of Empire’ LINK: Elden Ring- Videogames As Art

Overwhelmed With Choice of Media

Over the past year, I've been overwhelmed with videogames to play, books to read, audiobook and podcasts to listen to and TV shows and films to watch. So, over the past several months, I've been using most of my spare time (about a couple of hours before bed each evening) playing videogames. There's been a plethora of amazing AAA games so most evenings would find me working my way through the unholy trinity: Elden Ring (167 hours), God of War: Ragnarok (31 hours) and Horizon Zero Dawn: Forbidden West (18 hours in, when I stopped for my annual videogame detox).

Every year, I abstain from gaming for a period of at least a month. I find it gives me a chance to engage in my other hobbies which may get overtaken by videogames. We've never had it so good, what with the constant sales, discounts, demos and the drip feed of big name and hot-new-indie releases but it can become overwhelming. There's always another game to buy, another 'must play' to experience, a huge discount for a game on the Wish List that would be silly not to buy... always something or another.

This year, I used January as my appointed time away from gaming to read a couple of books, catch up on my pile of gaming and cult TV and film magazines, listen to loads of podcasts and write stuff for this blog. In short, it was a very productive time that lightened my soul and lifted my eyes away from the screen, apart from the film watching and blog writing of course.

As February hit, I worked my way through Horizon and finished the game after a total of 37 hours. It was a great game and I'm glad I played and completed it, but after 2 other open-world games, I was glad to just play a platformer or something more focused. I definitely have open-world fatigue so will use the time from now to Zelda: Kingdom of Tears, to play my shorter titles that have languished in my download pile. First up is Sackboy: A Big Adventure; a great platforming game without huge lore  but I love the banging music, including Chemical Brothers, Bruno Mars and David Bowie.

I still have a huge pile, both digitally and physically, of stuff to work through but sometimes time away from it all offers perspective and you realise... does it even matter? No, this is not a feeling of ennui but more a feeling of freedom- it'll still be there when you decide to get around to it y'know. It doesn't all have to be done right now is all I'm saying.

To quote my favourite film, Kieslowski's masterpiece Trois Colors Rouge, ‘Etre.’

LINK: Japan: My Journey to the East

LINK- The Future Starts Here: An Optimistic Guide to What Comes Next- Book Review

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

LINK- Nintendo: My One True Gaming Constant

LINK: Let’s All Create a ‘New Normal’.

LINK- Battle Angel Alita: And So It Ends

LINK- Ulysses 31 Retro Soundtrack Review

LINK- The Mysterious Cities of Gold Retro Soundtrack Review

Videogame Music and Vinyl

I love videogames and a huge part of the experience is often the soundtracks. In fact, sometimes the soundtrack can often be the only saving grace (NES Silver Surfer is the go to for this one) or can turn a good game into a great game (Nier).

Certain game music reminds of places I've been and the people I've been with; game music is the sound of my personal journey and the many worlds I've visited. The fact that videogame music can be diagetic and react to your actions also makes it seem personal and unique to your playthrough, even if it isn't really it seems personal to you.

I've attended a few concerts in my time including the Dear Esther (Barbican), Zelda: Symphony of the Goddesses (Wembley Arena) and the PlayStation in Concert (Royal Albert Hall) and the sight of seeing some of the worlds most prestigious orchestras playing these iconic scores is truly amazing. I was lucky enough to see Anamanaguchi perform at Heaven, London, way back in 2014 and their chiptune inspired music and seminal Scott Pilgrim soundtrack brought videogame music to the mainstream as there was a cross-pollination of pop and chip tunes. Meanwhile, Austin Wintory's BAFTA winning score for Journey brought videogame music to the classical music aficionados, a venn diagram that doesn't often overlap. Ever since then, we have been living in a bit of a golden age of video game music with Sound of Gaming, High Score and Game Play offering radio airtime and podcasts for the formally niche genre on major radio stations like Classic FM, BBC Radio and the BBC Sounds app.

What was a cottage industry of VGM vinyl companies is now a thriving business with many companies including Black Screen Records, Data Discs and Mondo being a few amongst many. I personally buy the soundtracks to games I've played and loved or have fond memories of, thus my abundance of Sega Megadrive game soundtracks. Like my curated videogame collection, I only buy what I really want. I'm not a completist but just get what resonates and matters to me. What's wonderful is discovering arranged soundtracks where the composers are given another chance to rework their class scores with full orchestras or instruments that were unavailable due to technical limitations. It's great to see what the original composers and fans of these pieces come up with. The Grammy's seem to realise that this is a thriving scene that is here to stay and have created a new category for videogame soundtracks in 2023, whilst Kirby Super Star by the 8-bit Big Band won the Grammy this year. The statement of intent is clear; videogame soundtracks are here to stay. Add the fact that the Proms held their first ever VGM night and we can see there has been a change in attitude to VGM, no longer classified as bleeps and bloops.

I've bought a few videogame CD soundtracks in my time including Shadow of the Colossus and Ico but in England the availability of these was difficult. However, over the years, there has been a boom in video game soundtracks being sold, especially on vinyl. There is pleasure in having something so digital and ephemeral as VGM presented in vinyl, an old analogue format and I guess many people want something physical to show their fandom.

There are a couple of white whale soundtracks that I'd love to own including the Sayonara Wild Hearts and Ecco the Dolphin Sega CD soundtrack. Both ARE phenomenal yet prohibitively expensive and, whilst I played and completed Sayonara, I discovered the Ecco soundtrack whilst listening to a game music podcast.

Whilst the cost of living crisis and other adulting costs keep my hobby in check, I do pick up a vinyl here or there and have amassed quite a good collection (currently 18). My most recent buys have been the soundtracks to Sable, Astro’s Playroom and Nier Automata. I’ve loved wrapping myself in a blanket and reading a book whilst listening to this genre of music as it takes me back to simpler times. Waves of nostalgia wash over me but, importantly, the music is just amazing!

LINK- Ico and SOTC: Reflections of a Gaming Life

LINK: Japan: My Journey to the East

LINK- The Future Starts Here: An Optimistic Guide to What Comes Next- Book Review

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

LINK- Nintendo: My One True Gaming Constant

LINK: Let’s All Create a ‘New Normal’.

LINK- Battle Angel Alita: And So It Ends

LINK- Ulysses 31 Retro Soundtrack Review

LINK- The Mysterious Cities of Gold Retro Soundtrack Review

LINK- Akira Soundtrack Vinyl Review

Spare (Prince Harry Autobiography)- Book Review

There's been a lot written about Prince Harry's autobiography over the past few months, some of it good but a lot of it bad. Accused of bragging about his kill record in Afghanistan, oversharing about his Elizabeth Arden face-creamed appendage and whatnot. I think I said in a post I wrote a couple of months ago that I'd been reading lots about 'celebrities' and well known personalities to get to know people better so I thought I'd dive in to this one and what comes across is someone who seems to have gone through a lot of talk therapy and is opening up about his journey. These are the key points I gleaned from the book:

He was obviously devastated when he heard that his mum had died in a car crash but he believed that she had faked it to get a bit of peace quiet away from the constant media coverage. He expected her to return, even after 4 years.

He wasn't very academically able as he was dealing with his mental health issues brought about from his mum's death and the whole Royal thing of not showing emotions.

William ignored him in school, like most older brothers would their siblings, but he didn't take it well.

He enjoyed physical sports like rugby as this was his outlet.

Even when the media tried to make him seem like an angry, thick rebel, he was actually trying to be a regular guy who was mourning his mum.

For his gap years he went to work on a farm in Australia and Lesotho, an AIDs hit country in Southern Africa to build schools, homes etc.

He was driven through the tunnel in Paris where his mum had died and said the thing was short and unremarkable. He believes that the paps may have contributed to his mother's death by blinding the driver... but it's all guesswork.

His spirit animal is a red fox as he saw one late at night and many years later, once it was reported in the media where Harry was serving his tour in the Helmand province, it was the codename the Taliban gave him as they sought to assassinate him.

He talks about unconscious bias as he called one of his compatriots of South Asian descent a 'Paki'. He owns his error as says he had heard it a lot and didn't know it was a racial slur, likening it to 'Aussie'. He realised his mistake and apologised to the individual who took it in good grace. His Nazi costume gaff was a poor choice and he has regretted it ever since.

He had a frost-nipped penis (which was circumcised at birth, apparently for class rather than religious reasons) from his walk in the Arctic Circle. To help it heal, he put Elizabeth Arden face cream, the scent of which reminded him of his mum.

He thought of the Invictus Games after seeing how sports helped to focus and ease the pain of wounded soldiers in America but he wanted a bigger event to raise the profile.

To help his mental health he took up psychedelic drugs like ayahuasca and magic mushrooms but also meditation.

He really likes Botswana and it is his happy place.

William was jealous that Harry was allowed to keep his beard for the wedding and was allowed to wear his preferred military uniform.

William and Kate and Charles and Camilla seemed to be vying for the limelight, but whereas they will put up with fake news and libelous claims, Harry would not tolerate that and broke royal protocol to protect Megan. As a result, he upset the palace and the media.

Charles and Camilla needed to keep their 'brand' at the front so when the row about the bridesmaid dresses and Kate making Megan cry was told to them, someone from their comms team informed the media ensuring a feeding frenzy around the young couples. This led to a worsening of relations between the House of Cambridge and Sussex.

The security detail was completely removed for Harry and his family, this meant that he and his family would not get any security at all even though they were at a high a risk as the Queen was from attack. The security cost around £6 million a year.

Charles cut off Harry's funding, leaving him as a man in his 30s with very few marketable skills and heavily infantalised. Considering Charles' Duchy of Cornwall earned millions, Harry felt this was a huge insult.

He decided to do the Oprah interview as he didn't want to do things on the sly. He asserts his father and Camilla had spoken to the authors to create their curated biographies whilst denying being participants, but Harry wanted to be upfront and chose an interview who he considered beyond reproach.

So these are the main points I got from the autobiography. I've read a lot biographies and autobiographies over the past 12 months, and I mean a lot! Yes, these were often of celebrities who wanted to show their best self and were not your typical lay person but it has been interesting to see how candid they were and actually critical of their own actions or inactions. I read the autobiographies of Oliver Stone, Cassandra Peterson (Elvira), Tegan and Sara, Mel B, Louis Theroux, Reggie Fils-Aime, Simon Reeve, and Seth Rogan as well as the biographies of Peter Falk (Columbo), William Blake and Robin Williams. As well as this I listened to a lot of audiobooks on people including the excellent Dermot O’Leary podcast People, Just People and the perennial favourite Desert Island Discs. I learned a lot from these and, even though many of these people lived vastly different lives to mine, I found many shared the same worries, concerns and dreams as I and, I assume, many other people have.

With autobiographies, the danger is that what you get is a highly polished and lacquered version of the truth; the rough edges sanded out leaving a gleaming yet lifeless end product. What we have here is different though, it is painfully honest but, as with all autobiographies, version of events from a singular viewpoint. This is my truth isn't the same thing as this IS the truth; it can't be as there are so many perspectives and viewpoints to consider that that wouldn't be possible. A life lived isn't empirical but messy and nuanced and so what we have is Harry's version of events. Whether things occurred as he portrays them, I can't know, but the points he raises against the media and their portrayal of Megan I have seen. I've seen the playing off of Megan vs. Kate, the rancid tabloid articles about avocados, Megan's staff leaving etc. It does reek of snobbery and racism and I agree with him on that. As for the rest, I don't know and to be honest it's not my concern. I wish them well and hope that they find the peace and happiness they seek, preferably away from the media spotlight.

LINK- William Blake vs the World- Book Review

LINK- The KLF: Chaos, Magic and the Band who Burned a Million Pounds- Book Review

LINK- The Future Starts Here: An Optimistic Guide to What Comes Next- Book Review

LINK- Utopia for Realists- Book Review

LINK- Natives: Race and Class in the Ruin of Empire- Book Review

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

The Excavation of Hob's Barrow- Videogames As Art

I recently completed The Excavation of Hob's Barrow, a folk horror point and click adventure game. The story follows you as Thomasina, a barrow digger, who carries out an excavation in Bewlay, a quintessential British folk horror village set in the moors, where the English locals don't like outsiders. As she excavates, Thomasina discovers the eldritch horror that lurk beneath the village that rendered her father, who had excavated the same site 25 years earlier, catatonic.

The sense of creeping dread is wonderful as you know Thomasina is not okay as she recalls her story in flashback, but can you save her? I won't spoil it but this is one of finest games I've played in many a year purely based on the story, however the pixel art, sound design and voice acting are also excellent.

Check out screenshots from my playthrough, below.

Gravity Falls Soundtrack- Vinyl Review

Gravity Falls was a phenomenal animated series. Over 39 episodes, i grew to love a town that felt like it was just a stones throw from Twin Peaks and a hop skip and a jump from the island in Lost. In this land oddities including rainbow vomiting gnomes, mermen and ghosts roamed free. With a narrative similar to The X-Files in structure in that there is an overarching story, as well as Kolchak’s 'monster of the week' episodes, the many questions and mysteries came to a stunning and satisfying conclusion.

There are very few series that are as well conceived, written and executed as Gravity Falls was. When an animated series leaves you thinking about parallel dimensions, alternate universes and man's place in the cosmos then you know there's something special. Beyond all that, the soundtrack for the series was phenomenal. I loved the music as it added so much to the series so when the vinyl soundtrack came up I bought it on pre-order. I had to wait a while to get it, due to Covid slowdown, but when it arrived I was ecstatic.

The package is handsomely homed in Ghostshrimp's superflat art style which houses red vinyls. It also has hidden cyphers which adds to the prestige of the whole piece.

So what of the tracks themselves? Well, there's a lot over 2 LPs. The track list is:

A Side
Gravity Falls Main Title Theme
Let's Rewind
Gobblewonker Chase
Pig Is Soos
Book Discovery - Gideon's Theme
Wax Battle
Boyz Crazy Medley
Let's Do This
Is It Bottomless - Triangulum Entagulum
ybmaL A stnaW ohW
Fight Fighters - Battle Suite
Blanchin

B Side
Finally I Have Them All
Gideon's Song
It's All Let Up To This
Working Girls
Gnome Chase
Gideon Rises - End Credits
Who's That Girl
Fiddleford Hadron Magucket
Stan Wrong Song
A Very Tricky Triangle

C Side
A World of Enchantment or Whatever - I Came Up With A Plan
The Two Kids Who Ruined My Life
Everything Changes Today
TIME BATTLE!!!
Blackened Skies
Don't Let Them Escape
I Wanna Be Exes
I Need That Machine To Stay On
Yeah Dude Friends - Your Fighting Only Makes Us Look More Rad
Takin' Over 2 Nite

D Side
Mabel It's Bill
Goat and a Pig
Weirdmageddon Pt. 1 - Suite
Giggle Creek
Bill Tricked Me
My Heart Is Made of Rainbows
I'm a Flippin' Corduroy
Saying Goodbye to Gravity Falls
Weirdmageddon Pt. 4 - End Credits
Grvatiy lFals ehTme (s'lliB deppohC dna dewercS ximeR)
We'll Meet Again

I've listened to the album a few times and have some thoughts on some of the tracks:
Intro- A wonderfully start to the album and with a spoopy sound mixed with a poppy vibe.

Let's do this (score)- Wonky electro cheese that sounds like wonderful chiptuney games music. It's just over half a minute but it's great!

Is It Bottomless - Triangulum Entangulum- This captures the essence of the show, starting off quite layed back with gentle strumming then gets all shimmery horror-like. It then gets into John Carpenter/ Stranger Things heavy driving synth with a discordant wailing sound. Very unsettling in the best possible sense.

Fight Fighters - Battle Score- This is like a loving mega mix to fighting game music of old starting with an 8-bit chip tune to Street Fighter-ish 16bit music, then boombastic Mortal Kombat music (the one where toy feel the need to shout out the name of the game really loudly) then to full on Yuzo Koshiro Streets of Rage love-in. It's epic in every sense of the word!

Blanchin'- One of the standout tracks from the series. It's so memorable for its happy rap styling.

Finally I Have Them All- a dramatic Hans Zimmer-esque score where the driving rhythm carries the melody forward to a crescendo.

It's All Led Up To This- A dramatic theme with a chugging strings sound that is dramatic and powerful. Beautiful.

Fiddleford Hadron McGucket- This is a beautiful twinkly track full of yearning and sadness. A light arpeggio plays over a wending synth sound, adding a winsome nostalgia to the piece.

Don't Let Them Escape- This tune slaps HARD! It sounds like an 80s hair-metal track in places as it is frenetic and chaotic.

Yeah Dude Friends - This is a cheerful whimsical piece that is only 30 seconds or so long but is emotive.

Takin' Over 2 Nite- A great ensemble song from the three main characters and full of joy.

Weirdmageddon Part 1 (suite)- This is a trippy prog-rock track which consists of about 4 pieces which move from spooky to energetic to cautious. Its a great track.

Saying Goodbye to Gravity Falls- This is a beautifully written piano piece which is full of sadness and feels full of memories.

The album is gorgeous and was well worth the wait. Obviously, it isn't the compete soundtrack of the entire series but what is here is gold. I love how they created 'suites' to connect themed tracks together. I do miss the absence of Disco Girl as that was one of my favourite tracks from the series but I'm not going to be too upset as this album is a magnificent gift that I don't think anyone was really expecting after so many years of the series ending.

Horizon Zero Dawn: Forbidden West- Videogames As Art

When Horizon Zero Dawn came out 6 years ago, I enjoyed the stunningly realised open-world and the robot dinosaur antagonists. The story was intriguing and I found the moment to moment gameplay enthralling. However, unfortunately for the game, it coincided with the release of Zelda: Breath of the Wild, which took the wind out of its sails - pun intended. The constant chuntering of Aloy alongside her martyr complex made her a frustrating character to warm to, especially when she built up friendships after years of being shunned yet discarded these connections to go on her solo missions.

Luckily, this time the developers have given Aloy's colleagues time to shine and the cadre of friends really helps the game. It's warming to see Aloy grow as a character and the story develops well as a result. Also, Aloy is now able to hack and fly robot pterodactyl equivalents- and that’s always going to be amazing!
Unluckily, Forbidden West coincided with the biggest game release of last year, the juggernaut that was Elden Ring. I've only just got around to completing Forbidden West after Elden Ring and God of War: Ragnarok and was suffering open-world fatigue, but thankfully at around 30 hours, the game doesn’t overstay its welcome.

I enjoyed my time and will eagerly pick up the set-up third game but hope, for the sake of the developers, that it doesn't get overshadowed again as it is a gorgeous game that is well worth your time.

Here are some screenshots from my playthrough:

Kolchak: The Night Stalker- Cult TV Review

I bought the Kolchak: The Night Stalker DVD collection a few years ago, but it had been sat in my pile of shame collecting dust. Earlier this month, I decided to finally bite the bullet and watch it during my annual January videogame detox.

I didn't know anything about the series but had heard it mentioned often when The X Files was at its peak. Apparently, Kolchak was an inspiration for Chris Carter when writing the adventures of Mulder and Scully, so if it was good enough for him it was good enough for me.

The 20 episode TV series followed Carl Kolchak (excellently played by Darren McGavin) investigating supernatural phenomena in his home city of Chicago. Each week he would have an investigation, facing off against mummies, vampires, werewolves and the like, whilst his likeable but ball-busting editor Tony Vincenzo (played by Simon Oakland) would be on his back about some more mundane mainstream story.

Typically, at the beginning of each tale we'd see Kolchak at his typewriter wistfully retelling the adventure he'd just had. Then, we'd go through the whole story as Kolchak slowly pieced together the puzzle to find out who the 'monster of the week' was. It's an effective story-telling device that offers a snapshot of a bygone age with its fashion, technology and concerns about the future. There are a few issues here and there with stereotyping, especially of the exotic 'other' like Hindus, Native Americans and Haitians, but it's not as problematic as many shows from that period, in fact the show stands up pretty well as Kolchak tried to understand these differences. It's not always subtle but I've definitely seen a lot worse from this era.

Kolchak: The Night Stalker

I watched all the episodes and my favourite 3 episodes were:

The Ripper- A serial killer in Chicago, who preys on women, has the same MO as Jack the Ripper, but it couldn't be him... it's been almost a hundred years, right?

Bad Medicine- When a man dressed as a Native American sorceror kills older ladies of distinction for their gems, Kolchak is on the case to see that the crime spree stops. Richard Kiel appears in an early career role and is suitably brooding as an 8ft transmitting giant who morphs into animals. Even though it is quite insensitive now, it is a great episode with lots of tension and mystery.

The Knightly Murders- When a museum showcasing medieval armour is under threat of being turned into a nightclub, the reanimated black armour of a cursed knight murders some of the Chicago folk involved in the museums closure. A crossbow, mace and lance are the murder weapons of choice but can Kolchak get to the bottom of it?

The show is highly entertaining and extremely watchable, even now. There is a gentle humour that goes with Kolchak being thrown out of places he shouldn't be and people not believing his wild sounding stories. McGavin has the confidence and charming personality to befriend some people whilst getting under the skin of others, much like Columbo. His dogged pursuit for the truth is endearing as he portrays Kolchak with warmth and good humour, rather than just a newshungry reporter.

LINK- Children of the Stones: Cult TV Series Review

LINK- Dead of Night: Cult TV Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review

LINK- How to be Perfect: The Correct Answer to Every Moral Question by Mike Schur- Book Review

LINK- The Good Place and Philosophy- Book Review

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

LINK- ‘Natives: Race and Class in the Ruins of Empire’ LINK: Elden Ring- Videogames As Art

Return to Oz- Cult Film Review

I've have fond yet horrific memories of Return to Oz, which I watched in my early teen years. Like many films from the 80s (such as The NeverEnding Story, The Dark Crystal, The Secret of NIMH and Labyrinth) the film didn't patronise the youthful target audience; the film was a darker, more macabre children's film than had often been portrayed on the screen.

The story is quite interesting as we see Dorothy six months after the tornado took her house to Oz. Her aunt and uncle don’t believe her when she recalls her adventures and so seek advice from a clinic. After nearly undergoing electric-shock therapy, Dorothy escapes with a mysterious girl in the middle of a stormy night and finds herself back in a much-changed Oz; the yellow brick road and the Emerald City are in ruins and the land is under the control of the Nome King. With her new friends, Tiktok, Jack Pumpkinhead and The Gump, she sets off to rescue the scarecrow, the tin man and the lion. Along the way she faces the Wheelers (a rolling band of Mad Max-style costumed henchmen) and the horrifying Princess Mombi, who collects and wears the heads of the maidens of the land.

Back when this was released in 1985, I'm guessing people were clutching their pearls as they were used to the happy, singalong, technicolor Wizard of Oz movie which had turned into a bona-fide classic. I think in this day and age, where children are used to films such as Coraline, Monster House and Frankenweenie, something like Return to Oz would find a much more appreciative audience. The fact that this film was from the House of Mouse must have been additionally surprising, but people often forget that before the Disneyfication of fairy stories, the original source material was often much darker. Just think about the core themes behind Cinderella, Snow White, Beauty and the Beast and Sleeping Beauty; they are all horrific tales which support the status quo and the subservient role of women. Something like Return to Oz, where Dorothy fights against the patriarchy, must have been shocking in the macho 80s but Frank L. Baum’s stories are creepy as heck and, remembering them from my youth, quite trippy in places.

Adults nowadays know that children can handle being a little scared and aren't as fragile as they seem, in fact, many like being a little frightened and boy does this film have these moments:
- Dorothy being tied down to a gurney to receive electric shock therapy,
- The creepy wheelers with their 80s Mad Max style fashion, just with less leather,
- Princess Mombi chasing Dorothy whilst all her heads come alive,
- The Nome King appearing from out of the cliff face.

As well as these practical special effects, which give the film the same timeless quality as Jim Henson's The Storyteller or The Green Knight, and you have a film that really has stood the test of time extremely well.
Whatever the reason the film flopped, I don't care- I love it and think it deserves a reappraisal.

The Wolves of Willoughby Chase- Cult Film Review

I knew of the works of author Joan Aitkin initially through her books with illustrator Jan Piekowski, such as A Necklace of Raindrops. The Lotte Reiniger-style silhouette artwork is indelibly imprinted in my mind as my local library had a small recessed reading area with these art pieces displayed on large boards all around. It created a magical space that I loved and has remained with me over these 35 or so years.

I'd also known of Wolves of Willoughby Chase as I had seen it in my youth, probably on a wet Sunday afternoon as it does feel like a cozy family matinee movie. On a nostalgia kick, but also on a family film option scout, I thought I'd revisit the film to see if it would be a good one to show my own children.

The film is dark fantasy, kind of... As it is very much Victoria/ Edwardian England with workhouse, orphanages and stagecoaches but through the lens of an alternate timeline with King James III ruling.

On the Willoughby estate, the Lord and Lady of the Manor decide to travel for a while. In their stead they leave their daughter Bonnie and her cousin Sylvia with a new governess, Ms. Slighcarp. However, once the parents leave Ms. Slighcarp starts to show her dark side by being a cruel woman with a penchant for forgery. She plans to sink the ship the Lord and Lady are travelling on and gain access to the Willoughby fortune. What follows are escapades through the gothic secret tunnels of the daily home and adventures in a Victorian laundry workhouse.

The whole thing has a whiff of a made-for-TV movie but that's not a knock on it as it is effectively produced and is dramatic. Stephanie Beacham is beautiful yet imperiously cruel and scary in this film. She escalates things near the finale and the sight of her in the steam punk styles ice sledge is great. It's suitably daft yet dramatic, adding much needed drama to a quite melodramatic film. The two children in the main roles (Aleks Darowska and Emily Hudson) are pretty solid all-in-all but won't win any prizes for their acting in this role, however the other adults are quite broad too.

The film is cheesy yet sweet and, whilst there is no real peril for our heroines, a young lad does get squished in the laundry rollers. It doesn't reach the heights of later gothic Victorian set kids films like The Secret Garden or A Little Princess, which were in the early to mid 90s, but for an early 80s film, The Wolves of Willoughby Chase is quite effective.