In Japan, manga has been a part of the culture for a long time. The origins of manga are debated and The Handscroll of Frolicking Animals by Kitazawa Rakuten is considered a major influence, but generally it gained prominence in the post World War 2 era where artists such as Osamu Tezuka brought some levity and lightness to proceedings with Mighty Atom or Astro Boy as he's known in the West. Tezuka was to manga what Will Eisner was to American comics; the medium existed before their arrival but they brought it to the fore and forever changed it.
As a young boy growing up in east London, England, I didn't know anything about manga or anime but I was consuming it unknowingly through shows such as The Mysterious Cities of Gold and Ulysses 31. One Saturday I went into my local WHSmith’s and saw issue 22 of a magazine called Manga Mania and was taken by the big eyes, spiky hair style and tiny mouth and nose of the cover star that reminded me so much of the animation style I liked. When I picked it up, from the top shelf next to the more salacious magazines, I felt a bit of a rebel but upon opening it the kinetic imagery and artistry blew me away. Flicking through it I saw a mention of The Mysterious Cities of Gold in the letter pages and knew I had found something special.
My uncle who was only slightly older than me, saw that I had an interest in manga and gave me Devilman and Akira to borrow on VHS- not bad for a 13 year old kid enthralled by this new genre. At the time Akira blew my mind, I didn't understand it then and don't even pretend to now but I knew that I was watching something special
My interest in manga peaked at the same time of the Marvel and DC comic boom in the early to mid 90's and I soon forged a group of friends who became Japanophiles and comic buddies, recording and swapping recordings off the Sci-fi Channel and Channel 4 late on Saturday nights. However, getting some cool or fresh manga was difficult as it was still pretty cult. I’d buy some items from my local comic store, Rodney’s Books and Comics but this was quite limited.
Later on, when I got my part time job at Peacock’s in Ilford, I had disposable income and so could afford to buy stuff from Forbidden Planet. It was amazing but came at a premium price. Here are a few of the soundtracks I still have which are in my collection.
Later on, with the advent of the internet, getting stuff became easier as I could always get things on ebay, usually bootleg copies of stuff that hadn't made its way West yet. I'd buy a series, usually for about £15 to £20 and consume it over the coming weeks. I found that the guy I was buying from lived just in the next town so I'd get on the bus, pop over to his house and buy a few series at a time. This was how I watched Haibane Renmei, Cowboy Bebop, Serial Experiment Lain, Vampire Princess Miyu TV series, 3x3 Eyes, The Big O, Giant Robo and many, many others.
With the onset of Bear Share, Limewire and Pirate Bay and other file sharing platforms I just bought a hard drive and got loads of stuff that way but the DVDs were the best for me as they felt real and looked impressive rather than ephemeral and disposable.
I still have a lot of these bootleg series in the loft, alongside my real copies of stuff I bought, but these were halcyon days of anime and manga and I miss the camaraderie of a tight group sharing and discussing cult stuff. Manga was one of my first true loves and one that has survived to this day, at least to some lesser extent. Manga is in my lifeblood and even though it doesn't feature as prominently in my daily life as it once did for me, it was formative in my youth and for that I am still grateful.
LINK: Japan: My Journey to the East
LINK: Manga Exhibition at the British Museum
LINK- The Transportive Nature of Objects (And the Power of Mini Consoles)
LINK- My One True Gaming Constant in Life- Nintendo
LINK- Ulysses 31 Retro Soundtrack Review