Day of the Triffids- Cult TV Series Review

The Day of the Triffids is a renown classic of sci-fi literature. I was aware of the book due to my father having read it back in the 70s when he was in school but didn't know much else. All I knew was it featured walking plants that could kill people. It didn't sound particularly appealing when I heard about it but as I got older I realised that I recognised the author, John Wyndham. He had written The Midwich Cuckoo' (which the Village of the Damned series of movies is based on) and The Chrysalis, which I had read.

It was whilst I was browsing my local CEx (Computer Exchange) in Tonbridge a couple of years ago that I came across the DVD of the 1981 BBC serial production. I have a penchant for cult TV series as you may know (check the other cult series I have reviewed in the links below if you want a quick catchup) so I  bought it  and it joined my 'pile of shame' where it sat until the pandemic and lack of WiFi gave me cause to finally visit the DVD. There were no excuses now not to view this series and I'm glad I did.

The story revolves around the eponymous plants, which are farmed for its use in the production of oil. The plants escape from a farm and kills people after a meteor shower renders most of the world blind. Society quickly crumbles as only a few people are left with their sight and it is in this scenario that our lead, Bill Masen, a Triffid Farmer/ biologist who was injured and had his eyes bandaged and so kept his sight, seeks to survive in this apocalyptic and dystopia world. The beginning is very 28 Days Later as Bill walks around the silent hospital and then the quiet streets of his city.

Now the premise is pretty standard sci-fi fare; something dreadful escapes the lab and changes the world into a preppers wet dream, but what makes this story interesting is the focus on the human angle. There is no deus ex machina that fixes the world and the protagonist gets beaten up trying to stop gangs from raping, pillaging and hunting the blind. It is quite unflinching in its portrayal of the downfall of society.

The actors are all relative unknowns, at least to me, however my wife was convinced that one of the small roles was played by a guy from Howard's Way, but they act with such earnestness and conviction that it doesn't matter. You empathise and feel for them as they are being hunted down by walking rhubarb. The special effects could have been silly or ridiculous but the fact that we rarely see the Triffids, and when we do the cinematography presents them at an interesting angle, means the production has aged well and can be appreciated as a period piece. The introduction credits are spooky sounding and quite eerie until a lady gets hit on the face with a quite-obvious foam stinger (see the video below at 37 seconds).

Having watched quite a few of these cult TV serials what I find holds up the most are the shows with an economy of design; it is the silences and the moments of tension that bring classic BBC productions much acclaim. Much like 'The Stone Tapes' and 'Children of the Stones', this series does not have much in the way of music but the uncomfortable silence lends the proceeding an air of ever present dread.

At 6 episodes, Day of the Triffids clocks in at just over 2 1/2 hours but it is time well spent. The series is a time capsule to show the fashion, hairstyles and Cold War fears of the 80s but, more importantly, it is a good example of what can be done when you create a human story within a sci-fi setting that is not demanding on production or special effects. This is a masterclass in the story being king.

LINK- Dead of Night: Cult TV Review

LINK- Children of the Stones: Cult TV Series Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review

The Stone Tapes- Cult TV Review

Nigel Kneale is one of the great British writers, gaining prominence with his Quatermass trilogy and other sci-Fi/ supernatural works in T.V. drama. Over his 50 year career in writing, Kneale wrote many pieces that are high televisual watermarks. One of these is The Stone Tapes, a legendary work he wrote which is fondly spoken of so I thought I'd give it a looksie.

Originally shown in 1972 on Christmas Day, this ghost story had just the right mix of the supernatural and science fiction to make a lasting impression. Looking online many people fondly recalled watching the series on their black and white TV's (even though the show itself was shot is colour) and the sleepless nights and nightmares that followed.

The basic plot element identifies that the fabric of a building, the stones, can absorb or record events of the past and re-play them when triggered by another event . In this case, some re-building work taking place in a gothic mansion awaken a malevolent spirit. I don't want to spoil it but the payoff is great and will haunt your dreams.


The whole thing is and looks like it was all shot in a studio, similar in style to Doctor Who, but it works well and stands the test of time after nearly 40 years- a sign of great writing. The cast itself is solid but can be a little shouty at times. Jane Asher plays her role well as a scientist who is experiencing the supernatural phenomenon and slowly losing her mind. Iain Cuthbertson is a dependable actor, performing his role as a friend to Asher well and Michael Bryant excels in his love rat role as Peter, even though he does go bug-eyed and over-dramatic a few times.

The horror of the film does not come in the form of blood and gore but from cranking up tension- something that British television did extremely well in these productions, due to the lack of finances and economy of design- sometimes what you don't see is far more scary than what you do.

After watching the film I was impressed with its contemplation of an uncanny alien presence in the midst of our human world, a very Lovecraftian theme. Don't be put off by the 70's period detail and old-tech computers-this is a thoroughly modern story about the search for a perfect technological archive and could just as easily be about digital media or the web.

The whole production is greatly enhanced by the wonderful Radiophonic Workshop tracks that make the genuinely shocking conclusion all the more powerful. After meditating on the film I can see why this series is so fondly remembered, back at a time when the mass British population weren't desensitised to violence and horror a work like this would have shaken people to the core and after 40 years it still has the power to chill. Thoroughly recommended!

LINK- Dead of Night: Cult TV Review

LINK- Children of the Stones: Cult TV Series Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review

My affection for Cult Films and TV Series

I have been a film aficionado for a long time. My father brought me up on classics like David Lean's adaptations of Oliver Twist and Great Expectations as well as the various black and white classic comedies of Charlie Chaplin and Laurel and Hardy. However I became interested in cult TV series and films whilst attending University. Our campus was media-centered and as a result it had a huge catalogue of videos to rent, free of charge. I ploughed through many often taking the maximum 8 out at a time and consumed them voraciously. As a result I believe that I am quite literate in films and TV but the series that really attracts me are the more offbeat curios.

I've explained my love for old creepy films here before and now on this website I will be sharing my love by writing reviews . There are hundred of reviews about Metropolis, Nosferatu, The Cabinet of Dr Caligari and other stone-cold classics so I don't think I could add anything new to the conversation but lesser remembered works like Quatermass, Children of the Stones, The Stone Tapes, Moondial and Threads; now those are something I feel I could add to the conversation so occasionally I may post a review or article about these films and series... Come join me and maybe find some works which may interest you.