Tales of Unease - Cult TV Series Review

Tales of Unease is a British anthology series that aired in the 70s. Even though I had never seen it before, I had heard of it whilst researching other cult TV shows to watch. So, finding myself at a loose end one evening I thought I'd give a looksie.

The 6 part series features a collection of eerie and unsettling stories, adapted from horror anthologies. However, what sets Tales of Unease apart from other horror anthologies of the time is its focus on creating a subtle and uncanny atmosphere, rather than relying on shock value or gore. The series weaves tales of menace and black humour, often leaving the viewer with a lingering sense of, well, unease.

Episode 1 - Ride, Ride - At the School of Art dance, an awkward student named Art (Yes, really. "it's short for Arthur," he says as his chat-up line to an unimpressed mysterious young lady (Susan George). She asks him to take her home and, thinking she's a bit too keen and clingy, Art grudgingly relents. He drives her miles away on his motorbike to the Downs towards an old house but she vanishes before he gets there.

This story stars the wonderful Susan George as a bit of an enigma and the tale itself is a pretty basic time loop/ premonition story but it's okay.

Episode 2: Calculated Nightmare - When redundancies are being planned through the use of computers and poorly programmed algorithms by a pair of unscrupulous suits, a man with loyal service to the company takes exception and locks them up within the building at night until they start again. As the heating system kicks in and the men refuse to budge it becomes a game of chicken.

This is a prescient episode as it recognised that automation would lead to a loss of jobs and the corporate world and toadies would be merciless when removing people from their jobs with no regard for the consequences.

Episode 3: The Black Goddess - In the Rhondda Valley in the 30s, 4 miners are stuck after a mineshaft collapse. With air running out and escape unlikely they slowly contemplate their fate. When one of the miners starts to slowly lose his grip on reality (or does he?) it affects everyone.

This was quite a good episode as the mineshaft is a suitably creepy setting for a scary story. It's a slow build as it reaches a crescendo, looking at the old Gods and Goddesses and the blight of Christianity.

Episode 4: It's Too Late Now - When a neglected housewife takes revenge on her abusive writer husband by locking him in his study. She lives her best life for a few days but cannot forgive the fact that they didn't have children or do the things she wanted to do. She struggles with the consequences of her actions but, over time, starts to enjoy her newfound freedom.

This is a good episode looking at the mental health and the resultant consequences of the long time abuse of a woman from her husband. The main actress, Rachel Kempson, is great in the role as a put upon wife and does a pretty much solo performance.

Episode 5: Superstitious Ignorance - A young couple are looking to get on the property ladder and look around an old Edwardian house full of a superstitious woman and her children. Whilst being shown around by the estate agent the woman insists that there are spirits but the man thinks it's a way to put them off buying. But there is a strange smell lingering in the air...

This episode looks at gentrification and the superstitions that pervaded amongst some communities at the time. It's unsettling when the family start doing their Latin prayers but the ending is a bit meh.

Episode 6: Bad Bad Jo Jo - An arrogance and self-centred writer has an interview with a journalist from a fan magazine but it doesn't go as planned. His comic creations come to life and exact revenge.

This episode is pretty camp and overacted in the best possible way but it does build towards a surprising and unsettling ending. The poor dog, who thinks it's real, is overwrought and stressed and this put me off as I felt sorry for the poor fella but Roy Dotrice as the writer is brilliant at delivering his ascerbic put-downs at a machine gun speed.

Episode 7: The Old Banger - When a young couple move into their new home, they dump their old car on the other side of London. However, over the course of sebrsl days it seems to be returning to them...but how?

This is a fun and humorous episode with snappy dialogue between the husband and wife but the ending is downbeat.

Overall, I had a pretty good time watching the series. Some episodes are more effective than others, as is always the case with anthologies, but the series is generally well-written and features strong performances from the whole cast.

For me, the standout episodes were The Black Goddess, which was a great claustrophobic tale about the miners trapped underground, and The Old Banger, the witty story about a car that refuses to be destroyed.

However, in my opinion, the series lacks a consistent identity, lacking the twist endings of Tales of the Unexpected, the taught costumed drama of Dead of Night or the austerity of Ghost Stories for Christmas. As a result, some episodes can feel underwhelming but it is worth a watch to get a variety of stories and get a portal into the past.

LINK- Dead of Night: Cult TV Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review


Vampire Circus- Cult Film Review

My love for old horror films started in my formative teen years. The BBC would show cult horror films late on Friday and Saturday nights in the early to mid-90s and, when we got Sky, late 90s/ early 2000s Bravo Channel. Some were the more salacious films of 60s and 70s European cinema, often in the horror genre but not always-  some were experimental pieces which had a deeply ethereal feel and long moments of quiet where the gorgeous scenery and silence would wash over you. It was here I first saw Circus of Horrors, Vampiros Lesbos, The Witchfinder General and many, many more.

Whilst flicking through the ITVX app, I saw the image for Vampire Circus. I vaguely remembered the film so decided to revisit it for the first time in 30 or so years.

Vampire Circus was produced in 1971 which was the start of the period of decline for Hammer. Hammer had risen to prominence in the two decades before with its gothic top tier b-movie films which were rich in detail and storytelling. However, by the 70s the audience’s tastes were changing and the drop in production quality led to a glut of poorer Hammer movies that seemed to be poorer imitations of what had come before. Luckily, Vampire Circus is not one of these films as it still stands as a great film- maybe one of the last great Hammer films before its decline. Taking inspiration from post-modern European films, it is an erotic dreamlike venture with lashings of gore thrown in for good measure.

The film is about a small town in a forest which is beholden to the evil Count Mitterhaus (played in bohemian Byronesque fashion by Robert Tayman). He feasts on the blood of children and preys on the beautiful women within this community. When the people rise up and kill him he curses them, saying that they and their children, and their children’s children etc will die. Cue the title card and the beginnings of an intriguing story.

We fast forward 15 years and see that the village is in decline as the neighbouring villages know about the curse and do not want the isolated village to spread the curse further. However, a travelling circus troupe, The Circus of Night, visits the village and performs for the people whilst secretly exacting revenge by killing the children of the families and dripping their blood onto the corpse of their cousin Count Mittterhaus. Will the village discover what is happening or will all the children of the village die and the Count resurrect?

I throughly enjoyed the film. Even though any film with child death is challenging to watch the overall plot of the story and the sheer sense of place in this Germanic town is well realised. Sure, there are bare bodies aplenty and lots of gore but the story at its heart of a class battle between the aristocratic class against the poorer and middle classes is still a relevant one even today. This film is not for the faint of heart but is well worth your time.

LINK: Kolchak: The Night Stalker- Cult TV Series Review

LINK- Dead of Night: Cult TV Review

LINK- The Stone Tapes: Cult TV Review

LINK- Twin Peaks Retrospective

LINK- On, and On and Colston (Or, ‘How We Learned to Talk About the Legacy of Colonialism in GB’)

LINK- ‘Natives: Race and Class in the Ruins of Empire’

Murrain- Cult TV Review

It's no secret that I’m a big fan of Nigel Kneale, writer of such works as ‘Quatermass’, ‘The Stone Tapes’ and ‘Beasts’ (a series I am currently watching). I've been working my way through his works over the past several years and it was whilst falling down the YouTube rabbit hole I discovered an hour long short film called ‘Murrain’, which he wrote for ITV when he had a falling out with the BBC over something (what, I don’t know).

It’s a lesser known Kneale work and formed part of the 'Against the Crowd' series which were short anthology collections that were all the rage in the 70 and early 80s after the success of the ‘Play For the Day’ and ‘Armchair Theatre’ series. The anthology is not well regarded as it was pretty lacklustre apparently but this is one of the standout pieces.

The story is quite simple, a vet visits a small town which is blighted by a mysterious disease that is killing their livestock. The locals blame old lady Clemson who lives in a ramshackle cottage, accusing her of being a witch. The rational ‘man of science’ vet visits the old lady and sees that she is living in terrible conditions and endeavours to help her. However, when the mob get angry they attack the cottage with dreadful results.

The production is very cheap and there is very little cinematographic flair on show, it is all very bread and butter but then it's a simple story where special effects don’t matter as they are not needed- the story is king. Over the course of the hour, I had a sense of dread in the pit of my stomach as I feared for the old lady and thought it wasn’t going to end well. The conclusion is ambiguous but that's all part of the charm that’ll have you thinking about the story long after the viewing. Director John Cooper does a great job creating an effective atmosphere with obviously limited resources, there is an unsettling claustrophobic, insular feeling to proceedings.

The actors themselves are solid with no-one I recognise apart from M from James Bond (Bernard Lee) who has a key role as the landed gentry leading the witch hunt, whilst Una Brandon-Jones (someone I’m unfamiliar with but who is quite well known apparently) is riveting as the accused witch.

Murrain is no ‘Quatermass’ or ‘Stone Tapes’ but for a short 60 minute films with a tiny budget it is simple, effective and worth your time.

The Clifton House Mystery- Cult TV Series Review

I have an affection for cult and offbeat TV shows and films from days of yore as consistent followers of this blog know. I've found that many still stand up to today's scrutiny and often they are full of great ideas which are earnestly acted. Usually I pick up DVDs at random from CEX but in this case it was whilst I was browsing through Amazon, checking through the recommended links for 'Children of the Stones’, an atmospheric and eerie series that I'd picked up earlier and loved, that I came across 'The Clifton House Mystery'. The series was produced by HTV, the production company that had made ‘Stones,’ and so, based on the strength of that series I took the plunge and bought the DVD set for £4.99. It has sat on my pile of shame for a couple of years but sans WiFi and access to premium channels, I thought I'd finally work my way through this series.

The story is about the Clare family, who move into a mysterious old townhouse in Bristol. The previous family had lived in the house for generations but decided to leave under mysterious circumstances. The contents of the house are auctioned off but there are secrets attached to the items and the abode that haunt the new occupants. When they find a skeleton in a sealed room the mystery deepens and they hire an eccentric ghost hunter Milton Guest, to put the spirits to rest.

The series was aimed at school children so don't expect anything too ghoulish or scary but it is effective in its own way. The economy of sound and set design adds to the slightly unnerving nature. The story is quite straightforward and a lot of Bristolian history is thrown into the mix, which I found quite good as I’m a bit of a history buff.

The cast are relatively unknown, at least to me, however, they all play their roles with surety and earnestness. The only recognisable face is Peter Sallis who plays Guest. He would later go on to voice Wallace in 'Wallace and Gromit' and find fame as one of the old codgers riding a bathtub down many a hill in 'Last of the Summer Wine'.

Overall, the series is not as enthralling as 'Children of the Stones' or as scary as 'Moon Dial' but it is still worth a watch and, at just under 2 and a half hours, it's a nice way to while away a lazy afternoon.

LINK- The Singing Ringing Tree: Cult TV Review

LINK- Jim Henson’s The Storyteller

LINK- The Secret Garden (BBC)- Cult TV Review

LINK- Dead of Night: Cult TV Review

LINK- Children of the Stones: Cult TV Series Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review

LINK- Day of the Triffids (1981 BBC): Cult TV Series Review