An English Geek in Saudi Arabia

Precisely a month ago today, my wife, children and I left the UK. When deciding to move abroad and work away for a few years, I was excited to leave but something was holding me back. Yes, family and friends, but I knew we'd still be in touch regularly through various means (all being well) but something else... it was my large comic book collection. Yes, I know it sounds incredibly materialistic but I'll explain.

Whilst clearing through our belongings and deciding what to put into storage, I decided to sell most of my 300+ DVDs and 200+ CDs to CEX for a pittance. I thought I'd miss parting with my collections because I'd built it over many years and I’d always reasoned I'd need them in case streaming services or the internet went kaput. However, thinking through this process I realised that in a Mad Max-style dystopian world people would have more pressing concerns than getting a CD of Jean Michel Jarre's Oxygene or a VHS copy of Hello Dolly, and yes that was a timely reference to Wall-E.

However, with my comics I felt differently... I couldn't bare to part with them. For me it wasn't even an option. I started comic collecting when I was about 7 years old and my first loves were Tintin, Iron Man, Spiderman and Zoe Ball. The affection I have for my comics collection isn't just based on the rather large financial commitment required over the years but more to the memories and nostalgia I have attached with them. I still vividly remember lying in bed listening to Interpol's Antics whilst reading Maus in 2005, or lying in bed reading Craig Thompson's Blankets whilst listening to Bjork's Vespertine. A lot of my memories involve me lying in bed and listening to music, especially when it comes to comics and graphic novels. The music I listened to and certain comics I read are forever intertwined in me as they were often formative.

At the time of leaving England, I had built up a mighty and eclectic collection of over 500 graphic novels and many comics too. I had signed ones by Alan Moore (Watchmen, V for Vendetta, Swamp Thing, League of Extraordinary Gentleman) , Jeff Smith (Bone), Erica Henderson (The Unbeatable Squirrel Girl), Becky Cloonan (Demo, Chance or Providence) and many more. This may not sound impressive and compared to many collectors out there, it isn't, but what I loved most was meeting each and every one of the artists or writers I had sign my graphic novels. This was more important than the signed comic itself, the chance to have a quick chat and tell my heroes what I thought about them and their work. I remember this one time, whilst browsing the basement area of Orbital Comics in its original location opposite the British Museum, I saw Alan Moore signing his works quietly. There was no queue or gaggle of fans, just Mr Moore, two of my friends and I. Trying to be nonchalant, I walked up to him and spoke of my admiration of his work. I walked away feeling like a boss, feeling like I’d spoken with eloquence and gravitas until my friends informed me I had sounded like a pre-pubescent teen and had been shaking all the time I had been talking to him. Nope, this was not my finest moment but one I will treasure forever because… comics!

I thought that by going to Saudi Arabia I might have to put a lot of this behind me as comics and the availability of pop culture paraphernalia was limited, at least from what I had heard and been led to believe. I know that you can get comics on tablets, phones etc but in the same way I put up with reading books on my Kindle for convenience sake rather than a love of the format, I knew I would miss the tactile nature of holding a comic, smelling the print and all that other stuff old duffers like me often say. Comic shopping is quite a social thing, although for many newbies going into comic shops it may not seem so… but, once you break through the knowledge-bomb dropping bravado, comic nerds are alright and just want to talk about their hobby.

However, having been here only a month so far, I have been excited to learn that Saudi Arabia does actually have a quite vibrant fandom scene. Okay, it’s not London level fandom but it is growing. In the past few weeks I have been to various game sessions and many more game-meets have been planned for the future. Also, I learnt from a colleague that the local hypermarket was running a models and maquette meetup. Fellow model enthusiasts brought along their elaborate models and dioramas to share with an appreciative audience, which included video game, anime and comic fans. Also, whilst shopping at the local shopping centre I came across Toca Boca clothes (they make cool educational apps) and Cuphead figures!

I have also been incredibly surprised and pleased to learn that the school I work at now houses a very impressive graphic novel collection in its library. Granted, the more controversial and adult-themed comics aren't there, it is a school after all, but what is there is mightily impressive and has pleased this old comic fans heart.

Manga Exhibition at the British Museum: Review

In Japan, manga has been a part of the culture for a long time. The origins of manga are debated and The Handscroll of Frolicking Animals by Kitazawa Rakuten is considered a major influence, but generally it gained prominence in the post World War 2 era where artists such as Osamu Tezuka brought some levity and lightness to proceedings with Mighty Atom or Astro Boy as he's known in the West. Tezuka was to manga what Will Eisner was to American comics; the medium existed before their arrival but they brought it to the fore and forever changed it.

Astro Boy is iconic and will feature heavily in the 2020 Olympics, which will be held in Japan.

As a young boy growing up in east London, England, I didn't know anything about manga or anime but I was consuming it unknowingly through shows such as The Mysterious Cities of Gold and Ulysses 31.
One Saturday I went into my local WH Smith and saw issue 22 of a magazine called Manga Mania and was taken by the big eyes, spiky hair style and tiny mouth and nose of the cover star that reminded me so much of the animation style I liked. When I picked it up, from the top shelf next to the more salacious magazines, I felt a bit of a rebel but upon opening it the kinetic imagery and artistry blew me away. Flicking through it I saw a mention of The Mysterious Cities of Gold in the letter pages and knew I had found something special. From then on I would buy Manga Mania monthly and purchased graphic novels, VHS films, soundtracks and even anime cels. The shop Forbidden Planet became nerd nirvana for me and I'd visit it monthly. Manga was one of my first true loves and one that has survived to this day, at least to some lesser extent. Manga is in my lifeblood and even though it doesn't feature as prominently in my daily life as it once did for me, it was formative in my youth and for that I am still grateful.

I loved getting my monthly Manga Mania fix.

I loved getting my monthly Manga Mania fix.

Since those heady underground days in the early 90s, manga has grown and thrived and its influence is spreading across the world. So, when I heard that the British Museum was hosting the largest manga exhibition outside of Japan I wasn't surprised and knew that I had to go. The British Museum has dipped its toes into the manga and anime pool before over the years but these have been smaller, more focused exhibition. This promised to be a much larger, grander affair as manga is still developing and evolving, the form has and is still contributed rather uniquely to modern culture and I'm glad that a venerable institution as the British Museum is recognising this. I visited the Kyoto International Manga Museum several years ago, which is the largest repository of manga in the world, and wanted to see how this exhibition would compare.

So the question is, is the exhibition worth visiting? In a word, yes.... but this comes heavily loaded with a proviso, which I'll go into later.

The whole show feels less like a staid exhibition but more like something you'd see at more immersive and engaging galleries, no surprise as manga means 'irresponsible pictures' and what is on show is a riotous walk-through of the medium. Being a family oriented exhibition the more controversial elements have been excised but that doesn't diminish what's on show, rather it still offers a smorgasbord of artists and genres that covers the art-form well without excluding younger generations or upsetting some sensibilities.

The exhibition starts with an introduction about the origins of manga and provides a guide on how to read it, from left to right. Then there is a section on the manga-ka, the artists who produce the manga, and the tools of their trade.

On an impressive display of collected comics are a few televisions with the chiefs and editors of the weekly manga collections which are published weekly and sell in the millions. They offer their insight into the creative, production and distribution process.

Around the corner, there is a brief look at the influence of woodblock and scroll works on the medium. There are a few stunning pieces on show but a couple stood out to me, the one where a recent piece of work by artist Katsuhiro Otomo (Akira, Domu and Memories) was compared to his woodblock forebear. The current breed of artists have built on the shoulders of giants and their influence is appreciated here.

After that, the bulk of the exhibition is split into little islands where different themes of manga and artists are explored like Love, Sports, Horror etc. This is all quite dynamic and exciting as there are banners and posters hanging from the ceiling and giant murals and original art pieces stuck on the gallery walls.

In the middle of the exhibition, there is an impressive library of manga on offer and many soft seats in which to read at your own pace.

Manga Exhibition at the British Museum

The last section of the exhibition has a couple of art installations. Kawanabe Kyosai’s theatre curtain from 1880 was painted in just four hours after the artist had imbibed several bottles of rice wine. He painted the 17 metres by five metres high piece using a huge brush and it was done in such a rush of inspiration that you can still see his footmarks on it!. It really is an impressive achievement and whilst not manga, it shows the kinetic frenetic art style that would feature in so much manga years down the line.

Kawanabe Kyosai’s theatre curtain certainly is an impressive piece of work.

Kawanabe Kyosai’s theatre curtain certainly is an impressive piece of work.

Near the exit, a large projected montage of Studio Ghibli films at the end is a fitting bookend to an impressive exhibition.

The exhibition is a great primer for the common manga fan or someone with a cursory interest in the medium but someone looking for a deeper look into the minutiae of manga, this is not that. In my opinion the exhibition, whilst well organised and curated, had some glaring omissions in manga-ka such as Rumiko Takahashi (Mermaid Saga, Urusei Yatsura and Inuyasha) and Masamune Shirow (Ghost in the Shell, Aplleseed and Dominion Tank Police),  but on a personal level I'd have loved to have seen some works by Yoshitoshi Abe (Serial Experiment Lain, Haibane Renmei) and Yukito Kishiro (Battle Angel Alita). I understand that with such a large number of artists it is not possible to get everything in the exhibition but Takahashi and Shirow are titans of the medium and needed some mention or recognition. It’s like having an exhibition on Italian masters and forgetting to mention any of the Turtles; Leonardo, Raphael, Donatello and Michelangelo, it just wouldn’t seem complete. However, as the first real look at manga outside of Japan this is an excellent exhibition and well worth the 90 or so minutes of your time. It is an amuse-bouche to the promise of something more and for that I’m excited.

LINK: Japan: My Journey to the East

LINK- Battle Angel Alita: And So It Ends

LINK- The Moomins 80's Soundtrack Vinyl Review

LINK- Inspector Gadget Retro Soundtrack Review

LINK- Ulysses 31 Retro Soundtrack Review

LINK- The Mysterious Cities of Gold Retro Soundtrack Review

LINK- Sonic Mania Video Game Vinyl Soundtrack

LINK- Thomas Was Alone Video Game Vinyl Soundtrack Review

LINK- Akira Soundtrack Vinyl Review

Inaugural Tonbridge Comic-Con a Wonderful Event

This morning the first ever Comic-Con was held at the Angel Centre in Tonbridge and in my eyes was a real success. There were lots of stalls selling all manner of geeky goods at a fair price including anime, manga, video games, clothing, bags and Marvel and DC comics. There were a few celebrities doing signings and photos including Colin Baker, Hattie Hayridge (Holly from Red Dwarf) and Hannah Spearitt (of S Club 7 and Primeval fame)

There were lots of people dressed up, representing various fandoms and the atmosphere overall was great. I didn't dress up (I kept my Count Duckula costume in the cupboard for today) but was pleased to see many adults and children did take the opportunity to let their inner geek out. My 2 1/2 year daughter loved the festival of colour and characters and especially the dancing Groot, it was her first con of what I hope will be many. We were lucky enough to get a picture with the fern fellow (get your coat- ed), which my daughter found a little frightening, considering he was about 8 feet tall and towered over us.

My daughter and I met Groot... she was suitably scared!

Around the Angel Centre hall were lots of items and photo opportunity pieces of memorabilia which you could snap away at. My daughter and I met a Dalek, Batman and a giant inflatable Pikachu. She particularly liked the inflatable TARDIS and kept playing peek-a-boo with her 2 year old cousin. The atmosphere of the whole event was lovely and calm and outside the centre many attendees and cosplayers had a chance to congregate and share in their nerd-dom.

I've been to many Cons and this is the first time that such an event has been held in Tonbridge to my knowledge. I'd like to see it become an annual fixture in the Tonbridge calender, especially during the Summer, where more children and young people would be free and interesting in filling in some of their 6 weeks holidays and the event could use the outside space to sell food and host other stalls or activities like a bouncy castle etc. Overall this was a well organised event with lots of offer for families and young people, let's make it even bigger and better next year!