Love, Death + Robots- Season 1 Review

Love, Death + Robots is a Netflix backed anthology series of sci-fi stories that mixes cutting-edge animation styles with quick fire storylines. Each episode is stand-alone and with the longest episode clocking in at just over 15 minutes, you’re never too far away from a new world and new ideas. Obviously, this means that some episodes will chime more than others depending upon your tastes but they are all uniformly solid. I have written a brief synopsis and my views of those episodes briefly.

Three Robots- This follows 3 robots as they go on a tour of a post apocalyptic world sans humans. It's very dark with some great humour thrown in.

There is a great homage to the Terminator with the opening shot of a robot foot crushing a skull but from this the tale of 3 robot tourists taking in our crumbling ruins is great fun, more so with the interesting ending.

Beyond the Aquila Rift- When a ship suffers a catastrophic routing error, it is flung thousands of light years away from Earth but luckily a friendly face is on hand...

A great hard sci-fi story with stunning animation.

Ice Age- When a young couple move into a new apartment they find an old time fridge which contains a civilisation in there, but when the society evolves at a fast pace they see how adaptable humans can be.

Mary Elizabeth Winsted stars in this episode and, whilst hokey and a little cheesy, it is a cute episode with human actors.

Sonnie's Edge- When a beastie cage fighter (think mature Pokemon) is tasked to throw a fight she declines but a client is very insistent.

This is an edgy and interesting story with some great stylised animation. The creature designs are quite generic but the revenge story is told well enough.

When the Yoghurt Took Over- Sentient yoghurt solves all of mankind's problems but at what cost to freedom?

A cutely animated but well observed short animation on the fallibility of human nature and our disturbing ability to look for a man (or yoghurt) of destiny that offers easy solutions.

The Secret War- A gritty World War 2 tale of Soviet soldiers fighting an occult enemy they helped create.

A powerhouse of cgi animation with amazing lighting and a tense Alien-esque atmosphere. It culminates in a spectacular gunfight and a heck of a finale.

Sucker of Souls- When Dracula is revived, an aversion to cats saves a motley crew of scientists and mercenaries. But how do they make their way out?

The animation is a scratchy cel shaded style and is cool and whilst the story is interesting, the dialogue is a bit edge-lordy and cringy at times.

The Witness- When a woman witnessed a murder she goes on the run from the assailant.

The cyberpunk style city scape is gorgeous and the frenetic cgi is stunning with hues of pinks and purples adding vibrancy to the place.

Suits- When an infestation threatens the valley and lifestock of a local farm, the local farmers grab their mechs and fight to the death.

This is a gorgeous animation and very tense, at times reminding me of Telltales' Walking Death game in terms of the animation style and art. It's a clever story and exciting as well.

Good Hunting- The Huli Jing are changelings and are hunted as bewitchers but as the world is changing, a Huli Jing and a hunter become friends, looking out for each other and adapting to their environment. When the Huli Jing is abused by men in a rapidly changing world, she adapts and takes bloody revenge.

This is a dark tale about the power of the male gaze and the damage done to women. It's another sumptuously cel animated episode and one of the highlights. The steampunk aesthetic is suitably cool and imaginative. The dialogue is spot on and doesn't try to be too edgy.

The Dump- When a city planner pays a visit to the local dump to evict the tenant he gears an old yarn, but is it true?

A dark comedic piece with a slice of bitterness against capitalism and consumerism.

Shape-Shifters- When a team of American soldiers in Afghanistan are supported by a couple of ware wolves, it seems like they have the advantage. However, the Taliban may have their own dog soldiers and when an American warewolf is killed, its up to the remaining warewolf to find out the truth.

A beautifully animated shirt film and interesting choice of perspective as there are first person shooter angles.

Fish Night- When their car breaks down in the middle of the American desert, two travelling door to door salesmen have an amazing experience with the fantastical creatures of the night.

With rotoscoped style animation, this is a gorgeous animated film that is an audio-visual delight. Definitely one of the highlights from the series which has heart and says something about the human condition without trying to be too edgy or outrageous.

Helping Hand- When an astronaut is out on a spacewalk to fix a satellite but a piece of debris compromises a suit, a sacrifice has to be made.

This is a claustrophobic short film and suitably dramatic. I liked the main protagonist and the quieter moments as she gets used to the idea of dying.

Alternate Histories- A thoroughly original idea based on a not original one, we see 6 different scenarios where Hitler is killed and the resulting aftereffects of these.

Thoroughly creative and quirky, this is a strange but great short looking at causality and it's consequences.

Lucky 13- In the future, a space marine is assigned a ship, Unlucky 13. As she bonds with the AI it becomes lucky 13, but will its luck hold out?

A solid story about the relationships between man and machine and the power of AI.

Blindspot- In a cyberpunk future, when a gang try to steal some CPUs from a convoy there's a powerful machine standing in their way. Will they get it and at what cost?

The animation on this one is a mixture of CGI and more traditional cel animation mix which gives it an impressive look but the dialogue is circa 90s cringey in places.

Zima Blue- When a reclusive yet intergalactic ally famous artist provides an interview to a journalist she seeks what motivates him. His answer is... not what you'd expect.

This is a uniquely stylish production with an art style reminiscent of The Hollow. Like that, this look at the relationship between technology and humans and the search for truth. This is quite a philosophical episode and quite beautiful.

So, after what hung the complete series what did I make of it? Well, I love short-form animation so a series like this is a real boon however the edge-lordiness of some of the episodes, as well as it's gratuitous nudity and violence, made it seem sometimes juvenile and silly. Don't get me wrong, I'm no prude and watched lots of anime and manga back in the 90s, which was peak edgelord with Urotsokidoji, Ninja Scroll, Wicked City and Cyber City 808 being edgy/sexy, but in the 2020s it seems.... misplaced. A few of the episodes are interesting and worth a look like Three Robots, Alternate History, When the Yoghurt Took Over and Zima Blue but too many felt try-hard and almost like fanfic I would have written in my teens in the 90s after watching too much anime- not bad per se but when given a canvas like this, it's really an opportunity to really tell a unique and awesome story.

Overall, the series was worth a watch but I hope the newer series took what was good about the series (the interesting ideas, different animation styles and great sound work) and built it into a more refined experience with a clearer focus.

Ojingogo- Graphic Novel Review

Utterly surreal and slightly abstract with elements of Alice in Wonderland, Wizard of Oz, Gulliver's Travels and much from the world of manga, Ojingogo is a not your average graphic novel tale. The story is about a young girl, her pet chibi-octopus and her sentient camera, which is stolen by a malevolent octopus/humanoid creature. At least, that's what I think happened as the book had very little to no text and is presented with a surrealist bent. As a fan of David Lynch and Jodorowsky, I'm used to art that challenged and confounds but even this didn't help in understanding the story too well. I think, author and illustrator Matthew Forsythe, like Lynch, is all about creating a mood and evoking feelings of wonder and bewilderment so you strap in and enjoy the absurdist journey.

The illustrations are beautifully drawn with fine lines and lots of use of blank space to let the characters pop. The drawings seemed to be inspired by South Korean and manga art; cute big eyes and some interesting creature designs. There were a couple I thought that could be turned in plushie toys so you get an idea of the aesthetic.

This One Summer- Graphic Novel Review

This graphic novel is like an ode to those everlong summers of the past, where the holidays seemed to stretch on forever and the possibilities and promises of the future seemed endless. The power of nostalgia is strong in this comic as writing and art team Jillian and Mariko Tamaki create a believable scenario where
Rose and her family head to the beach for the summer, as they always do, but things are tense in the family as Rose's mum is suffering from deep depression whilst her father is feeling the strain of keeping the household positive. Meanwhile, Rose and her regular holiday friend Windy, get involved with a teen pregnancy drama whilst watching horror films.

It is poignant and wistful, carrying the memories of summer beach holidays when everything was possible, nothing much actually happened and time seemed to stand still. The artwork is incredible- beautiful blue washes and an amazing mix of the detailed and the impressionistic- and the story is sad and realistic. The story and the art go together perfectly.

The demographic for the book is hard to pinpoint as it uses words like slut, rape, abortion, blow job, porn, boobs etc so it's quite fruity with its language but I know, from working at a couple of youth centre for over 10 years, that actually many tweens do talk like this so it is lifelike.

Overall, I'd recommend the book as it captures the fleeting moment we have all had our lives so well. Additionally, the gorgeous blue brushlike art flows, stunningly capturing the spirit of the summer; it make you *feel* the place you've never been to. The Germans calls this fernweh which means farsickness and it’s the concept of feeling homesick for a place you’ve never been or could never go. This book made me feel that and it captures the mood so well.

Knights and Bikes- Audiobook Review

Knights and Bikes was a 2019 videogame, developed by Foam Sword and published by Double Fine. I played the game near release time and loved the picture book aesthetic and the compelling story of adventure on the tiny island of Penfurzy had me gripped from the start. I played the game to completion and loved the world created and thought at the time that there was a whole world of potential storylines.

For the uninitiated, on the peaceful island of Penfurzy, Demelza Penrose, a young girl with a very active imagination, daydreams of grand adventures amongst the legends of yore that surround her on her island home. Living with her father, the owner of a dilapidated mini-golf course, she lives a boring life missing her mother who died in a tragic accident. One night, Nessa, a young runaway with tall tales of daring-do, enters her life and they become firm friends. Along the way, the pals halt the sale of the mini-gold land and destroy landmarks following clues contained in Demelza's mother's journal, the clues of which lead to the long lost castle and the treasure of the legendary Penfurzy Knights. Can the treasure offer Demelza a way to save her home?

The first book is very closely based off of the videogame and translates well to the written word. I got the audiobook so the West Country accents and the sound effects were especially wonderful to hear. The actors and actresses relished their roles and delivered the dialogue in suitably dramatic ways.

The second book, The Rebel Bicycle Club, is a new adventure and is more like Indiana Jones and the Last Crusade as it deals with a magic chalice, not belonging to Christ but rather King Pendragon of the Penfurzy Knights.

The third and final book, Wheels of Legend, revolves around a mysterious travelling fayre that seems to be searching for something in the local quarry. Joining Demelza and Nessa is Jack, a young boy from the fayre who seems to have something to hide. Throw in giants, mystery men and a mermaid's soporific tune and you've got a cracking adventure.

This series of books has it all- an intriguing land full of mystery, great characters that are thoughtfully written and a cohesive through-line that offers a world of possibility. The stories are presented in a humorous manner but they have a truth to them that contains heart. Central to it all is the relationship between lonely Demelza, dealing with her grief, and mythomaniac Nessa who struggles with change and building friendship. The stories show the growing bond between these two characters and how friendship is an important part of your youth where the Summers seemed to stretch on forever. The books are full of 1980s references including the Nintendo Power Glove, arcade machines, bikes, frisbees and many iconic films.

Knights and Bikes is a thoroughly creative series and one I would have loved to have read back in the day as a youth. As an early 40s adult, I loved it and appreciated it for what it was but I know my 7 and 4 year old daughters, the target demographic for these books, will appreciate it much more than I do.

Overall, the Knights and Bike book series is well worth a listen or read whilst the videogame is well worth a play.

LINK: Japan: My Journey to the East

LINK- The Future Starts Here: An Optimistic Guide to What Comes Next- Book Review

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

LINK: Let’s All Create a ‘New Normal’.

LINK- An English Geek in Saudi

LINK- Battle Angel Alita: And So It Ends

LINK- Ulysses 31 Retro Soundtrack Review

LINK- The Mysterious Cities of Gold Retro Soundtrack Review

LINK- Akira Soundtrack Vinyl Review

The Good Place and Philosophy- Book Review (and self-reflection)

We live in peculiar times, one where we have had relative peace for the longest duration in modern history, are more connected more than ever before but also seem to be separated; in this morally ambiguous time we have strangely stratified society where the loudest voices are from the extreme of the left and right wings.

A short while ago, I read How To Be Perfect: The Answer To Every Moral Question by Mike Schur, the creator of The Good Place, Parks and Rec and The Office (American version). I liked how he presented moral quandaries we often faced in everyday lives and his philosophical playthrough of each of these situations using different forms of ethics. It was a highly enjoyable read and it got me thinking deeply about how I could be a positive agent for change in the world.

In a little slice of heaven, Sharm El Sheikh, I read this book and thought about moral philosophy.

I wanted to delve deeper into some of the questions and moral thought experiments raised by The Good Place and the philosophy books I had read after it. The Good Place and Philosophy, which is edited by Kimberly S. Engels, breaks down some of the major themes from the show into 25 essays written by a wide range of authors, philosophers and academics covering 9 themes set against the backdrop of the 3 major ethical theories: Virtue theory, consequentialism and deontology.

Now, the titles of the chapters aren't useful if you haven't watched the show but they are quotes from it and make sense in that regard. However, broadly speaking these cover different aspects of philosophy and the brackets are my additions to explain what each chapter covers:

I just ethic'd you in the face (Ethics and it's application in the modern world)
Virtuous for virtues sake (Can ethics make you a better person?)
All those ethics lessons paid off (Morality is difficult and decision-making is tough)
Help is other people (We are at our best when we build each other up)
Absurdity needs to be confronted (Existentialism and why no God isn't necessary that bad)
Searching for meaning is philosophical suicide (Be better and do better)
The Dalai Lama texted me that (World religions and the idea of 'self')
Sometimes a flaw can make something even more beautiful (Everyone is different and unique)
Oh cool, more Philosophy! That will help us (Free will, the idea of the soul and the future of AI)

Each of the essays investigates and further expands issues raised from the show, all the while citing the many philosophers and texts mentioned. Overall, the essays turn out to be a very good introduction to these concepts and is more engaging than some of the heavier and difficult philosophical texts. I particularly enjoyed James Lawler's Beyond Good and Evil: Eternal Return of the Superhuman, Michael McGowen's Conceptions of the Afterlife: The Good Place and Religious Traditions and Dane Sawyer's Who Are Chidi and Eleanor in a Past-(After) Life? The Buddhist Notion of No-Self.

I walked away with a few thoughts after reading the book and am still processing these ideas so humour me as I go through a stream of consciousness of some of the ideas I've stepped away with.


The idea that all there is the silent indifference of the empty universe is one that worries many people and leads often to existential crises but this is where philosophy (and religion) can be useful. Both offer meaning to a seemingly meaningless life and the idea that there are 'projects' that will live on after you can be a soothing balm; they can offer an ethical transformation. What we do and the choices we make are acts of free will and we can use these to be transformative and have transformational ecstacy rather than descend into nihilism.

There is a truth that relationships are transformative, even relationships that run their course are not necessarily failures; another person can change your life without remaining a permanent part of it. People can leave an imprint on is, acting as a catalyst for (re) discovering something about ourselves. This is the power of our freewill, we can change the world in wonderful incremental ways. Just think back on the people in your life who had a profound and deep effect on you. This 'affective group', people who you feel connected with and bond with over some mutual appreciation of something, have a long - lasting effect on you and change you in profound ways.

T. M. Scanlon's Contractualism (We should act upon rules that others could not reasonably refuse i.e. create and follow reasonable rules that are built on interpersonal relationships) is a good way to think about society. Generally, people need people and especially at a time when religion is on the wane across much of the world, Ernest Becker's conclusion that modern relationships are all we have after the "death of God" struck a chord. However, even with friendship and love, "No human relationship can bear the burden of godhood." It's like Michael said when paraphrasing Eleanor, "Everyone human is a little bit sad all the time, because you know you're going to die but that's what gives life meaning."

The idea of religious luck or salvific luck (being born into the 'right' religion where out of all the choices you have the correct one is an interesting idea. What if you're a good person that does good things and behaved impeccably but we're just born into or selected the 'wrong' religion, what happens to you? In Islam, it doesn't matter as your deeds and intentions are considered, if you're people of the book that is great, but not all religions have that flexibility. What then? It may seem bleak for atheists as everything will end; no more family and friends, experiences, travels, appreciation of art and music. Nada. However, it doesn't have to be so bleak as your pain will also end; errors, regrets, sadness, a sense of ennui will all be gone. It’s the circle of life, just as you consumed from the world, so you will be consumed and add to the new life that will come after your death. You are never truly gone, you will remain in some way. For some, this will offer peace and solace and for others it might fill then with existential dread.

As a Muslim, and an eternal optimist, I've realised that I have never really needed to grapple with ideas of existential nihilism or whether I am living my best life, simply because of my belief in a higher power. It provides me with a foundation where meaning and order are maintained. Yes, with modern freedoms and the breaking down of social constructs, there can sometimes be a feeling of powerlessness, emptiness or ennui. And yes, with the old norms crumbling, we can feel overwhelmed by the choices and possibilities. We can become slaves to the swipe right/ Sliding Doors multi-verse (Wow, that’s the second mention of this Gwennie vehicle in as many month- Ed.). I know these feeling all too well, but the structure of my religion provides me with the strong underpinning and understanding that there’s a higher power who's intimately aware of me and this gives me something firm to hold onto when things get unpredictable.

I'm not saying it's always easy but the act of trusting something above and outside yourself is comforting and profound. It doesn't mean I'm an automoton or a Doug Fawcett-type 'happiness pump' because I choose which actions to take, which decisions to make and these actions and the intentions decide if I move closer or further away from Allah. I know I'm only responsible for what is within my power so I don't need to care about everything, even a multiverse, because it's up to me to decide what I want to be and do- I decide my moral imperative and the 'projects' I feel compelled to undertake and support. This doesn't automatically stave off the effects of the Internet, the overexposure to toxic social media and fractious opinions, I am a Millenial after all, but it does give me the tools to filter out the nonsense and keep a sense of self. I'm going to continue my search for knowledge and, as the Prophet said, I will go 'All the way, even to China' to find the truth and build my knowledge.

LINK- ‘Natives: Race and Class in the Ruins of Empire’

LINK: Japan: My Journey to the East

LINK- The Future Starts Here: An Optimistic Guide to What Comes Next- Book Review

LINK- On, And On And Colston (or, 'How We Learned To Talk About The Legacy Of Colonialism In GB')

LINK: Let’s All Create a ‘New Normal’.

LINK- Ms Marvel Can Change the World

Lucky Penny- Graphic Novel Review

I got Lucky Penny in 2016, which means I was 5 years into my marriage, had moved to Kent and had recently become a father to my first daughter. I'm not sure what attracted me to this graphic novel comic but I'm guessing it was during one of my nostalgic 'ahhh, my 20s were great' phases as I'd officially hit the mid-30s so was in the higher 35-49 years old insurance bracket. Maybe I was going through a premature midlife/ existential crisis and this was a comfort purchase. Whatever the case, I remember liking the book as it had a sweet goof all character but I couldn't remember much else so it seemed like now was a great time to dive in once again into the work of Ananth Hirsh and Yuko Ota.

This is a beautifully presented book.

Lucky Penny is the tale of young Penny Brighton, an unlucky girl who leaves disaster in her wake but has a heart of gold. The graphic novel follows Penny as she tries to figure out where to go, what to do and how to cope in the real world. The story is similar to Scott Pilgrim and Giant Days and also mumblecore movies like Frances Ha and similar works by Greta Gerwig, where charmingly clueless, young, main characters try to deal with all that life throws at them. In this case, Penny is wonderfully optimistic and chirpy whilst living in a storage unit (garage) and trying to get a job and maintain her relationship with a prospective boyfriend.

Lucky Penny is a quick read with relatable characters; Ota’s art is bold and solid throughout the whole book and Hirsh's storytelling gentle yet interesting enough to keep you reading. The ending of the book is very bombastic and out of pace with the rest of the book but I liked it as it goes big.

Overall, Lucky Penny is well worth your time as it has a quirky central character and an interesting coming-of-age slacker vibe.

Celeste- Graphic Novel Review

I remember buying this book upon its release in 2014 as I was a bit of a fan of I. N. J. Culbard due to his excellent work on bringing the tales of H. P. Lovecraft to life in graphic novel form. I do remember reading it at the time and feeling a bit blank, the graphic novel hadn't impressed me and I didn't know why. So, 8 years after the fact, I decided to revisit and re-evaluate it

Narratively, it's a difficult book to summarise as so much is to do with the mood and tone of the book, rather than the actual plot. However, I'll try my best; after a floating blossom from space enters the Earth, most of the people in the world vanish without reason. The few people who interacted with the blossom are left behind and try to figure out what is going on as well as establish a new purpose in life. The three characters, a girl with albinism in London, a businessman in California and a Tokyo cartoonist all lead their now consequence-free life, but is it really living?

Much like other great sci-fi stories, Celeste asks many questions without providing any answers. Rather, the author leaves it up to the reader to formulate their own meaning. Is this all actually happening or are the three characters sharing a collective dream brought about by their isolation in the real world or mental health? It reminds me of the work of David Lynch, John Boorman or David Lowery, dreamlike logic applies to real world scenarios where tone is king.

Visually, Culbard is a master craftsman, creating beautiful imagery that creates a vibe which is meditative and reflective. I read the book in about 25 minutes, so it's a quick read as it is a very visual story, but the questions it asks about the lives we lead and our sense of isolation definitely make it a worthwhile pick-up.

This One Summer- Graphic Novel Review

This graphic novel is like an ode to those everlong summers of the past, where the holidays seemed to stretch on forever and the possibilities and promises of the future seemed endless. The power of nostalgia is strong in this comic as writing and art team Jillian and Mariko Tamaki create a believable scenario where
Rose and her family head to the beach for the summer, as they always do, but things are tense in the family as Rose's mum is suffering from deep depression whilst her father is feeling the strain of keeping the household positive. Meanwhile, Rose and her regular holiday friend Windy, get involved with a teen pregnancy drama whilst watching horror films.

The book is beautifully presented with a blue brush-stroke style.

The demographic for the book is hard to pinpoint as it uses words like slut, rape, abortion, blow job, porn, boobs etc so it's quite fruity with its language but I know, from working at a couple of youth centre for over 10 years, that actually many tweens do talk like this so it is lifelike.

The book captures the fleeting moments we have all had on our lives so well. The gorgeous blue brush-like art flows and stunningly capturing the spirit of the summer; it make you *feel* the place you've never been to. The Germans calls this fernweh which means far-sickness and it’s the concept of feeling homesick for a place you’ve never been or could never go. This book made me feel that as it captures the mood so well; it is a definite recommend.

LINK- The Offworld Collection

LINK- Three Shadows- Graphic Novel Review

LINK: Japan: My Journey to the East

LINK- The Future Starts Here: An Optimistic Guide to What Comes Next- Book Review

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

LINK: Let’s All Create a ‘New Normal’.

LINK- An English Geek in Saudi

LINK- The Mysterious Cities of Gold Retro Soundtrack Review

Three Shadows- Graphic Novel Review

I got this graphic novel way back in 2008, I remember as it was in the 'new releases' section of a comic book shop that no longer exists. I remember the owner was upset due to the landlord putting the rent up extortionately and so the shop was replaced by another faceless 'touristy crap' shop that exist everywhere in the city.

The book is beautifully presented on good quality stock paper.

Anywho, from the time I vaguely remember the graphic novel being beautiful; the art sketchily drawn and the story affecting but now it hits much harder due to where I am in my life. I have a young family now and have two young daughters and the possibility of something bad happening to them haunts me, as I'm sure it does to every parent and so once again, I delved back into the work of Cyril Pedrosa.

Three Shadows plays almost like a faerytale, a mother, father and young son like an idyll life in the woods when, one day, the boy sees three dark riders watching him from the distance. At first, they simply seem to ride off, and the threat is waved off but, upon their subsequent return, the family grow concerned about their presence and what it portents. Lise, the mother, is petrified and seeks guidance from a wise old woman whilst Louis, a strong man, does not want these figures near his son. And so, one foggy night father and son try to escape under the cover of darkness and the story descends into a thrilling game of survival. As the book reaches its powerful denouement, it delves into magical-realism, where the mission to save his son from the shadows is an existential crisis for the father.

Three Shadows is an exploration of how parents might react to knowing a dreadful truth about their child's impending death and the extent to which they will go to to protect them at all costs. As I said earlier, as a father this story hit harder this time round. There is a high probability that my daughters will live a full and happy life yet, at the back of my mind, there is a nagging thought that this could be the last day I get to enjoy my children. Don't get me wrong, the thought is only fleeting and I don't spend my days weighed down in existential gloom but the fear is real enough to assert its presence; the black dog is indeed over my shoulder.

Overall, Three Shadows is a powerful story and it's allegorical qualities are memorable as they concern the human condition and the knowledge we all have that everybody we know and live will die. However, its ending is one of hope in its poignancy. This graphic novel is well worth a read.

Hell Baby- Graphic Novel Review

To start my inaugural retro graphic novel reviews, I thought I’d revisit one of my first ever if not the first graphic novel I ever owned. I may be misremembering but I believe I got this for free with a copy of Manga Mania. It was in a sealed poly bag alongside the comic and at the time I remember being very excited. That would place it around the time I was about 11 years old and boy, at the time did I find it disturbing and edgy.

Hell Baby by Hideshi Hino

The cover is pretty horrific but wait until you see the art inside. The black and white images really pop.

This one-and-done horror story tells the simple tale of a demonic baby, who is abandoned by her father at birth due to her horrific appearance and lust for blood. She is forced to grow up in the Junkyard of the World, struggling against other scavengers. When she dies soon after, a mysterious force resurrects her and guides her on a path of vengeance. Upon reaching the age of seven, she makes her way back into the bright lights of the big city to cause terror and mayhem.

The story is slight, but in a world of never ending manga its quite nice to have a complete story told as a one shot. The entire tale reminds me of The Simpsons Tree House of Horror VII where Bart discovers he had an evil twin, Hugo, living in the attic as his parents realised that he was the 'evil' twin.

Having grown up a bit since its first reading, I have to say that I really like the simplicity of the story. Hideshi Hino's art is simple but this is powerful as the tale of revenge and redemption is vividly brought to life with the gushes of geyser like blood spray interspersed with the innocence of the 'good' twin. Re-reading this after nearly 30 years I was transported to when I first read it in my home in Barking all those years ago, shocked yet thrilled by the emotive, bittersweet tale.

Whilst not a masterpiece by any means, Hino's Hell Baby is a worthwhile read for the tale it tells in a quick bitesize way; some of the images will stick with you for a long time and isn't that the mark of a horror story?

Surveying My Kingdom (Of Graphic Novels).

I'm a longtime comic book collector and I first started collecting when I was 7 which was way back in 1988. Iron Man and Spiderman were my first loves as certain aspects of the comic book worlds I could identify with; Peter Parker struggling with the travails of High School and striving to achieve against all odds like Tony Stark often did, but then this is a common comic book trope. However, I think a huge part of why comics appealed to me was because of the sheer imagination and creativity on show. Comics were an escape as they spoke a universal language that could appeal to anyone, a fantasy world that you could project yourself in to.

Surveying My Kingdom (Of Graphic Novels).

I have quite an extensive collection of graphic novels.

Now don't get me wrong, not all comics and graphic novels are created equal. In fact, some of the manga I was reading was not always relatable but just plain awesome. Often, the stories had elements of truth and heart, like Alita finding her humanity just as she collapses after saving the scrapyard, Soichiro revealing his true self and breaking free of the cycle of abuse in Kare Kano (His and Her Circumstances) and Onizuka doing his all for the student who he comes to mentor and love (GTO).

Art is of its time but it can have a long-lasting cultural and societal impact and comics are an excellent medium for showing or even introducing that change. I remember that I wanted to go to parties, go out clubbing and have relationships. Usually I'd go to indie comics to find this sense of identity and so I gravitated towards these as I grew older. In mainstream comics this was covered but it was only when Kamala Khan and the Ms. Marvel series came out in 2014 that the issues she had in balancing her home and life outside rang true for me; I found myself really represented on the page. It was the first time that a mainstream, popular comic had truly spoken to me, not by proxy but actually really spoke to me and my cultural heritage.

I have quite an extensive collection of comics and graphic novels from the past 35 years of my life and, when my wife ask I get rid of many of them, I baulked at the idea; these comics and graphic novels were like my personal tree rings showing my growth a evolution over the years. Some of these graphic novels are of their time and may prove to be problematic now- I’m looking at you various ‘harem manga’- but I thought I’d revisit them now as the time seemed good as my collection is all set up on the Billy bookcases.

So when my wife asked, 'When are you going to read them ever again?' I thought I'd endeavour to read them all again to see how they speak to me now, many years after purchase and after the life I've lead. Maybe they'd speak to me in new or different ways.

So why not join me as I journey thought my graphic novel collection?

Ms. Marvel- TV Series Review (and Some Personal Reflections)

Ms. Marvel has become a pop culture icon and a voice for hope since her debut in 2013. Her status as the first Muslim character to headline a Marvel series was shared enthusiastically by some whilst others thought it tokenistic and ‘woke’. Irrespective of these divergent views, the comic series quickly became one of the industry’s bestselling titles because it was, quite simply, an excellent superhero comic book which was written with wit, pathos and heart.

I have all the graphic novels from the first series as well as the next.

Superhero stories featuring teenage characters are notoriously difficult to write for but to create a monthly comic with a teenage girl of faith was something nearly unheard of in mainstream comics, let alone the religion in focus being Islam. Islam features quite prominently in the comic series as Ms. Marvel, Kamala, is Muslim and as such it forms a major part of her narrative; it greatly influences her behavior and decision-making, adding tension to her life that doesn’t come from the more traditional sources like romantic interests or the masked super villain of the current story arc.

In a medium that has been pretty hegemonic in portraying powerful white heroes, the wave of real world representation in mainstream comics was exciting. The concept was explained well in the very first Ms. Marvel comic when Kamala first meets Captain America, Iron Man and Captain Marvel. She is surprised to hear them speak Urdu, but Captain Marvel replies,

"We are faith. We speak all languages of beauty and hardship."

This really struck me as powerful when I first read it.

This is a real nice touch that speaks to the universal humanity in us all, with the underrepresented now being represented in a medium supported by the diverse community invested in these characters.

And so, it was with quiet nervousness that I approached the Ms. Marvel television series shown on Disney+. I was excited but also had some trepidation about the series as there was media speculation that they had changed her origin story and altered her powers somewhat. Usually, when that happens you end up with a diluted dud product that pleases neither old fans or newbies. However, I needn't have worried; the 6 part series was excellent. The writing throughout the series felt grounded and relatable and there were very few moments that felt written by committee or by olds trying to sound hip and young. The cinematography was kinetic without being obnoxious and the Scott Pilgrim style animation flourished brought an energy and vibrancy to the show.

The actors were all clearly relishing their roles and brought their A-game to the party. Special mention must go to Iman Vellani who embodies the nerdy-goof-with-heart well. The rest of the cast are solid but Kamala's parents are worthy of special mention in their roles- bringing warmth and empathy into their respective roles.

The way the show handled the cultural aspects of the show was superb; some scenes were reminiscent of conversations that I had had with friends and family in my life. Integrating themes such as the Partition, Jinn, the "Illumin-"Aunties and life around the Mosque; these are things I've personally grown up around and something my parents and grandparents were heavily shaped by. Reading this you might think the show is grim-dark but it's a positive show which rails against the current media obsession with violence done in Islam's name. In much of Hollywood and mainstream Western media, the portrayal of Muslims is not usually positive; usually people in the faith are reduced to crazed terrorists, clownish thugs or menacing threats with no redeeming qualities. This is the first popular mainstream Western show that shows a Muslim family with integrity, respect and, most importantly, nuance. They're not angry, militant or suspicious but merely... people, with all the flaws and foibles entails with being part of the human race.

Living in South Devon, I am in the minority here and, on occasion I feel like the standard bearer for Muslims. Don't get me wrong, I'm not a role-model Muslim but I do my best to represent my religion and beliefs in the best possible light. This is my personal jihad, my struggle, which I hope to improve and get better each day and this is what Ms. Marvel television show encapsulates so well, being respectful of your cultural heritage but also living in the environment and society you were born into. Kamala has these struggles to balance her duties and her desires and the series shows this quite honestly. I feel a connection to the character of Ms. Marvel in the same way that Miles Morales speaks for another, often underrepresented or unfairly represented demographic.

Ms. Marvel and me.

Ms. Marvel and me.

The show deals with the suspicion Muslims are often treated with and the fact that the authorities are often monitoring them. The Department of Damage Control are antagonistic and seem to be wary of these new superheroes, not because they have great power but because they're the 'wrong’ type of people. It reminds me of a scene in the Ms. Marvel graphic novel 'Mecca' where Kamala's brother, Aamir, placed in detention after being accused of not conforming to 'societal norms'. It's a powerful scene as he explains how, just because he is brown and wears traditional dress, he isn't to blame for all the ills in the world but because he stands out, it’s easy to target people like him. This storyline was in direct response to the US Immigration and Customs Enforcement Agency's policy of separating children form their parents at the border, an extremely controversial policy.

I'm thankful that Marvel Studios have creating a comic character that speaks truth to power, something I'd normally have to go to indie comics to find. The fact that such subjects have been broached by the biggest comic company and in one of the most popular series in the world is heartening. The fact that they translated this emotive topic onto a mainstream show is astonishing and brave; there is a sea change in the representation of people of colour and that has been long overdue.

Art is of its time but it can have a long-lasting cultural and societal impact on the world. By encouraging a sense of community and a forum for discussion change can occur. The Ms. Marvel television series and comics are an excellent medium for showing or even introducing that change. The show is aimed at tweens and teens but hey, as a man in my early 40s, I enjoyed the show and I think many of you will too. Don't sleep on this show guys, it's marvellous!

Anyways, below are the thoughts I noted down as I watched the shows weekly. Be aware, there are spoilers henceforth:

Episode 1

When Kamala wants to go to Avengercon and her mum says "There'll be a lot of haraam there" it reminded me of when I wanted to go clubbing in my late teens, because I truly loved trance and dance music, and knew this would be the response I'd get. Also, when Kamala brought up the unfairness between the ways her Muslim brother is given more freedom than her and she questions it I remember conversations with my family about the rights of my sister to choose her own destiny.
The shopping scene was hilarious as I remember from my youth, travelling to numerous shops to get the groceries and getting a Mr. Juicy carton of drink if we were good at the end of it from a shop.

Episode 2
When Kamala is trying out her powers and she is eating out at a halal van with the sign outside it rang true from experiences I've had.
The rush with Nakia to get to the mosque, hurriedly do wudu and pray hit hard as I remember doing that for Friday Jummah prayers during the holidays.
When the prayer starts and the Imam starts the recitation I had tingles down my spine as this is the Islam I know and love, not the one most commonly shown in media with violence and atrocities with shouts of 'Allahuakhbar' that tarnish that beautiful word.
When Kamala is in the car with Kamran and they name drop Baazigar, DDLJ and SRK I knew they weren't simplifying the series for the mass audience, if you knew you knew and if you didn't you could always Google it.
The dinner conversation about Partition rang true as I know it affected my family who live in the Pakistani Punjab, an area near the Indian border.
The Eid Mela celebrations were cool and even though I didn't go to many at all, I know they were a huge part of many of my Muslim friends' celebrations, which usually happened in Barking Park.
I loved the 'Illumin-aunties' gag and died at the idea that they gossip and know everything.

Episode 3
When the djinn are mentioned I had shivers down my spine as they are known as tricksters and spirits with often unknowable intent.
The self-seveil of the Islamic community by law enforcement rang true and brought up some anger as it led to toxic conversations online when it became a discussed thing years ago.
The bit where Sheikh Abdullah drops the "Good is not a thing you are. It's a thing you do' line I just about lost it. It's so powerful yet so true.
When Kamala's mum discusses the dream she and her husband have of coming to America and then the hardships they faced, it was so honest. I know my dad spoke of the hardships he and his father faced when they came to England in the 70s to start a life and bring their family over.
The choreographed Bollywood dance was cute and, whilst my family weddings were usually a lot more staid, I know a couple of friends who had attended more raucous ones (including mine which was a bit rave-y with old school 90s trance and dance).
The Kamala vs. Djinn battle scene in the kitchen reminded me of the Jurassic Park kitchen scene and was proper tense.
When 'Allahu Akhbar' is said in praise at the end of a wedding it was heartening as the phrase most often been associated with terrible acts of terrorism and criminality in much of the news here in England recently.

Episode 4
The passengers on the plane ignoring the stewardesses appeals to sit back down as the plane lands is exactly what I've experienced travelling into Asian hubs.
The way they portrayed the modern and past history of Pakistan was fascinating as you saw the posh eateries and the busy streets of Karachi, it really showed the juxtaposition of the country.
The 'Come with me if you want to love' quote was hilarious.
The Partition train station scene was heartbreaking as you see the chaos sewn by the Mountbatten Plan.

Episode 5
The vintage Marvel opening was mwah *Chef's kiss*
The opening news footage from the time showing the bloody consequences of the Partition are shocking to watch as it really humanises what is usually glossed over on the history books her in England.
The love story between the great grandmother and great grandfather was sweet and had the usual Bollywood tropes; beautiful cinematography, poems, roses and wah oh wah, kya dialogue!
The drama at the train station was intense and proper emotional.
The wibbly wobbly time wimey stuff was great but the lost kid part gave me palpitations; as a father of two young girls it's one of my worst nightmares.
The three generations of the Khan women bonding after the truth is out is amazing. It warmed the heart and got a big whoop of joy from me.

Episode 6
The 'classic Khan gossip train' bit was awesome as we know that the Pakistani community gossip spreads faster than the Internet.
The part where the family join together to tell Kamala how proud they are of her having powers and doing good is awesome-really heartwarming.
I love that her mum made the Ms. Marvel costume, it reminds me of the old ‘Goodness Gracious Me’ clip where the granny states 'I can make it cheaper.'
Speaking of the costume, I know some hate it but I thought it was cool as it speaks to Kamala's heritage and the deepening of her bond with her mum. Also the logo is from the broken necklace from the episode before... Tres cool.
Nakia's (probably correct perception) that every mosque in America was under surveillance from every security agency (as well as the sanitation department) rang oh so true.
The 'halal' and 'haram' hats were funny as heck.
I love the A-Team style plan to escape from the Feds as it means a team-up with all of Kamala's friends and family.
The Home Alone-ing of the feds was fun.
Embiggen- that is all.
The X-men 97 theme song was amazing and opens up a whole new would.... Potentially.

The Midnight Library and the Idea That You Can't Go Home Again.

This Easter I went back to Barking, my hometown, to spend some time with my parents, siblings, family and friends. It was a long old drive from South Devon to East London so I thought I'd listen to an audio book using my Audible subscription. I listened to The Midnight Library by Mike Haig, a modern version of It’s a Wonderful Life or, to be a little more modern, Sliding Doors (That was over 20 years ago and hardly constitutes 'modern'. Also, with was before Paltrow went all 'Earth mother' and Goop eggs on us so quite a while ago- Ed.)

Anyways, The Midnight Library is all about the various choices and opportunities we face and the paths we take. It seemed apt as I was staying with my family in the family home for the first time in 11 years. I've changed a lot in that time; married, learned to drive, had 2 kids, travelled and worked across the world and come back to Britain again. I've also gained a few pounds around the belly, lost a little more off top but I’m content really.

Arriving in Barking and parking up outside the family house, things didn't seem to have changed that much; the house had had a recent lick of paint but the streets seemed same old, same old. After seeing my parents briefly, I went into town with my dad and saw the scale of change; Barking had really become developed. So much of the old local council estate (the infamous Gascoigne Estate) was now low rise apartments and building sites of riverside abodes. The shops mainly constituted barbers, hairdressers, fast food places and mobile phone shops but also there was a Costa and Starbucks so obviously this town was changing with some city types moving in.

Barking has changed a lot over the past 10 years or so.

The library, which had been a formative part of my childhood and teenage years, was nearly unrecognisable to me as it had turned into one of those hybrid book lending/ study areas mixed with council functions such as PIP processing and police station mixes... A weird combo to be sure. It was busy but had the soulless strip lighting and jagged brightly coloured furniture of an office block. I had been living in Barking when it had changed but over the past 10 years the library seemed to have shrunk and the building seemed to be a veritable Swiss-Army knife of functions and rooms.

I then walked down Barking Road, past East Ham and Upton Park and, again, the sheer number of flats and apartments that had been knocked down with new ones going up was astonishing. So much was being built but the town itself had changed little with Queen’s Market given a coat of paint but looking generally the same as usual.

Walking back to Barking, I was reflecting on my walk and the Midnight Library about how we have life choices and chances and whether we would change anything if given the opportunity. Thinking about this multiverse of possibilities I'd say that, even though things haven't always worked out, I don't think I'd change anything as our journey leads us to where we are now and with that comes challenges but also the realisation that personal growth and life choices and chances gave us the potential ability to alter our future path.

I walked past the ghosts of my youth- shops, streets and houses- and thought of my old friends. I hadn't thought about some of them for so long because, well, life gets in the way. I speak to some but many others, well, we drifted away. I think this walk underlined a deep truth; relationships that run their course are not necessarily failures, another person can change your life without remaining a permanent part of it. People can leave an imprint on us, acting as a catalyst for (re) discovering something about ourselves. That's what makes life so interesting and powerful; our evolution as people.

Rise of the Videogame Zinesters : How Freaks, Normals, Amateurs, Artists, Dreamers, Drop-outs, Queers, Housewives Are Taking Back an Art Form by Anna Anthropy- Book Review

I started this website in 2013 for a couple of reason; to show my passion for video games and share my thought but also to move the conversation forward on gaming culture. I found that often there was a culture of insularity among many gaming sites, often only covering the big AAA titles. I wanted to cover the weird, quirky, strange and fringe games from the point of view of an educationalist, a teacher, as well as an enthusiast and gamer. I thought, and still think, that some games can be used as a contextual hub for learning. There were a few sites and books that I have found along the way that I feel move the conversation forward and allow the marginalised and non-mainstream to share their views but for the most part these were under-represented. Now it is much easier to find diverse, personal and insightful writing about video games from the perspective of an often underrepresented audience. I have found many articles that have spoken to me and pieces that have made me think about games and gaming culture at a higher level.

Books about videogames

I love reading about videogames.

Games can deliver sophisticated social and political commentary and many game makers are acutely aware of this, creating forums, website and safe spaces for these conversations and flow of ideas to occur.

I recently read the much lauded ‘Rise of the Videogame Zinesters : How Freaks, Normals, Amateurs, Artists, Dreamers, Drop-outs, Queers, Housewives Are Taking Back an Art Form’ by Anna Anthropy and even though it is nearly a decade old, some of the topics and issues it covers are still relevant.

Even though it is over a decade old, this book still covers quite a lot of still relevant themes and ideas.

It's book is a quick journey through the videogame timeline as well as a manifesto for inspiring DIY game-making. The main thrust of the book is that videogames are easier to make than ever and that they are great way to share your ideas in a dynamic way. Through her own personal journey, she recounts the issues she’s had along the way and the barriers often put up by the bigger companies who often play it safe with the iterative games they often make.

The book was a great read, highlighting issues that still persist nearly 10 years after the book was made; lack of positive representation of the LGBTQ+ community, lack of diversity in appointments in the upper echelons of the big AAA companies and generally the abundance of violence in the most popular franchises. She also presciently discusses toxic workplace environments with abuse and mismanagement, crunch and the lack of security within the industry. All this was before the #Gamergate and #MeToo movement and Anthropy called it before it reached mainstream.

I’m glad that much of what she discusses has moved on with the Indie boom allowing more exciting and innovative games with a wider voice being carried but some of the more toxic elements covered still remains.

Overall, the book is well worth a read and might inspire you to make that one great game you always dreamed of. Also, it might inspire you to try new games and genres and engage with things you don’t know about or understand. Videogames have the power to open our minds to new experiences and change the way we see the world.

LINK- The Offworld Collection

LINK- Nintendo: My One True Gaming Constant

LINK- The Unofficial NES/ Famicom Compendium

LINK- Twin Peaks: The Return Series Review

LINK: Japan: My Journey to the East

LINK- The Future Starts Here: An Optimistic Guide to What Comes Next- Book Review

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

Disrupting the Game: From the Bronx to the Top of Nintendo by Reggie Fils-Aimé- Book Review

When I heard that Reggie Fils-Aimé, former COO of Nintendo of America, was writing a book I was really excited. Nintendo is quite a secretive company and we don't get much from them which isn't slickly PR-ed, produced or designed by committee. I thought with Reggie's book we might get more of an insight into their creative process and some stories behind its successes (Wii, DS and Switch) as well as its relative failures (Wii U And Game Cube). I wasn't expecting a 'tell all' or scandalous book but some candour and insight into Nintendo's approach. Instead, what we get is a book that is a "business memoir" and not an autobiography per se. We get a distillation of key moments in Reggie's career and life and the lessons learned along the way. Reggie ends each section with some takeaways and business lessons but, again, they are pretty broad and commonsensical as "learn from your mentors" to "formulate your goals clearly." Not terribly insightful but very business 101, if that's your thing. We get a little Nintendo but not that much so if that was what you were looking for, this isn't the book for you.

The books starts off on a very heavy note with Reggie attending Nintendo President and CEO Satoru Iwata's funeral. It's deeply personal and pulls the reader in. We learn about how the two butted heads initially but over time grew to appreciate each others skill sets and opinions.

It then tracks Reggie’s educational record and the various businesses he turned his hand to including Proctor and Gamble and Pizza Hut. The common thread is of disrupting the norms and being innovative and inclusive.

The section when he joins Nintendo is interesting as Reggie discusses how his constant questioning of his potential superiors in the Nintendo role could have led to him being removed at the interview stage but they liked his unorthodox, humanistic approach and how this would change the paradigm at the company, which was traditionally hierarchical and old fashioned in its approach. They liked it so much that they hired him.

There are highlight such as behind the scenes at the legendary 2004 E3 where Reggie was ready to kick butt and take names, the story behind packing in Wii Sports with the Wii and the success of the DS and also, after an initial hiccup, the 3DS. However, the Wii U is not shown much love and is glossed over. This is not a breakdown of what went well and what didn't but cherry picked analogies and examples which show Reggie in the best possible light. Obviously, Reggie wants to show his best side but some more real insight would have been useful. The Switch plan is discussed and the resurrection of Nintendo as the leader of disruption is interesting to hear.

It ends of Reggie's, at time of writing, work with toy company Spin Master and Gamestop. He also talked about giving back to the community and the lectures he give at university. His 5 life principles are light touched upon:
1. What happens to you is up to you,
2. Life is hard but dig deep,
3. Be open to alternatives,
4. Embrace your fear, and
5 live in the moment and have some fun along the way.

The book is a good read but not groundbreaking as it is very corporate. However, the good stuff, the more anecdotal tales comes at the bonus Interview section when Reggie talks to Geoff Keighley. Here we learn about the legendary 2004 E3, Mother 3, the Regginator and the Muppet stuff. It has the feel of a podcast with all its fly-on-the-wall chatting and this is what I was looking for. Reggie is more candid and we get a much deeper view behind the curtain at his work at Nintendo.

Overall, this is an interesting and enjoyable book which is very readable; it is very business focused and the biography part of Reggie's life fits around this. Reggie ends on a positive note with a push for enjoying life and living for the moment.

LINK- Nintendo: My One True Gaming Constant

LINK- The Unofficial NES/ Famicom Compendium

LINK- Twin Peaks: The Return Series Review

LINK: Japan: My Journey to the East

LINK- The Future Starts Here: An Optimistic Guide to What Comes Next- Book Review

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

The Prophet by Khalil Gibran- Book Review

Whilst browsing through Audible I saw that the book ‘The Prophet’ by Khalil Gibran was available. The title intrigued me and reading the blurb my interest was piqued further. Add in the fact that it was read by Riz Ahmed, an actor and activist I really admire, and it was a no-brainer. I plumped for it, listening to it in one go which is no big deal as it clocked in at just under 2 hours.

The book is made up of 26 prose poems, delivered as sermons by a wise man called Al Mustapha. He is about to set sail for his homeland after 12 years in exile on a fictional island when the people of the island ask him to share his wisdom on the big questions of life: love, family, work and death. And so, in the course of the runtime, we get earnest and heartfelt universal truths about the human condition. The book speaks to people at different stages of their lives. It has this magical quality in the more you read it the more you come to understand the words and relate them to yourself and your own experiences.

I very much enjoyed the book as it wasn't as trite as ‘The Alchemist ‘or as psycho-babblish as many other books that try to achieve that ‘spiritual’ vibe without being too cheesy. In fact, the author I found it most similar to was Sandor Marai, whose work ‘Embers’ remains one of the most beautifully written works I’ve ever had the pleasure to read.

I loved the fact that Gibran's work is not filled with any mainstream faith dogma but is open to everyone, irrespective of their background; the writing is not moralistic but rather universally spiritual. It can help us consider our own view of the world and for those who choose to interpret it as such, it reaches for the light of truth and God.

This book is an immersive and engaging read and I would highly recommend it to anyone looking for a philosophical read.

How to be Perfect: The Correct Answer to Every Moral Question by Mike Schur- Book Review

How to be Perfect: The Correct Answer to Every Moral Question is a book by acclaimed sitcom writer Mike Schur. I loved Schur's work on Parks and Rec and The Good Place, the show that really got me switched back on to philosophy. I had studied Anthropology at university but have always had an interest in the human condition, the reason why we are here and all the other light fluffy stuff that makes me such a great conversationalist at parties. However, the idea of reading thousands of years of philosophy and ethics is daunting so, as well as reading some books recently by Ernest Becker, Rumi and Noam Chomsky to get myself caught up, it's wonderful to have a distillation of thousands of years of moral philosophy and ethics in one handy tome. What made it more appealing was the idea that with Schur you knew it was going to be funny but also inherently humanist, like his sitcom work and indeed it proved to be so.

Schur uses his wordplay and storytelling skills to entertain all the while explaining the complex world of philosophy and the thoughts of great thinkers including Plato, Aristotle, Kant, Mills and T. M. Scanlon, as well as the not so great thinkers like Ayn Rand and right wing Libertarians. He also explains, in approachable layman's terms, concepts like Utilitarianism, Deontology, Existentialism, Humanism and Contractualism.

All through the book, Schur presents us with moral quandaries and then uses each philosophical school to explain how they would deal with the issue. Some of these issues are absolutely real world and important such as 'Should I consume the media produced by a terrible person?' whilst others are more more ethical questions which won't rock the world but are probably questions you've asked yourself like 'Should I return my shopping trolley when I've used it? (Even though I'm in the car park and the trolley park is wayyy over there).

Schur also looks at several concepts and methods which some people utilise to help justify their actions in the world such as the idea of moral credit, whereby doing good builds up points to offset the bad deeds. I’ve recently learned that Jimmy Saville believed in, which is why he did so much charity work whilst abusing children, so it’s probably not a concept you want to stick with. Schur also examines the way people apologise and how it has now become seen as a sign of weakness to apologise sincerely without the 'I'm sorry if you're offended' non-apology. He believes that an apology should be sincere and honest rather than forced and performative and I agree. What use is a false apology?

Overall, I really enjoyed the book as Schur doesn't judge and he also considers his privilege. He discusses how people's life choices, chances and just plain dumb luck affect our philosophical bent. As he says, he has been dealt the 'easy' mode with his life as regards his race, gender, upbringing and education so its refreshing to hear someone is such a privileged position speak about this-often many present it as 'Hard work' and 'effort' which it is to an extent but a nod to the privileges should be noted. He gives the example of Michael Jordan who is rightly so a legend, but also he is 6 foot 5, was born in America to supportive parents and didn't have to worry about food, floods, famine etc. affecting his life whereas someone in another country might.

Schur ends the book with a coda to his own two children where he briefly talks about how life is challenging but the best we can do is our, well best. By using the moral philosophy tools available to us and looking at scenarios through various ways we can make an informed decision about what type of person we want to be in a society made up of nearly 8 billion people. The Greeks said it best with "Know thyself" and "Nothing in excess" and it's pretty spot on.

LINK- Twin Peaks Retrospective

LINK- Twin Peaks: The Return Series Review

LINK: Japan: My Journey to the East

LINK- The Future Starts Here: An Optimistic Guide to What Comes Next- Book Review

LINK- On And On And Colston ( Or, How We Kinda Sort of Learned to Talk About the Legacy of Colonialism and the British Empire)

LINK- ‘Natives: Race and Class in the Ruins of Empire’

LINK: Let’s All Create a ‘New Normal’.

LINK- Mario Odyssey- Video Games As Art

LINK- Hellblade: Senua’s Sacrifice- Video Games As Art

LINK- An English Geek in Saudi

Chocky- Cult TV Series Review

I have a penchant for cult TV series from the 70s and 80s and, having watched quite a few of these serials, what I find holds up the most are the shows with an economy of design. Often, it is the simple production designs, sparing use of music and often the silences that create the moments of tension that bring many of these classic productions much acclaim. Even though I never watched them at the time, programmes like 'The Stone Tapes' and 'Children of the Stones' had stood the test of time and I found them incredibly watchable today with no nostalgia attached. The excellent writing and characterisation brought these works to life and it is no wonder that many of these series have left a lasting impression on the generations that watched them as a result.

The works of British sci-fi author John Wyndham have often been turned into movies and television series. I was aware of his work due to my father having read ‘Day of the Triffids’ back in the 70s when he was in school but I never had read any of his works. I watched the 1980s BBC Triffids series and found it enjoyable as his kitchen sink drama mixed with a sense of dread made his work instantly engaging. Wyndham also authored 'The Midwich Cuckoo' (which the ‘Village of the Damned’ series of movies is based on) and 'The Chrysalids,' which I read recently. I was less aware of his final written work, Chocky, but had heard that the Thames Television 6 part TV series was worth a watch and so, after liking his previous work, I watched the show. Was it worth my time?

Chocky, follows the tales of a young boy named Matthew (excellently played by Andrew Ellams) who develops a friendship with Chocky, however this friend is imaginary... or is it? Eager to find out if this imaginary friend may not be a figment of his imagination but rather an intergalactic intruder, the fraught parents seek advice in whether the presence is benign or malign and it turns their world upside down.

It's an interesting premise as it sounds very much like the demonic possession story trope that was popular in the 80s but actually it is much more nuanced than that; it is a tale about relationships. It could have been overacted and the drama could have escalated to ridiculous proportions but generally it is the growing bond between Chocky and Matthew as well as the familial bonds between Matthew and his father (ably and sympathetically played by James Hazeldine). Rather than panic, like the mother (again, wonderfully played by Carol Drinkwater), the father seeks to understand Chocky and seeks advice. This isn't to say that the mother figure is presented as a harridan or scold but rather she is concerned as even friendly possession is possession and so, frightening to witness in your child.

I thoroughly enjoyed the programme and loved the way the family dealt with this existential threat to their unit in a plausible and sympathetic way rather than descending into histrionics and melodrama. Wyndham is a quintessential British sci-fi storyteller, with his less is more and subtle approach. Chocky is wonderful stuff which brings back waves of 80s nostalgia; the hair, the fashion, the transport and the shops. Make no mistake, this is a Cold War inspired film about an alien host but this is one about mutual respect and understanding rather than blowing each other to oblivion. With a heartfelt message like that Wyndham’s final tale is one of hope and reconciliation. One we could heed in these interesting times.

LINK- Dead of Night: Cult TV Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review

LINK- Mario 3D World- Videogames As Art

LINK- The Last Guardian- Video Games As Art

LINK- The Mysterious Cities of Gold Retro Soundtrack Review

LINK- Twin Peaks Retrospective

LINK- Twin Peaks: The Return Series Review

Kirby and the Forgotten Land- Videogames As Art

I'm a big fan of Nintendo and this is mostly due to a mix of nostalgia but also its craftmanship in creating wonderful family games. After completing Super Mario 3D World and Yoshi’s Crafted World, my daughters and I were looking for our next game and Kirby and the Forgotten Land seemed to fit the bill. It is cute and 2 players so we could do the old life or level controller swaparoo!

We loved the game and completed it, taking about 15 or so hours to get through the main missions and many of the mini-games. My daughters got very trigger happy on photo-mode so I went through the game in parallel to take the screenshots. It’s gorgeous and well worth a play.

It Was The Time of the Seasons/Series

Back in the day, before satellite telly and streaming services, there were only 4 channels on British television; BBC 1, BBC 2, ITV and Channel 4. There were films available on VHS for rental and this was important as films often took a few years to reach terrestrial TV. You'd know films would be arriving soon on the channel as they'd advertise the blooming heck out of it, often several months before it would be shown. The sense of collective excitement was palpable in the playground when a big movie had been shown the previous night and everyone would role play or act out their favourite scenes from the movie. A hugely formative film was The Goonies as, when that was shown on telly on a school night, it was all anyone would talk about the next day. The showings of these formative movies were few and far between though and so we'd savour these shining moments between repeats of old variety shows and stuffy documentaries.

However, there were magical times when someone at the channels would clock on that by running special seasons of themed movies or shows they'd have a repeat viewership.

As a child of the 80s, there'd always be the Summer block of cartoons with The Raccoons, Mysterious Cities of Gold, Belle and Sebastian and Around the World in 80 Days with Willie Fogg. These were halcyon days when the Summer seemed to stretch on forever and there seemed to be a world of endless possibilities, after the 4 hours of early morning cartoons, of course!

However, away from the 6 weeks holiday animation bliss, the most memorable staple of my childhood would be the Bond Season. For most of my childhood, without fail, ITV would show the movies in a weekly run on Wednesday evenings. Other seasons would be the Carry On films on ITV, The Laurel and Hardy seasons on BBC 2, the Ray Harryhausen collection on BBC1 and the swords and sandals epics of Ben Hur, The 10 Commandments, The Greatest Story Ever Told on Channel 4 around Easter time. Then, in the mid-90s, the manga and anime season on late night Channel 4 really upped the ante on edgy late night entertainment. With the prevalence of Sky TV I remember late night Bravo having an amazing season of Hammer Horror in the late 90s/ early 2000s with classics like The Witch Finder General, Masque of the Red Death and other classic Vincent Price, Peter Cushing and Christopher Lee films showing.

I have a lot of affection for this time as it was very formative for me. It introduced a lot of new actors, films and genres that I had never experienced before and broadened my horizons on what entertainment could mean. This was very much the epitome of appointment television as VHS recorders were a fickle and arcane piece of technology, one where I could watch films just fine but getting it to record at a scheduled time was a matter of luck. In this day of convenience and streaming, there is something to be said for the collective watching at an appointed time for media, something that only really exists in the world of sport. Don’t get me wrong, we have been going through a golden age of television and I wouldn’t want to go back to past televisual practices but it’s interesting to see the evolution of television, films and how there is channel drift.

LINK- Stonehenge Exhibition at the British Museum Website

LINK- The Moomins 80's Soundtrack Vinyl Review

LINK- Inspector Gadget Retro Soundtrack Review

LINK- Ulysses 31 Retro Soundtrack Review

LINK- The Mysterious Cities of Gold Retro Soundtrack Review

LINK- The Stone Tapes (BBC)- Cult TV Review

LINK- Twin Peaks Retrospective

LINK- Twin Peaks: The Return Series Review

LINK: Japan: My Journey to the East

LINK- The Future Starts Here: An Optimistic Guide to What Comes Next- Book Review

LINK: Let’s All Create a ‘New Normal’.