Video Gaming Bucket List

One of the perks of being old, and there are only a few that balance out the failing health, mortgage payments, the 'man' getting you down etc, is to be able to look back and recall fondly on what has gone before. No I don't mean in the 'Only 80's Kids Will Remember This' type of thing but rather really recall things.
I have had the privilege of living through the most exciting time in computing history. I was there when the British microcomputers emerged, thrived, then gave way to the Nintendo and Sega 8 and 16-bit console wars. I was there when the future seemed to be in FMV gaming (Hi Night Trap, I'm looking at you) and I was there when disc based gaming blew open the possibilities of what games could look and sound like.

Night Trap looked to be bring a new maturity to gaming- it didn't do very well.

When choosing an aesthetic for TheDeadPixels, which I started 4 years ago, I selected a predominately 8 and 16 bit look as these was the most formative years of my gaming when I was aged between 8 to 15.

People often ask me if I still play retro games and my honest answer is yes, not as often as Id like to as being a father and running a house takes up a lot of my time, but whenever I'm between modern games I often go back to revisit old classics, often to fill myself with the glow of nostalgia or to beat games I didn't have a chance to in my youth, either due to not being good enough or simply by not owning it.

Recently I've been working through my gaming bucket list, a list of video game achievements I'd like to fulfill before I die. This list is due in part due to my tendency to be a completist or to feel like I really have enjoyed all the best that the medium has to offer.

I went to PLAY Expo Margate and fulfilled a couple of my dreams by playing Tempest 2000 on the Jaguar and Musha on the Megadrive 3. This got me thinking as to what else I'd like to achieve in my time on this mortal plain and this list is what followed:

  • Complete Rainbow Islands on the Amstrad CPC 464- I got near the end when I was 11 in 1992 but never finished it.

This game is very hard to complete, even though it looks all cutesy and sweet it has a rock hard heart!

  • Finish a Dragon Quest game as they are a big deal in Japan.
  • Play Final Fantasy 5 and complete IX. I have completed FFIV, VI, VII and VIII and own IX but haven't completed it. I haven't ever seen a FF V cart in the wild and I'll be darned if I play the iOS version!
  • Play any Football Manager. I feel that as a Brit I'm letting the side down by not getting on this most British of institutions.
  • Complete Majora's Mask. I completed Ocarina of Time and it is my favourite game of all time but I only played Majora's Mask briefly (I own the cart), moving onto the PS 1 at the time.
  • Complete Monkey Island 1 and 2 as they are a big deal. On iOS I recently completed other classic point and click adventure games such as Beneath a Steel Sky, Broken Sword 1, 2 and 5 but having bought the first two Monkey Islands on iOS I haven't got around to finishing them.
  • Complete Persona 3 and 4. I own both and have poured about 30 hours into them but this is Persona and over 100 hours are needed for each game. Who has time for that?
  • Play Skyrim. I bought it years ago and just never got around to it. I find I'd rather play games with a finite amount and feel like I'm making progress.
  • Complete Fallout 3. I bought this a few weeks after it came out and after 5 hours gave up, the pace is deliberately slow and world building but I want progress darn it!
  • Play the Zelda Philips CDi games even though they are supposed to be terrible!

The Zelda CDi games are supposed to be terrible but I'd like to play them!

  • Complete all the Metal Gear Solid games. I've played a bit of 1 and Peacewalker but that's about it. I really should rectify this tout-suite!
  • Complete Super Mario World. I have it and was working through it recently but with the housing renovations being done I had to move out and left my RetroN5 at home. It still awaits my return!
  • Complete Streets of Rage 3. I've finished 1 and 2 plenty of times but played 3 briefly at a retro games centre as I never owned it due to it being really expensive at the time and it coming out right at the end of the Megadrives life span.
  • Complete any original Megaman game and Megaman X. I didn't own a Super Nintendo as a kid so never played X but I did play the first two Megaman games around a mates house and 9 on the Wii when it came out a few years ago. They were brutal but I'd like to revisit and complete them.
  • Play Thunderforce 5 as I completed 3 and 4 on the Megadrive and thought they were brilliant.
  • Complete Okami-den. I loved Okami on the PS2 and completed it. I also purchased it for the Wii as I though the motion controls would enhance the game further. Okamu-den was a rare DS game and I only managed to buy it recently at the London Retro Gaming Expo. It's the game I'm currently working through.
  • Complete Zelda on the SNES. I completed Links Awakening and Oracles of Ages and Seasons as I had a Gameboy and whilst I have played up to the forth dungeon in ALTTP I haven't completed the game.
  • Complete Castlevania: SOTN and Super Metroid. I love both these series and have complete Metroid Prime 1 and 3 (I didn't taken to 2 with the Dark World mechanic) and I have completed Castlevania: Lords of Shadow and Super Castlevania but I haven't played what is widely considered the high watermarks of the Metroidvania genre.
  • Complete Wonderboy IV. I loved the Wonderboy game in the arcades and on my Amstrad but the high point was Wonderboy 3: The Dragons Trap. It was the jewel in the Master System crown and I felt a huge sense of accomplishment when I completed it. I bough the Monster World pack via Xbox Marketplace but haven't put much hours into 4, I feel I need to do this as its supposed to be amazing and was unavailable for a long time in England.

I'm not even sure that this was released in the UK but boy does it look wonderful.

  • Complete Mario 64. I played it lots but never got all the secret stars.
  • Play Panzer Dragoon Saga. I loved Orta on the Xbox but heard that this was much better.

Panzer Dragoon Saga fetches a pretty penny nowadays.

That's pretty much my bucket list. As I work through these I'll highlight these in red and date when they were accomplished. As well as playing current games, being a father and doing my day job this is a pretty comprehensive list of things I'd like to achieve in my life. Let's see how many I can do Give me your gaming bucket list in the comments section below

Top Chiptune Soundtracks You Don't Know

Soundtracks nowadays are similar in style and vein to movie scores, full of cinematic scope and bombast, which is great as it leads to fantastic scores like the ones for Journey, Thomas Was Alone or DMC. However there was a simpler time where space was limited and the sound files had to be compressed and optimised to fit on a cartridge with 8 or 16 megs. This economy of scale led to thoughtful and creative masterpieces that are still iconic even today.

Now we could rattle off the famous game soundtracks that usually fit into many of the 'greatest Megadrive / SNES / NES soundtrack compilations' which you can find on YouTube but I want to choose a few pieces that time has forgotten. This is away from the usual Castlevania, Sonic, Megaman and Mario soundtrack scores as everyone knows them and loves them. I'm talking about the rarely heard soundtracks of yore. Here are a few of my favourites, maybe you could tell me yours!

This music plays during the Underwater levels from the Disney game World Of Illusion. It also plays during Mickey's Coral Reef section.

Music from R-Type 1987 by Irem- this level could be described as looking like the contents of a stomach, possibly after eating genetically modified food.

Thunder Force 3 - Stage 5: Ellis. This music was so upbeat and rocking that I loved leaving it to last!

The Offworld Collection - Book Review

I started this website in 2013 for a couple of reason, to show my passion for video games and share my thought but also to move the conversation forward on gaming culture. I found that often there was a culture of insularity among many gaming sites, often only covering the big titles. I wanted to cover the weird, quirky, strange and fringe games from the view of an educationalist, a teacher, as I think some games can be a contextual hub for learning. There are a few sites I have found along the way that I feel move the conversation forward and allow the marginalised and non-mainstream to share their views but the most prominent for me was Offworld -BoingBoing, curated by Leigh Alexander and Laura Hudson.

The goal of the website was to focus on the writing and game design work of women, people of color and other marginalised people.

In the words of Site Editor Alexander:

"Offworld is a place for curious and playful grown-ups... there will be an unequivocal and uncompromising home for women and minorities, whose voices will comprise most of the work published here," reads the site's initial statement. "We're looking forward to loving games again".

Over the course of a year the website published diverse, personal and insightful writing about video games from the perspective of an often underrepresented audience. I found the articles spoke to me and the pieces made me think about games and gaming culture at a higher level. I knew of Leigh Alexander through her work at another excellent website, Gamasutra and her articles in Edge magazine and had been following her work for many years. I find that she is often a champion for the underrepresented and marginalised and so when the Kickstarter for the release of the Offworld Collection book started I supported it as I felt that it was important to back something I felt so strongly about. Also the book looked pretty kickass; highlights from the website in luxury hardback format, sign me up! So, after a very long preamble, what of the book?

Well, the book is handsomely presented in an embossed hardcover with quality heavy paper within. The anthology starts with a foreword by Alexander which discusses her motivations for the work she did on the website.
The book proper is split into 58 essays, each covering a wide range of topics that should suit everyone's tastes. I won't go into detail about all of the essays here but will choose a few of the pieces I particularly liked.

The books starts off with Gita Jackson's 'We Are Not Colonist' which is like a call to arms: it states proudly that minority voices are now being heard, they did not just appear out of thin air, they were always there but were not always being heard.

'Should You Kill Monsters, Or Try To Save Them?' by Laura Hudson looks at the intricacies of Undertale, discussing the choices that the player is given, the simplicity of the sword or the path of compassion. The essay considers how even the smallest, silliest decisions have repercussions within the game and how the story stays with you for a long time.

'I Love My Virtual Untouchable Body' by Aevee Bee, which is written from the point of view of a transitioned individual, looks at character design and how it can be empowering to design an avatar and be who-ever you want to be.

'Video Games Without People of Colour Are Not Neutral' by Sidney Fussell, considers how the heroes of fantasy worlds are often white heroes who exist in white worlds. Defenders of racially homogeneous period fantasy say this destroys the illusion and quote quasi-historical sources to support their claims. This is a strange argument but for some non-white characters in fantasy games are less ''realistic'' than dragons.

Games can deliver ethically sophisticated social and political commentary, many game makers are acutely aware of this and in these increasingly complex times I am glad that there exist forums, website and in this case, a book that provokes critical and reflexive thinking. Engaging with things we don’t know about or understand has the power to open a new world to us, to introduce us to new ideas, cultures and experiences that we would maybe never otherwise encountered.

The Offworld Collection is required reading for anyone who wants to have a deeper and more meaningful understanding on what video games can mean. It is a fine anthology book and the variety and depth of essays is remarkable.

What Comics Have Taught Me

Comics are amazing as they can open our minds to a whole world of imagination. There are many comics and graphic novels which are based on real life and tell us about a wide variety of historical and biographical events but I have also enjoyed comics which talk about the human condition and humanity but may not be based on real life. It is these that I want to share with you here.

Video Game Soundtrack Desert Island Discs

Desert Island Discs is a British Institution. The format is simple: a guest is invited by the host to choose the eight records they would take with them to a desert island. Since it was created in 1942 the show has had hundreds of guests including such illustrious people such as Tom Hanks, Lily Allan and Bill Gates.

However rather than just doing a list of 8 songs I thought I'd do the 8 video game soundtracks I'd take on the desert island with me instead. Many gaming music composers were anonymous and they didn't realise until recently that their music had a profound effect on millions of people across the world. For many of us it was the soundtrack of our childhoods. These are tracks that have scored my life.

Shadow of the Colossus - By Kou Otani - 01 Prologue.

This is one of the greatest soundtracks of the Playstation 2 era. The soundtrack is orchestrated wonderfully and works well to create some very emotional sounding pieces of music that echo the lead character's determination to save his loved one, as well as the loneliness of his quest and the land that it's set in.

This track is used right at the beginning of the game and introduces the protagonist through an epic cut-scene which sets the mood wonderfully.

The Legend of Zelda: Windwaker - Koji Kondo et al - Dragon Roost Island

I love the Zelda score and all the games have an amazing soundtrack but this track is just wonderful. It has a light breezy mariachi band feel which is punctuated with staccato castanets under the floaty panpipes. Whenever I listen to this track it reminds me of my time sailing around the world.

Beyond Good and Evil - Christophe Heral - Redemption

BGE is an underappreciated gem that didn't get the recognition I feel that it truly deserved. As well as having a wonderful female character and brilliant gameplay the soundtrack was astonishing. There are moments of real beauty contained and it was hard to choose but this track near the end of the game perfectly captures the essence of the game.

Thunder Force III - Toshiharu Yamanishi - Ellis: Take a Chance

Thunder Force III is one the the best shmups ever and has very fitting upbeat music. Each stage and boss has a unique sound set specifically for it. While the usual mechanical sound of the Sega audio chips is present, it's not very distracting since the game is meant to be futuristic. Ellis is the ice world and the track for this level is pretty awesome. Whenever I hear the music it has me hyped!

Thomas Was Alone - David Housden - A Time For Change

Sometimes a game comes along and surprises you. It may be for any number of reasons but for me Thomas Was Alone is the game that most surprised me. It made me feel things... for a bunch of quadrilaterals. Yup, a bunch of squares and rectangles had me feeling things, emotional things. The game is a simple puzzler but the witty heartfelt writing and majestic score raised the stakes on the emotion front higher. This track is wonderful and I still listen to it most days, especially when I'm in one of my soul-searching moods.

Donkey Kong Country: Tropical Freeze - David Wise et al. - Seashore War

The Donkey Kong soundtracks are all amazing, especially when the great David Wise composed them. Out of all the great soundtracks that stick with me the most recent game, Tropical Freeze has the track that still send shivers down my spine. Seashore War is majestic and sweeps along beuatifully. The track appears near the end of the game. After a long, tough battle to get close to the finishing post this track seems like a balm giving you hope and motivating you to beat the game. A true gem that I listen to daily whilst marking my pupils' work.

Journey - Austin Wintory - Nascence

There are few games that you know you will remember for the rest of your life. For me Journey is one of those games. It is a short experience but within that limited time you questions the meaning of life, universe, everything. The game is gloriously scored by Austin Wintory and his wonderful orchestration touches the heart. A profound yet beautiful score which will stick with me forever.

Sonic the Hedgehog 3 - Michael Jackson (?), Brad Buxer, Cirocco Jones - Marble Gardens Act 2

This is a bit of a weird one I know but I love it. The original 4 Sonic games had some amazing soundtracks but this one stuck with me for some reason. I just loved Sonic 3 and even though Marble Gardens is not a good level by any means the soundtrack was amazing and even now I still hum the tracks occasionally.

So these are my 8 video game Desert Island Discs. I'm sure a lot of you are thinking 'what the heck, you missed blah blah blah' but this isn't an official top 8, just my personal favourites. So what are your favourite tracks and why? I'd like to know and if doing 8 is too much just give me your one favourite in the comments below.

Virginia - Video Game Review

Virginia is an interesting new piece of work by 505 Games. The story places you as a young female FBI Agent, a new recruit who is partnered with Agent Halperin to solve a missing persons case in the beautiful and sleepy town of Kingdom, Virginia. The story is deeply involving as your agent is tasked with monitoring her partner as well as dealing with the missing persons case.

As a video game this premise is an intriguing one and the game itself is difficult to categorise, as it is a walking simulator but not in a way that many gamers see as negative, it creates a compelling narrative without a word being uttered and moves at a cracking pace. There isn't the usual traipsing from place to place slowly, don't get me wrong there is a lot of walking but the game designers were intelligent enough to edit the work so that quick cuts happen often and are cinematic and effective, thus you may find yourself walking down a flight of stairs one moment and in the next you are in a car on the way to Kingdom. As a result the game comes off more as a fast-paced police procedural as you try to figure out what just happened.

Over the course of the two or so hours you follow clues and enter mysterious red doors which act almost like portals to another place, a place out of time. It would be lazy to mention Twin Peaks but the fact is that it is an obvious influence, as is The X Files and many modern cop shows with fast edits and quick pacing.
The game is visually beautiful and the art style is evocative of Thirty Flights of Loving by Brendon Chung of Blendo Games, who the creators of Virginia cite as an influence. There are moments of stark beauty and emotive moments that are scored wonderfully by the Prague Philharmonic Orchestra. For a piece of work with no words said there are moments that will stay with you for a long time.

The visual style and the lack of dialogue make for a really surreal and unsettling atmosphere. I was legitimately enthralled and surprised by the story and once the game was over I sat for a while contemplating what it all meant. The Writers Guild of Great Britain has announced the nominations for its annual Writers' Guild Awards, and one of the three games nominated with a chance of winning an award for Best Writing in a Video Game in Virginia. This is high praise indeed and hopefully will propel Virginia into the limelight so it gets the attention it so deserves. Do yourself a favour and play it... you won't regret it!

Teaching Civil Liberties in Volatile Times

We live in an interesting time where surveillance paranoia and Orwellian dystopian nightmares seem to be coming true.
Edward Snowden informed the general populace of the extent to which governments spy on their citizens, often through 'special relationships' which create legal loopholes around the principle of a right to privacy. The mass sharing of intimate and private celebrity videos and photos through 4chan, Gawker and other sites, Theresa May's Investigatory Powers Bill,   the sharing of the Panama Papers, drone warfare and the Internet of Things show how relentless the march of technology has been but at great cost to our liberties.

As our relationship with technology has becomes more complex the likelihood of exploitation has grown greatly. As teachers we need to inform our children of the dangers that exist in the virtual world. A lot of us do this through e-safety lessons and embedding e-safety week into our curriculum but with emerging technologies we need to consider aspects that we haven't even thought of. For example the use of personal drones with recording facilities allows anyone with the kit to make recordings without the permission of the people, however more worrying is the systematic processes by which the government is taking information without our permission through the use of 'disruptive communication' (i.e. spying and media tapping). With the Investigatory Powers Bill, the British public may have just apathetically allowed their privacy, liberty and freedoms to slip away. In real terms we may just have condemned us all and our future generations to virtual psychological imprisonment and enslavement.
The right to exist freely is a human right but as governments challenge this by seeking to control and spy upon their citizens not only do we need to make our pupils aware of dangers from outsiders but also the more insidious dangers from within. We need to ensure that whilst they have a level of trust for those in authority they are prepared to question and think about the angles and perspectives which those in positions of authority may be pushing.

Technosoft Aqcuired by Sega

It is with great excitement that I bring the news that Technosoft games licenses have been bought by Sega. This may not seem particularly exciting but anyone in the know will be aware of the fact that Technosoft is most famed for its wonderful Thunder Force series which were highly praised and well-received shoot 'em ups on the Megadrive (Genesis) back when 16-bit consoles rules the world.
Thunderforce 3 and 4 were two of my favourite games on the Megadrive but I never got to play the later games in the series as it moved onto the Playstation and were rare or never released in England.

Technosoft had been acquired by Pachinko manufacturer Twenty One Company in the early noughts but the company didn't do much with the license at all so it's great news that Sega now has the license and may move the series forward. In Japan Sega will be releasing a compilation collection called Sega 3D Classics Collection 3: Final Stage on the 3DS, it will feature such heavyweight titles including Sonic the Hedgehog 2, Streets of Rage 2, Gunstar Heroes and Turbo Outrun.
Whilst this is a step in the right direction I would love to see Sega proactively use the license and resurrect this amazing series by creating some new games and getting the amazing composers back on the series. A new Thunderforce with retro style graphics and new Technosoft soundtrack... Yes please!

Adventures in Moominland Exhibition at the Southbank Centre

This winter the Southbank Centre, London will be hosting an immersive, interactive exhibition on the wonderful world of the Moomins. For the uninitiated the Moomins are whimsical hippo-like creatures who go through many adventures, philosophise and discuss the bigger questions in life. I enjoyed the Moomin cartoon in the 90's after being scared witless of the 80's stop-motion animation and have a deep love for Moominpappa, Moominmamma, Moomintroll, Snorkmaiden, Little My and their friends.

The Adventures in Moominland Exhibition is being called highly experiential as it will use archival objects from Finnish creator Tove Jansson's life to allow the audience to become closer to the artist and understand her motivation. Audio narrative will be supplied and by being led through seven immersive and interactive worlds people can understand the inspiration behind the many well-loved stories.

The exhibition will run from Friday 16 December 2016 to Sunday 23 April 2017 and time slots will need to be booked as it is a guided exhibition. I hope to be going very soon and will share my experiences here. 

Tetris: The Games People Play - Comic Review

Tetris is a video gaming phenomenon which known the world over and played by hundreds of millions of people on pretty much every device from smartphones to calculators. It was one of the first games that crossed generations and cultural boundaries, being one of the first computer games to be on permanent display at MOMA in America. In the 80's it allowed the world to glimpse what was behind the iron curtain at the height of the Cold War.

Tetris was created in 1984 by Russian programmer Alexey Pajitnov as a side project whilst he was working on artificial intelligence and voice recognition software. It was initially passed hand to hand by floppy disk before gaining worldwide acclaim and fame through very convoluted means.

Box Brown looks at the birth, rise and the behind the scene legal issues surrounding the game. The detailed legalese and business negotiations which make up most of the graphic novel may not appeal to everyone but Tetris’ story is full of surprising twists and turns so it is well worth exploring the issues about chip shortages, copyright infringement and the carve-up of markets in several different confusing contracts. As well as detailing all the players and the complexities that followed Brown provides a philosophical and anthropological view of humanity’s relationship to games and play, which appealed to me as I studied Anthropology in university.

Brown has a distinctive art style and whilst it may not appeal to everyone I thought the simple yellow, black and white palette was clear and uncluttered allowing me to focus on the complex legal maneuverings of the individuals; in this graphic novel narrative is king although the art style is distinctive.

Tetris: The Games People Play succeeds in being an informative documentary about the chequered history of the game but is less successful with the biographical aspects of Pajitnov's life,  apart from cursory drop-ins on his life we see little about his family or his personal circumstances. However for the uninitiated this graphic novel is engaging and informative without being too obtuse with the legal aspects. A solid graphic novel well worth a read but not as accessible as his other work Andre the Giant: Life and Legend which was a more straightforward biography.

LINK- Retronauts Podcast on Tetris

Dead Of Night- Cult TV Review

Back in 1970s the BBC invested a lot into its drama production and in this period there were numerous wonderful programmes created. I've already reviewed Supernatural, which was released in 1977, and now I'm here to review its other highly regarded anthology TV series called Dead of Night. The series ran from 5 November until 17 December 1972 with seven episodes, each of 50 minutes duration. However only three of the episodes have survived as the BBC purged its archives from 1967 to 1978, fortunately the British Film Institute have put the remaining episodes on DVD which is what I watched for the purpose of this review.

The first thing to mention is that the three episodes are all uniformly good in quality with high production costs evident and the acting is solid throughout. I will now share the individual stories and my opinions on them below.

 

The Exorcism

Synopsis: In a remote cottage in the country, four wealthy, middle-class friends gather for Christmas dinner only to find that their meal is ruined by strange occurrences in the house and the possession of one of the group by someone/ something with a grudge to bear; the house holds a tragic past and those present must mourn the past.

Out of all the stories in this collection this is the standout. There is a great central performance from Anna Cropper, who plays the possessed individual. It almost verges on over dramatic but just about reins it in to be deeply affecting with a great payoff at the end.

 

Return Flight

Synopsis:  An air pilot, who has recently become a widower, nearly has an air collision over Germany. However things take a strange turn when there are no signs that there was another plane in the area. As an investigation is carried out his role in WW II and his mental state is brought into question. Did the pilot avoid a mid-air collision with a mysterious plane or is he losing his mind?

This is the weakest story of the three as I found in meandered for the first 40 or so minutes but the final 15 minutes are tense and really draws you in. The conclusion provides closure about the state of mind of the pilot but as a whole the story is very slow and poorly paced in my opinion.

 

A Woman Sobbing

Synopsis: A married couple with two kids are living in a house in the country. Every night the wife can hear a woman sobbing in the attic however her husband cannot hear anything; so is she mad or is it that only she can connect with this spirit?

This is a great story with a shocking conclusion but there are slower moments which look into the married life of a wealthy middle/ upper class family which seem to drag. Anna Massey, who plays the bored and troubled housewife, puts in a powerhouse performance as she questions whether she is actually hearing the crying or whether she is going slowly hearing voices in her head. Her frenzied performance has a ring of authenticity.

The whole DVD package runs at around 150 minutes, and overall is well worth a watch. The classic ghost story is given a modern (at the time it was produced at least) makeover and whilst it won't scare you or shock you like many of the more modern horror films, it will stay with you for a while after you've watched it.

LINK- Children of the Stones: Cult TV Series Review

LINK- The Stone Tapes: Cult TV Review

LINK- Tom’s Midnight Garden: Cult TV Review

LINK- Children of the Dogstar: Cult TV Series Review

The Secret History of Twin Peaks- Book Review (No Spoilers)

Mark Frost, co-creator and executive producer (alongside David Lynch) of the legendary series Twin Peaks, has been teasing the book The Secret History of Twin Peaks for a while now. When it was first announced a few months ago I, like many Twin Peaks fans I'm sure, promptly per-ordered it to find out the fate of the characters and delve deeper into the world. Well I waited with bated breath to receive my copy and it was delivered a week ago. I read it between my other commitments and I finally finished reading it yesterday and these are my thoughts. I won't spoil it for you so please be aware that this is spoiler free territory.

First of all I should state that rather than a novel this is a beautifully produced dossier of faux historical documents, newspaper clippings and articles, revealing a series of historical events and conspiracies about the town of Twin Peaks and the Washington area over a period of over 200 years. For those expecting a more linear narrative this may prove to be disappointing as I know fans are looking for detailed account of what happened to the characters after the events of the cliffhanger in season 2. However what this dossier does provide is immersive and rich resources which are clearly designed to show how paranormal activity has been surrounding Twin Peaks for hundreds of years; this deepens and broadens the scope of the series and gives the events of the series much more context.

The book starts off with a letter from FBI Deputy Director Gordon Cole, who was played by Lynch in the original TV series, asking an agent to go over the contents of a box found at a crime scene that “appears to have a relationship to an investigation conducted in northwest Washington State many moons ago.”

The mysterious Archivist, who produced the dossier contained inside the box, has been carrying out research on strange phenomena and the history of Twin Peaks. The dossier starts with the taking of the land that would become Twin Peaks from the indigenous Indians and moves over to prospector gold rush times to the rise of the logging mills at the turn of the 20th century. It then moves into X-Files territory with reports throughout concerning Roswell, UFOs, Nixon, the Freemasons, the Illuminati, Project Blue Book, the Majestic 12, Alistair Crowley, L. Ron Hubbard, Jack Parsons... and Jackie Gleeson (of Honeymooners fame). All pretty heavy stuff full of intrigue and mystery but probably not what fans of the series were expecting when they purchased this novel.

The dossier provides the history of a few of the prominent families and individuals and it does reveal the fates of a few of Twin Peaks character's from the cliffhanger in season 2 but the majority of this patchwork dossier focuses on the relatively obscure character of Mayor Milford's brother Douglas, who emerges as the closest thing to a 'lead'. This proves to be a little disorientating but I have found it incredibly enthralling and have been carrying out research on the prospectors of the time, D.B. Cooper and Project Blue Book. The last time a TV series made me do this was Lost or even Evangelion, so that is high praise indeed! The book is similar in style to House Of Leaves by Mark Z. Danielewski, not in content or style but the feelings it evokes... A sense of mystery and unease, very much like the show itself.

The book doesn't initially seem to give too much away about the mysteries of Twin Peaks as I'm sure they're leaving that up to the upcoming season 3 but I think that the book merits repeat readings as I feel that throughout there were hidden meanings and secrets waiting to be discovered. The plethora of diagrams, photographs and sketches draw you in and make the whole dossier feel 'real'.

Overall I'd say the book was not what I expected but it took me on a journey that was both strange and wonderful. There are a lot of profound truths about the human condition contained within and there were moments of revelation that left me questioning our place in this world.

Well worth a read with a cup of coffee and a piece of cherry pie!

The Secret History of Twin Peaks is a beautifully presented book ©Macmillan/ Mark Frost

Mortal Kombat- Cult Film Review

Ah Mortal Kombat... or should that be MORTAL KOMBAT!

The arcade game arrived in a baptism of fire with controversy surrounding it in 1992. I enjoyed the visuals and gore and the game held me in thrall at a newsagents I frequented on my way to school. There were many times when I was nearly late for school due to playing the arcade game and getting quite far as I spammed Raiden's flying torpedo move. I loved the games series in the 90's on the Megadrive and when the movie was announced I was intrigued but not enough so to watch it at the cinema. Whilst looking through the available films on Amazon Prime I saw the film was available and so I finally had the chance to scratch this itch and so I took it!

This move made completing the game pretty easy.

The plot is basic fighting game 101; Mortal Kombat is a once-a-generation tournament in which fighters battle for the fate of their worlds. The evil sorcerer Shang Tsung and his evil underlings have won 9 tournaments in a row and if they win the tenth one, they will gain the Earth. Three humans are manipulated by Raiden, ably played by Christopher Lambert, to take part in the tournament and defeat this evil whilst also fighting their own demons (metaphorically speaking). Liu Kang, wants to avenge the death of his brother, actor Johnny Cage wants to prove that he isn't a fake martial artist and military officer Sonya Blade  wants to avenge her partners death at the hands of Kano, an underworld boss.

Will the ragtag group overcome their personal issues and win Mortal Kombat? Of course they will but it's the journey that matters in this story.

The movie is incredibly cheesy with one-dimensional characters but the well-choreographed action sequences make it all worthwhile. The dialogue, whilst corny, has Johnny Cage deliver a few great one-liners and the techno-trance beat soundtrack sits well alongside the high octane fight scenes. The film design should be praised as the atmosphere of the first 2 games is conveyed well with the set and the lighting in the film being quite impressive.

Overall the unpretentious nature of the film gives it heart, in its earnestness to tell the ridiculous story the film has a lot of personality and character. Paul W. S. Anderson is an able if unremarkable director, he is most famed for his sci-fi and video game film adaptations (the most popular of which is the Resident Evil film series) and this is one of his best adaptations.

If you are looking for a guilty pleasure then this film is definitely worth your time, it is good cheesy fun!

Dear Esther Concert Was Emotional

Dear Esther is the game that helped to create a sub-genre in video games upon its full arrival in 2012; the walking simulator. As I've mentioned before the genre divides opinion amongst gamers but for me it doesn't matter. As soon as Dear Esther started and I was confronted with the sound of crashing waves, views of an old abandoned building and a melancholic voiceover I was invested.
But even more than the game it is the music that has remained with me. Even after all these years I can still remember the sound of the delicate piano theme.
I am a big fan ofthe composer and game co-creator, Jessica Curry and it was through this game that I discovered her. So a chance to see the score performed live with a playthrough of the game with Dan Pinchbeck, the other co-creator of The Chinese Room and Curry's husband , was unmissable for me and I can honestly say that I wasn't disappointed. The venue, the Milton Hall at the Barbican, was a sellout and there was a diverse range of audience members. On a huge projected screen the game was set up ready to be played, the opening scene left for all to admire as the auditorium filled up.

I wasin the front row and so had an amazingly close view of the concert.

Upon starting the game Pinchbeck made his way through the game, stopping at opportune moments to show the beauty of the game, and the live narrator read excerpts from the games script, which sent warm waves of nostalgia through me. The orchestra played the entire soundtrack andalongside the perfectly frames shots, it shows that Dear Esther is still a handsome game.
The concert lasted 1 1/2 hours and was a wonderful experience, reducing the elderly lady sat next to me in the front row to tears. At the end of the concert Curry came on stage to receive a bow and thank the orchestra and her husband. After the concert I headed down to collect my bag from the cloakroom and overheard many people sharing their opinions about the game and reminiscing about the game, it was great being amongst my nerdy peers and the environment being inclusive and non-toxic.
I hope this concert starts a trend for other game studios to perform their soundtracks live with a playthrough of their games as I do feel that there is definitely an audience for it.

Great Retro Finds in Charity Shops

I love trawling through charity shops as you never know what you are going to find. There's a lot of random rubbish but every now and again you find some 'treasure'. Come on a wonderful journey with me through the musty shops from around England!

And when Jack got to the top of the beanstalk he found a giant Cyclops.

Poor old Bagpuss, he's always left on the shelf.

This film used to scare the heck outta me as a kid. This novelisation was a bargain at 1 quid but this gets me a-thinking, what's happened to all the novelisations?

Polly Pocket was huge when I was a kid, for boys there was Mighty Max.

You don't find anything to do with Farthing Wood for ages then two come along at once... this book was in another charity shop but two finds in a few days is great for this elusive series.

I bought this for my daughter for 3 quid and she loves it!

This ThunderCats puzzle is pretty expensive but I'm sure a fan of the show will snap it up.

This ThunderCats puzzle is pretty expensive but I'm sure a fan of the show will snap it up.

This Bread game costs a lot of dough

This Bread game costs a lot of dough

Not sure I'd call it a classic animation, classic game definitely!

Space Invaders... 50p a credit!

I used to love this series as a kid, now..... hmm, not so much. However I still love the sad piano theme.

I loved the Animals of Farthing Wood as a kid and found these videos in a shop but the tapes weren't all there.

The cult classic at a snip... under a quid! Well that'll do nicely, so long and thanks for all the fish!

Action Man was never that popular a cartoon... but using 90's street words like 'extreme' is not going to help sell it to kids, they're too smart to fall for that!

I loved the books but could never afford the game as a kid, now it's still quite expensive second hand.

How Games Move Us- Book Review

Reading through my copy of Edge I came across an advert for three books which look at various aspects of gaming. I am always looking for books that look at the impact of gaming on society and so purchased a copy of How Games Move Us.

Katherine Isbister's How Games Move Us is an interesting critique of the current conversation surrounding video games and how the talk has not really moved on, even there have been some amazingly profound and deep games created over the last few years that require a higher level of thought and conversation to be had.

The first part of the book titled A Series of Interesting Choices: The Building Blocks of Emotional Design looks at the strategies and techniques used to create an emotional experience. Isbister examines the role of NPC's, avatars and the meaningful choices presented within games that invest you in the worlds. It's an interesting look at why humans can attach meanings to inanimate objects and illusory 'real-world' choices. I found the examination of 'Love Sims' particularly insightful as this is a real example of the real world being affected by video games which depend on emotions. In Japan there are many men who 'date' their virtual girlfriends at the cost of getting real world girlfriends. The trend is so worrying that Japan is the only country in the world with a contracting and aging population.


Avatars, NPC's and meaningful choices encourage rich emotional experiences and Isbister covers this well in her first chapter. She looks at how there has been a move to allow customisation of avatars but also how there are characters with no discernible characteristics that could be anyone, this universality calls to mind the points made by Scott McCloud.

The second chapter, Social Play: Designing for Multiplayer Emotions looks at what happens when gamers play with other people. It does away with the idea that gamers are solitary players who engage in video games in isolation but rather that most gamers are social and play with others either online or from within the same room. It looks at research that corroborates anecdotal data that people like playing games against real people rather than the computer, there is a need for human interaction and intimacy occurs through social play and having active experiences. It delves into the building blocks designers use to provoke an emotional response: coordinated action, role-play, and social situations. The chapter is fascinating and especially when discussing the changing world of MMO's when new rules are introduced but players have a sense of etiquette and do not abide by the new rules but follow the collective older orders.

Chapter 3, Bodies at Play: Using Movement Design to Create Emotion and Connection, looks at how physically moving creates a connection between the avatar and the individual. The Nintendo Wii is discussed here and so are the Kinect and Move, all ways to get people moving in their sedentary hobby of video games. Dance based video games are discussed and DDR is talked in the context of creating lots of social connections and groups. There are a variety of indie games cited and they all look suitably wacky. The international senior citizens Wii competition, which allows people in old people homes to compete against one another is wonderful inventive. The results of the research show that people who share physical activity and have a mutual gaze have a longer positive social effect, in short people bond easier when they are together physically. In an age of wearables and movement based controllers the social and emotions connections forged can be deep. However it could lead to issues with identity and who is the real you?

The penultimate chapter; Bridging Distance to Create Intimacy and Connection, looks at the changing face of connection. Initially connection meant that players would be in the same room playing together, humans are designed to not be alone but rather a part of a community. With networked connections and online play connections can be created in different ways. The chapter considers Words With Friends, people challenging each other over potentially long distances without any bonding but the through the act of playing together bonds can be formed. In the game Journey your character collaborates with a random person on the Playstation Network and through in game sounds you can communicate but it is not any language that could be expanded to have a meaningful conversation.  Together you head towards the light at the top of the mountain and only together can you do some of the activities or see the wonders. At the end of the game as both avatars are reaching the zenith of the peak the snow falls heavily and it is only through the use of each others' body heat that you can ascend, and even then you don't make it. Journey is a profound experience and is better shared, the connection formed with the people who joined you has been said to be spiritual for a lot of gamers including me. The chapter looks at how games like Journey are creating intimate bonds between random strangers on a network.

The book finishes with Endgame: A Few Last Thoughts in which Isbister provides a fitting conclusion about why videogames should be talked about on a higher academic level than they currently are.

How Games Move Us is a well written and well researched book which attempts to present new ways to think about and appreciate video games. Isbister tries to move the conversation forward and that can only be a good thing. This is an enlightening and interesting read for anyone interested in the power of games and I recommend it for anyone who is engaged in gaming but also wants to think about the impact it has culturally and socially in our lives.

The Offworld Collection - Book Review

I started this website in 2013 for a couple of reason, to show my passion for video games and share my thought but also to move the conversation forward on gaming culture. I found that often there was a culture of insularity among many gaming sites, often only covering the big titles. I wanted to cover the weird, quirky, strange and fringe games from the view of an educationalist, a teacher, as I think some games can be a contextual hub for learning. There are a few sites I have found along the way that I feel move the conversation forward and allow the marginalised and non-mainstream to share their views but the most prominent for me was Offworld -BoingBoing, curated by Leigh Alexander and Laura Hudson.

Offworld BoingBoing was a site I'd visit daily for its insightful writing.

The goal of the website was to focus on the writing and game design work of women, people of color and other marginalised people.

In the words of Alexander herself:

"Offworld is a place for curious and playful grown-ups... there will be an unequivocal and uncompromising home for women and minorities, whose voices will comprise most of the work published here," reads the site's initial statement. "We're looking forward to loving games again".

Over the course of a year the website published diverse, personal and insightful writing about video games from the perspective of an often underrepresented audience. I found the articles spoke to me and the pieces made me think about games and gaming culture at a higher level. I knew of Leigh Alexander through her work at another excellent website, Gamasutra and her articles in Edge magazine and had been following her work for many years. I find that she is often a champion for the underrepresented and marginalised and so when the Kickstarter for the release of the Offworld Collection book started I supported it as I felt that it was important to back something I felt so strongly about. Also the book looked pretty kickass; highlights from the website in luxury hardback format, sign me up! So, after a very long preamble, what of the book?

Well, it starts with a foreword by Alexander which discusses her motivations for the work she did on the website.
The book proper is split into 58 essays, each covering a wide range of topics. I won't go into detail about all of the essays here but will choose a few of the pieces I liked.

The books starts off with Gita Jackson's 'We Are Not Colonist' which is like a call to arms: it states proudly that minority voices are now being heard, they did not just appear out of thin air, they were always there but were not always being heard.

'Should You Kill Monsters, Or Try To Save Them?' by Laura Hudson looks at the intricacies of Undertale, discussing the choices that the player is given, the simplicity of the sword or the path of compassion. The essay considers how even the smallest, silliest decisions have repercussions within the game and how the story stays with you for a long time.

'I Love My Virtual Untouchable Body' by Aevee Bee, which is written from the point of view of a transitioned person, looks at character design and how it can be empowering to design an avatar and be who-ever you want to be.

'Video Games Without People of Colour Are Not Neutral' by Sidney Fussell, considers how the heroes of fantasy worlds are often white heroes who exist in white worlds. Defenders of racially homogeneous period fantasy say this destroys the illusion and quote quasi-historical sources to support their claims. This is a strange argument but for some non-white characters in fantasy games are less ''realistic'' than dragons.

Games can deliver ethically sophisticated social and political commentary, many game makers are acutely aware of this and in these increasingly complex times I am glad that there exist forums, website and in this case, a book that provokes critical and reflexive thinking. Engaging with things we don’t know about or understand has the power to open a new world to us, to introduce us to new ideas, cultures and experiences that we would maybe never otherwise encountered. The Offworld Collection is required reading for anyone who wants to have a deeper and more meaningful understanding on what video games can mean. It is a fine anthology book and the variety and depth of essays is remarkable.

Bjork Digital Exhibition Review

Iconic Icelandic singer Bjork has been making music for over 30 years and in that tine has collaborated with some of the world’s best filmmakers, visual artists and programmers. Bjork Digital is a celebration of her career and the exhibition covers her work right up to the present day.

Bjork Digital is designed to be an immersive experience and through the use of virtual reality (VR) technology takes you into her avant-garde world. There are more conventional screens that show her videos in regular 2D but as a pioneer of new technologies the emphasis is definitely on the new and emerging technologies.

The exhibition is guided for the first four stations and is restricted to about 25 people to ensure that everyone is comfortable in the spaces and that there are enough VR headsets available. The activities are:

Black Lake
The first room in the exhibition is a dark room which contains two widescreen TVs mounted on walls that are facing each other. The video for 'Black Lake' starts and shows two aspects of the same video, so on one screen you see Bjork singing in the Icelandic hillside and in the other you see the view she is seeing, the video constantly swaps around and so you see different aspects of the same video. The sound surrounds and envelops you, the floor vibrates with the bass and the whole effect is immersive.

Virtual Reality
The next two rooms are virtual reality experiences using the Oculus Gear VR and Bowers and Wilkins headphones. Through the use of 360 dome cameras the videos are filmed and stitched together to give you complete 360 degree freedom, this does give you a sense of presence but the downside is that you cannot move forward but only look around.   

Stonemilker
Stonemilker places you in the 360 degree landscape of Grótta beach in Iceland. Bjork sings the song and during the course of the video multiplies, at one time there are three Bjork's singing! The detail is impressive and even though the technology showcased is quite old the effect is wonderful as you feel very close to Bjork physically as she sings and sashays to her lyrics and music. This is the closest most of us will ever get to the pioneering musician.

Mouth Mantra
Mouth Mantra is a VR video again and has the same technical set-up as for Stonemilker but is a very different experience, placing you inside Bjork’s mouth. The VR video shows very white teeth, no fillings and lots of tonsil and tongue... I was fine watching this but I can imagine some people really struggling to watch this.

Notget
This VR experience was the highlight of the exhibition for me. Using a real-time graphics engine the image of a glowing orange mask with decorative lines sings, as the song progresses a body starts to emerge and starts to shoot out neon sparks. It reminded me of the patterns found in a Cave bullet hell shoot'em ups videogame mixed with the visuals of the video game Rez and the entrancing quality of a Sharon Apple concert from Macross Plus. This VR experience shows the potential this medium can have, the music dynamically changing as you moved. This experience really immersed me and I can see the possibilities of VR concerts.

These were the guided and timed part of the exhibition but the rest was available to go through at your own pace. 

The Cinema
Bjork has worked with some of the finest music video directors on the business and this room shows her back catalogue of music videos. People were sitting all over the floor and watching her videos, I entered the room just as the music videos from her last two albums came on. I sat for their duration as I have seem all the others due to the fact I have them on her 2 part DVD collection, Volumen but haven't seen any of her video since. It was wonderful to see how Bjork's music videos had changed over time and I had a chance to appreciate it with my fellow Bjork fans.

Biophilia
In one of the side rooms there were numerous tablets set up with the Biophilia suite. I've spoken about the app before but for the uninitiated Biophilia is an education app that combines music with technology, musicology is you will. The app is excellent and I have used it in class to teach music theory. The fact that it contains a voice-over by one of my favourite humans, Naturalist David Attenborough is an added bonus.

Overall the exhibition is well worth a visit. Fans of Bjork will find much to like and experience and for the uninitiated the VR experiences may convert you into this technology.

The Children of Green Knowe - Cult TV Review

For the Cult TV reviews I like to watch stuff that is almost forgotten to time. The Children of Green Knowe, Lucy Boston's time-slip novel, is exactly this. A series that is fondly remembered by those who saw it and forgotten to later generations. I only came to it by finding it in my recommendations after purchasing The Secret Garden BBC series on DVD (which I will be reviewing next) and thought to give it a try. Apparently faithful to the original source material the series is a story about a young boy, Tolly, who comes to live in an old country house with his grandmother. However the 17th century Stuart inhabitants of the old family house appear to young Tolly but remain elusively aloof. As time passes his grandmother tells him tales of horses, a gypsy curse and a creature that haunt the grounds. All young Tolly wants to do is meet and talk to the ancestors of the house and break the family curse but this is more difficult than it seems.
The role of Tolly is earnestly played by Alec Christie and that of his grandmother is wonderfully acted by Daphne Oxenford - who gives a warm performance. The pacing is deliberately slow and gentle and the characters are given time to develop and breathe, the relationship between the grandmother and her grandson is sweet and has the ring of truth.

Special mention must go to the beautiful music, composed by Peter Howell with the help of the BBC Radiophonic Workshop (who also created the Dr Who theme), which complements the stunning scenery and wonderful cinematography. The interior shots of Peterborough Cathedral and the rousing music during this particular scene are a particular highlight.

In the 70s and 80s the BBC invested heavily in producing quality children's programming and it is often these series that have stood the test of time, some better than others. The atmosphere and charm that make it impossible to dislike this series and it is a shame that this gentle time-slip story has been almost forgotten. As someone who has never seen the show before I'd say that if you are looking for a gentle way to unwind for a couple of hours you couldn't go far wrong with The Children of Green Knowe.

Now "Make up a great blaze and I'll tell you a story!"

New Tate Modern Building Is Brutal(ist)

The Tate Modern opened its doors in 2000 and welcomes about 5 million visitors a year. On 17 June 2016 a new building was opened to allow the curators to display a greater variety of artworks and show more artists from around the world. I went today to see what the new exhibition but more interestingly the building. I found the artworks to be okay but the building was interesting, beautiful in a brutalist way. If you get a chance go and see it as it has a few video exhibits which are photo montages of Thailand and the political system.